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TV Finally Remembers It’s Supposed to Be Fun | Commentary

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Twenty-six seconds into the first trailer for Fox’s “Baywatch” reboot, a plane crashes into a parasail, dragging two screaming girls into the watery abyss. There’s a lot of abs, slow motion and thigh-high swimsuits as the lifeguards literally jump into action. A few seconds later, Noah Beck’s character rides the submerged plane like a kneeboard as his co-worker pulls him on speedboat.

It’s an insane, extravagant trailer that makes you question what the hell you just watched. And it’s exactly what TV’s been missing.

For the past decade and a half, so many shows have felt like they’ve been chasing in the footsteps of “Breaking Bad,” pushing the envelope of cable, broadcast and later streaming to tell more cinematic stories. More often than not, “cinematic” has been code for “bummer” as an increasing number of networks unveiled shows of varying quality about conflicted, navel-gazing antiheroes. TV shows being described as multi-hour movies became such a pervasive trend in the 2010s and early 2020s that “BoJack Horseman” mocked the description with a tongue-in-cheek letter to TV critics from its showrunner character Flip McVicker in Season 5.

But while great storytelling has always existed on television, the joy of the medium has long coincided with its wild swings and borderline insanity. There’s a reason why the phrase “jumping the shark” — used to describe the moment when a show, movie or franchise does something so unhinged that it signals an often permanent decline in quality — originated from Henry Winkler’s Fonzie jumping over a live shark on “Happy Days.”

More than film, TV is meant for water cooler conversations. It’s meant for shocked tweets and TikToks as well as rushed texts to friends about how you can’t believe what you just witnessed.

After years of “9-1-1,” “Outer Banks,” “Grey’s Anatomy” and Nathan Fielder holding down the WTF forts, that chaotic and joyful energy has blissfully reemerged on television this year.

It was there in HBO’s “A Knight of Seven Kingdoms,” a fart joke-laden comedy set in the world of “Game of Thrones.” The joy of the medium was there in Peacock’s “The Fall and Rise of Reggie Dinkins,” a comedy that Indiewire’s Ben Travers said “goes a long way toward filling the void” of NBC’s heyday of must-see TV. It was there in Prime Video’s “Sterling Point,” a young-adult series that The Guardian’s Micha Frazer-Carroll described by noting, “If escapism is the brief, then ‘Sterling Point’ fulfills it expertly.”

And — of course — fun, wild WTF moments defined the sweeping comedy of the year, Apple TV’s “Widow’s Bay.” The horror comedy, which has been described as “the kind of magic trick that shouldn’t by any means work” and of “striking a tone that feels genuinely new” was so acclaimed that it won 14 Emmys this year for its first season, beating longtime Outstanding Comedy Series leader “Hacks.”

And it did so without being a huge bummer.

Is this all to say that 2027’s “Baywatch” will be the next “Widow’s Bay?” Of course not. But it’s about time that TV once again embraces its fun side. Not everything needs to be “important” or even “good.” Sometimes you just want to watch a lifeguard diving into a flaming ocean.

The post TV Finally Remembers It’s Supposed to Be Fun | Commentary appeared first on TheWrap.

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Scarlett Johansson To Produce ‘Assassins’ Reality Show For Peacock

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Scarlett Johansson is getting into the reality television business.

The Black Widow star is exec producing Assassins, a new series greenlight at Peacock.

The series comes from Sony’s B17 Entertainment and founders Brien Meagher and Rhett Bachner are exec producing alongside Johansson.

Assassins follows a group of players competing in a game of strategy and wit inspired by the live-action game played in real life around the world. From the moment they arrive, each player is assigned a target — one person they must eliminate before the season is out. But in this game, every hunter is also the hunted, and no one is ever safe. With shifting alliances and deception, only the most calculating player will survive to win it all, per the logline.

The game, which is popular on college campuses, is essentially a version of tag, which itself was turned into The Ultimate Tag for Fox in 2020.

It is the latest competition series based on a real-life game and follows, most notably, Peacock’s own series The Traitors, which is loosely based on Mafia. NBC is currently airing The Traitors: New Blood with Peacock airing season six of the celebrity edition next year.

There have been a number of competition series where contestants are hunted; CBS aired Hunted, based on Channel 4’s British series, for one season in 2017, while The Runner, which came from Pilgrim Media Group and Matt Damon and Ben Affleck, launched on go90 in 2016.

It’s not clear how Johansson got involved in Assassins, but she becomes the latest A-list star to exec produce a reality competition, joining the likes of Brad Pitt, who exec produces Fox’s Lego Masters.

B17 Entertainment is behind series including Fox’s Extraction, ABC’s The Final Straw and Roku’s Thanks A Million.

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Duane Keith Davis Sentenced to 40 Years to Life for Tupac Shakur Killing

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Duane Keith Davis Sentenced to 40 Years to Life for Tupac Shakur Killing







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BAFTA Winner Narges Rashidi Signs With TFC Management

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EXCLUSIVE: Narges Rashidi, who recently won the BAFTA for Leading Actress for her portrayal of Nazanin Zaghari Ratcliffe in BBC’s Prisoner 951, has signed with TFC Management.

The series, directed by Phillipa Lowthorpe and also starring Joseph Fiennes, told the true story of Zaghari Ratfcliffe’s wrongful seven-year imprisonment in Iran and her husband’s subsequent fight for her release. In addition to the BAFTA, Narges also received two Royal Television Society Awards along with several other award nominations for her portrayal of Nazanin.

Narges is perhaps best known in the U.S. and the UK for her role as fearless mobster ‘Lale’ in Gangs of London for Sky/AMC, which is heading into its fourth and final season in 2027. Narges also performs the majority of her own stunts across the series.

Her breakthrough role was leading Babak Anvari’s 2016 critically acclaimed and multi-award winning Persian-language film Under the Shadow, which premiered at the Sundance Film Festival. For her performance, Narges received a nomination for Best Actress at the BIFAs, a well as the Breakthrough Actress award at the New York International Film Festival.

Narges’ other credits include Netflix feature Havoc opposite Tom Hardy and indie feature Last Swim, which won at Berlinale 2025. Narges has a long list of German credits, including series The Allegation, which won the Dior Grand Prize at Canneseries in 2021.

Founded in 2020 by David Stone and Ben Jacobson, TFC Management reps on-camera talents such as Dakota and Elle Fanning, Shira Haas, Lashana Lynch, JD Pardo, Dan Ings and Josh Hutcherson, as well as such creators, filmmakers, novelists and producers as Warren Littlefield, Brian Yorkey, Megan Park, Adam Reed, Akiva Goldsman, Courtney Lilly, Josh & Jonas Pate and Rebecca Serle.

TFC’s sister company, TFC Productions, most recently produced the Apple series Margo’s Got Money Troubles, created by David E. Kelley and starring Elle Fanning, which recently received eight Emmy nominations, including Outstanding Comedy Series.

Rashidi will continue to be repped by The Artists Partnership in all areas.

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