movies
Did O.J. Simpson Have An Accomplice? Peacock Doc Suggests He Did
Peacock is launching a two-part documentary that claims to offer “real evidence” that suggests members of O.J. Simpson’s inner circle may know more than they’ve let on about the brutal murders of Nicole Brown Simpson and Ron Goldman.
The NBCUniversal streamer has ordered OJ’s Accomplice from Ample Entertainment.
The two-part doc will premiere in December and will “challenge long-held assumptions about the case that captivated a nation”.
Nicole Brown Simpson – O.J’s ex-wife – and Ron Goldman were murdered on June 12, 1994. Former NFL star Simpson was charged with the murders and became a fugitive after failing to turn himself in to the LA Police Department and instead took off in a White Ford Bronco on a ride that was watched live by millions.
However, O.J. Simpson was acquitted of both murders in 1995 after an eight-month trial, although Goldman’s father filed a civil suit against the Naked Gun star and a jury found him responsible for the deaths.
Peacock is exploring the fact that law enforcement “never seriously considered the idea” that Simpson may not have acted alone.
The documentary “challenges the dominant narrative around the O.J. Simpson murder saga and offers real evidence suggesting that what we thought we knew about the most obsessed-over crime story of all time could be all wrong.”
It will feature interviews with Kato Kaelin and Nicole Brown’s sister, alongside never-before-heard first-person accounts from eyewitnesses and presents new information “raising questions as to whether members of OJ’s inner circle may have been there that night.”
Created by Ample boss Ari Mark, who exec produces alongside Sumit David, Sphere Abacus is handling international distribution of the two-parter.
Ample Entertainment is behind series such as Netflix’s This Is The Zodiac Speaking and Peacock’s Diddy: The Making of a Bad Boy.
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movies
Warners Pushes ‘Gremlins’ Movie a Year, Moves DC’s ‘Dynamic Duo’
Audiences will have a to wait awhile longer for the next Gremlins movie, with Warner Bros. moving the release date of its untitled third installment in the franchise back 11 months.
The film will now open Oct. 6, 2028, back from its previous date of Nov. 19, 2027. Chris Columbus, who wrote the 1984 original Gremlins is directing and writing the script with Final Destination Bloodlines duo Zach Lipovsky and Adam B. Stein.
Amblin Entertainment’s Kristie Macosko Krieger and Holly Bario are producing with Columbus, Michael Barnathan and Mark Radcliffe via 26th Street Pictures. Steven Spielberg executive produces. The original, Joe Dante-directed feature centered on adorable creatures and spawned the 1990 sequel, also directed by Dante.
Warners has also shifted the date for DC Studio’s Dynamic Duo, an animated feature that will focus on two young men who have held the mantle of Robin — Dick Grayson and Jason Todd. It hails from puppeteering and animation studio Swaybox, and will be a mix animation, puppetry and CGI. Matt Aldrich is penning the script, with DC Studios‘ James Gunn and Peter Safran producing with The Batman director Matt Reeves’ 6th & Idaho.
The new date places it five months ahead of The Batman: Part II, which opens in February 2028.
More to come.
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movies
‘Dynamic Duo’ & Untitled ‘Gremlins’ Head To Fall 2028: Warner Bros Release Date Changes
Warner Bros has made some release date changes, unrelated to its pending marriage with Paramount.
The DC Robins-origin puppet meets animation feature, Dynamic Duo, is moving from June 30, 2028 to Sept. 22, 2028. The reason being is because Warner Bros distribution believes this will be a good back-to-school animated feature slot for not just K-12, but also teens and college kids. The movie has the potential to his the Spider-Verse crowd.
Coincidentally, this shifts Dynamic Duo away from Paramount’s big feature take of video game Call of Duty on June 30. There are no Paramount movies on Sept. 22, 2028.
Also shifting forward, is Chris Columbus directed untitled Gremlins which is moving from Nov. 19, 2027 to Oct. 6, 2028 (Warners has had good luck in that first weekend of October with Joker). Gremlins wasn’t up against any Paramount movies on its 2027 date, nor is it on its new weekend.
Dynamic Duo marks the first joint project between DC Studios and the Bill Damaschke-led WBPA.
The 6th & Idaho movie scripted by Matthew Aldrich is being made by a new animation studio out of New Orleans named Swaybox and that studio’s husband-and-wife creators Arthur Mintz and Theresa Andersson. Mintz will direct this movie
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movies
Ex-Disney CEO Bob Chapek Blames Bob Iger For Ouster In New Memoir
Bob Chapek, fired as Disney CEO in 2022 after less than three years, lays the blame for his ouster squarely on Bob Iger in a upcoming memoir, according to the New York Times, which obtained a copy.
Behind the Castle Walls: My Thirty Years at the Happiest Place on Earth comes out Sept. 29 from Gallery Books, a division of Simon & Schuster.
“My abrupt dismissal hurt my reputation, leaving those close to me, outsiders and some within the kingdom trying to figure out what I did wrong,” Chapek writes. “The answer, again, is nothing.” Instead, he claims that Iger, who had handpicked him for the job, relentlessly and intentionally sabotaged him.
Chapek’s belief on that front is no secret but he lays out his thoughts and defends his tenure publicly at length for the first time in the book. He calls himself a disrupter and writes, “I didn’t get a chance to finish what I started.”
Iger resigned abruptly as Disney CEO in February of 2020 after an epic run but remained as executive chairman for two years, retaining control over creative endeavors at the company and reporting directly to the board of directors. Chapek reported to both the board, and to Iger. The two clashed. Chapek suggests that Iger believed he could reclaim the job whenever he wanted, the NYT says.
Describing Iger’s exit from Disney, Chapek wrote, “I have been told by several high-ranking people both in government and private business that in their opinions, the real reason he left the company so abruptly was his anticipation of the arrival of Covid.”
Disney declined to comment.
The company has denied the pandemic had anything to do with Iger’s exit. Iger has said he wanted to wind down after a successful run. He felt at the time that Chapek was the right person for the job.
“I had been CEO for about 15 years. I started the company in 1974m at ABC. I had been around a long time. There were plenty of things in the world that I was interested in that I either wanted to do or wanted to learn more about. I had not really had a day off in I don’t even remember,” Iger told a NYT DealBook conference in 2023 about his departure. He said he was “disappointed in what I was seeing, both during the transition period when I was still there and while I was out. But I really worked hard at distancing myself from it because one, I couldn’t do anything about. It in a way, it wasn’t my business at all, really. It was his business to run.”
Soon after he started as CEO, Chapek was being pilloried on several fronts including management decisions that vexed key executives, and a public fight with star Scarlett Johansson that alienated talent. The company’s response to legislation (dubbed the ‘Don’t Say Gay’ bill) in Florida angered both Disney employees and Gov. Ron DeSantis. His ouster came shortly after Disney reported a greater than expected $1.5 billion streaming loss for its latest quarter.
Chapek’s apparent rubber stamp by the Disney board, followed by his rocky tenure, was used as ammunition by activist investor Nelson Peltz in a bruising proxy fight with the Mouse House.
Iger returned as chief executive after Chapek was fired and remained in the job through March of this year. Josh D’Amaro, head of Disney’s giant theme parks and experiences business, was named CEO after a considerably more robust executive search process.
Chapek, a 30-year Disney veteran, had also been running parks and experiences when he was anointed chief. He had worked with D’Amaro and says he was instrumental in the current CEO’s ascent. “I consistently suggested the idea of promoting him,” Chapek wrote. “He had been a relative unknown in the corporate hierarchy before I singled him out.”
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