Anime
See Ghost in the Shell’s Reach Across Decades at Official Exhibition
Following the 30th anniversary of Mamoru Oshii‘s iconic anime film adaptation and closing in on the 40th anniversary of Masamune Shirow‘s original manga, Ghost in the Shell remains a stalwart sci-fi franchise. Starring Major Motoko Kusanagi, she and her colleagues at Public Security Section 9 are ever at odds with near-future technology as criminals find new ways to mask their identities, infiltrate government and corporate entities, and terrorize the populace.
The anime series spans multiple continuities, from the first movie to Ghost in the Shell Arise, Ghost in the Shell: Stand Alone Complex, and now the Science SARU television series, slated to premiere in July. All of this and much more was on display in a multi-room, immersive exhibition at the Tokyo NODE business space within the Toranomon Hills Station Tower in Roppongi Hills.
The 873-ft (266-m) high-rise is built atop the Tokyo Metro Roppongi Hills station. Commuters exit the station onto the ground floor of the 49-story building. At the very top is Tokyo NODE, the mixed-use exhibition space where both interactive and display exhibits centered on GitS took over from January 30 through April 5. The exhibition has since moved on (I was lucky to catch it at the tail end of its run), but it has plans to open at the Hyogo Prefectural Museum of Art in Kobe this summer.
After catching my breath from the glass elevator ride up to the top floor, I was greeted by an interactive Tachikoma. I greeted the blue spider-like robot and, in his usual child-like voice, he responded in turn with a little wave of his claw.
When I was done cooing at the cute robot, I went down a dark hallway that opened up to a giant, wrap-around screen suspended from the ceiling. Wires of every color were strewn around it as circular facts were projected across it and onto the ceiling. Several feet in front was a long block-like bench, creating an amphitheater. Behind it were several touchscreen stations that provided direct input to the giant screen.
Each kiosk served as a search engine for vast amounts of data directly related to all The Ghost in the Shell anime iterations. Participants could search for specific animated scenes, characters, terminology, sci-fi objects, and more. The giant screen would then “dive” into the information point and display it on the giant screen for everyone else in the room.
After exiting the giant display room, I walked through another hallway where they displayed key art posters from the anime series. At the end of the hall, a TV aired interviews with Mamoru Oshii (Ghost in the Shell), Kenji Kamiyama ( Ghost in the Shell: Stand Alone Complex), Kazuchika Kise (Ghost in the Shell Arise), and Shinji Aramaki (Ghost in the Shell: SAC_2045). Unfortunately, these interviews were not subtitled, but I’m hopeful they might be released in a subtitled format someday. Clips on the exhibition’s official Instagram account do include English subtitles.
The next room was, what I imagine, a massive undertaking and truly exemplifies how much work went into putting the exhibition together. The giant space included production material displays from every major Ghost in the Shell anime entry. Many were displayed under glass on tables or suspended from the ceiling between glass panes. The latter allowed visitors not only to see the finished animation materials but also to look at them from the back to appreciate the coloring process. In some cases, a colored cel was displayed next to its earlier genga draft.

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Also on display was a plethora of background art, interactive multimedia exhibits like shirts that blurred on camera and traditional Japanese clothes reimagined from a sci-fi angle. One of the most prominent displays was a full-size robot based on the art of Hajime Sorayama. The well-known artist collaborated on this season’s The Ghost in the Shell, designing the anime logo.

We closed out our immersive experience at the tie-in Tokyo NODE cafe. The expansive space (with a gorgeous view) was serving up Fuchikoma burgers with dyed buns, a Laughing Man latte, a Tachikoma drink, and Batou’s favorite beer.
Want to experience Ghost in the Shell: The Exhibition yourself? The exhibition is currently at the Hyogo Prefectural Museum of Art until August 30.
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Anime
‘Katainaka no Ossan, Kensei ni Naru II’ Unveils Additional Cast Pair, Fourth Promo
The official website for the television anime adaptation of Shigeru Sagazaki‘s Katainaka no Ossan Kensei ni Naru (From Old Country Bumpkin to Master Swordsman) light novel unveiled an additional pair of cast and a fourth promotional video for the second season on Friday. The anime series premiered on July 8 at 11.45 p.m. on TV Asahi, followed by AT-X and BS Asahi.
Voice actors Kensho Ono (Jigokuraku) and Sumire Uesaka (Shunkashuutou Daikousha) are joining the cast as Warren Flumvelk and Shueste Flumvelk, respectively.
Akio Kazumi (Hitoribocchi no Isekai Kouryaku) is directing the anime at Passione and Hayabusa Film. Kunihiko Okada (Seiken Gakuin no Makentsukai) is handling the series composition. Satsuki Hayasaka (Yatogame-chan Kansatsu Nikki) is designing the characters and serving as the chief animation director. Yasuharu Takanashi (Tsuki ga Michibiku Isekai Douchuu) is composing the music.
Produced by Passione and Hayabusa Film, the first season aired for 12 episodes in Spring 2025. Amazon Prime Video is streaming the anime series worldwide.
Sagazaki began writing the novel on the Shousetsuka ni Narou website in November 2020. Square Enix began publishing the light novel under its SQEX Novel imprint in April 2021, with illustrations by Tetsuhiro Nabeshima (Inu to Hasami wa Tsukaiyou). The 11th volume was released on August 6.
A manga adaptation by Kazuki Satou began in Young Champion magazine in August 2021. Akita Shoten published the ninth volume on June 26.
J-Novel Club licensed the light novel in English in October 2023. The tenth light novel volume went on sale on August 10. Yen Press licensed the manga in March 2024. The fifth manga volume was released on April 28, with the sixth volume scheduled to be released on September 22.
PV4
Source: Comic Natalie
News submitted by Safuan12616
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Anime
My Sword Saint Master Is Too Cute to Live With! TV Anime Confirmed, Reveals Visual – News
An official X/Twitter account confirmed on August 7 that author Kennoji and artist R_ringo‘s My Sword Saint Master Is Too Cute to Live With! (Dōkyo Shiteiru Kensei no Onna Shishō ga Kawaisugite Mainichi Shiawase Desu) manga will get a television anime adaptation. Deregula is producing the anime. The staff revealed a teaser visual.

©ケンノジ・R_りんご/KADOKAWA/ウェイブ
Kadokawa‘s listing of the manga’s second volume in January had previously listed a television anime for the manga.
The manga launched on the KadoComi website in March 2024. The second volume shipped on January 23.
Seven Seas Entertainment announced at Anime Expo in July it has licensed the manga. The company describes the series:
One Man’s desire to become strong leads him to a powerful Sword Saint. While she’s got plenty of physical prowess and strength, her ditzy personality and stunning looks make her hard to resist! A fun and sexy rom-com manga that will get your blood flowing.
Her stats? Stacked. Her power? Unmatched. Her looks? Deadly gorgeous. There’s no better mentor to have than Liza Parsandra, a powerful Sword Saint, and Eugene Dawson is the lucky man chosen to be her trainee! But living and training with someone like Liza has unique challenges, especially when it comes to her scatterbrained nature. Between Liza’s ditzy moments and tendency towards skinship while training, Eugene has a hard time focusing on the right sword when he’s constantly in contact with the beautiful swordswoman!
Seven Seas Entertainment will release the manga starting in June 2027 as part of its Ghost Ship imprint.
Kennoji‘s other works include: Drugstore in Another World: The Slow Life of a Cheat Pharmacist, The Girl I Saved on the Train Turned Out to Be My Childhood Friend, I Time-Traveled and Confessed to My Teacher Crush, and Hazure Skill. Drugstore in Another World: The Slow Life of a Cheat Pharmacist inspired a television anime in July 2021.
Sources: My Sword Saint Master Is Too Cute to Live With! anime’s X/Twitter account, Anime Hack, Comic Natalie
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Anime
‘Yowaki MAX Reijō nanoni, Ratsuwan Konyakusha-sama no Kake ni Notte Shimatta’ Anime Casts Shizuka Ishigami – News
Ishigami voices Rufus Stan as a child; new voice drama streamed
Kadokawa announced one more cast member on Friday for the television anime of Hiro Oda‘s Yowaki MAX Reijō nanoni, Ratsuwan Konyakusha-sama no Kake ni Notte Shimatta (Even Though She’s a Timid Young Lady to the Max, She Agreed to Her Shrewd Fiancé’s Bet) light novel series. Shizuka Ishigami voices Rufus Stan as a child.
Kadokawa is also streaming a “visual video” featuring a voice drama titled “Aru Natsu no Hi no Futari” (Two People on a Certain Summer Day).

©小田ヒロ・Tsubasa.v/KADOKAWA/弱気MAX製作委員会
The anime will debut in October, and will star (character name romanizations are not confirmed):
Nobuaki Nakanishi (I Shall Survive Using Potions!, Shin Koihime Musō TV) is directing the anime at Jumondo. Hiroko Fukuda (Headhunted to Another World: From Salaryman to Big Four!; Our Dating Story: The Experienced You and The Inexperienced Me) is overseeing the series scripts, and Moe Hyūga (The Angel Next Door Spoils Me Rotten, Victoria of Many Faces) and Natsuki Hamada (Always a Catch!) are composing the music at Kadokawa.
Other staff members include:
The romantic comedy centers on Pia, an ordinary grad student who gets reincarnated as a 10-year-old background villainess in an otome game. She remembers the game ends with her engagement with the prime minister’s son Rufus Stan called off and her banishment from the land, so she asks Rufus to already break the engagement while they are young. But her request only piqued Rufus’ interest in her more, and he makes a bet with her to see if he will really call of their engagement in seven years.
Oda launched the story on the Shōsetsuka ni Narō website in January 2020. That early version has nine chapters and ended with two epilogue chapters. Kadokawa started publishing the novels with illustration by Tsubasa.v in August 2020, and the seventh volume shipped in April 2024. (Oda has since posted more tie-in short stories and spinoffs on Shōsetsuka ni Narō.)
Aji Murata launched a manga adaptation on Comic Walker as part of Kadokawa‘s Flos Comic website in 2021. Kadokawa published the manga’s fifth compiled book volume on February 16. The overall project has 1.2 million copies in circulation.
Source: Press release
Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. One or more of the companies mentioned in this article are part of the Kadokawa Group of Companies.
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