
Jesse Eisenberg and Kristen Stewart in ‘American Ultra’ (2015)
The next DCU series is upon us with the arrival of “Lanterns,” the new series created by Chris Mundy, Damon Lindelof and Tom King, which will introduce audiences to more of the Green Lantern Corps. after Nathan Fillion’s Guy Gardner debuted in “Superman.”
But “Green Lantern” is just kicking off its week-to-week episodic release, so if you’re looking for a good superhero show you can binge-watch on HBO Max right now, there’s good news: the streaming service is home to some of the best of them out there.
So whether you’re in the mood for an animated classic or an Emmy-nominated drama, here are the best superhero series streaming now on HBO Max right now.

No list about DC on television would be complete without mention of “Batman: The Animated Series.” Bruce Timm and Eric Radomski’s animated adventures of the Caped Crusader remain influential to this day, redefining the character for a new generation. The series would eventually continue in numerous successful follow-ups, including “The New Batman Adventures” (which is included as “Batman: TAS” Season 3 on HBO Max), “Batman Beyond” and the theatrically released “Batman: Mask of the Phantasm.”
One of the show’s greatest contributions was the introduction of Kevin Conroy as Bruce Wayne/Batman. Conroy’s rich, deep voice set the gold standard for Batman adaptations going forward. The late Conroy would go on to appear in a number of future Batman projects, including shows, movies and video games. Often joining him was Mark Hamill as The Joker (also introduced in “Batman: TAS”). Hamill’s pitchy, delirious vocal performance provides a perfect balance of Joker’s humor and menace, ranking him among the best of the Clown Prince of Crime’s many iconic portrayals.
Beyond Joker, the commitment to the Dark Knight’s vast coterie of supervillains in “Batman: TAS” helped the show make its mark on the superhero’s legacy. Several members of Batman’s rogues gallery today feel inextricable from the stories presented in “The Animated Series.” Paul Dini penned a new backstory for Mr. Freeze in the early episode “Heart of Ice,” revolutionizing future interpretations of the character in comics. Dini and Timm also created Harley Quinn in the show’s first season, introducing a character who has since crossed over to become one of DC’s biggest characters on the page and the screen. More recently, Mike Flanagan cited “Batman: TAS” two-parter “Feat of Clay,” by Marv Wolfman and Michael Reaves (starring Ron Perlman as Clayface) as an inspiration for the upcoming “Clayface” movie.

“Doom Patrol” carries the distinction of being one of the more “comic booky” shows on HBO Max, adapting one of DC’s strangest superhero teams in all their weird glory. The show was among a handful of series to premiere on DC’s own streaming service, DC Universe, before moving over to HBO Max. DC Universe has since transitioned into the comics-only platform DC Universe Infinite.
The series takes inspiration from Grant Morrison’s foundational comic book run on “Doom Patrol.” Though the super team was created by Arnold Drake, Bob Haney and Bruno Premiani in 1963’s “My Greatest Adventure #80,” Morrison revolutionized the team with their surreal, off-beat writing style. It’s considered a signature book from Morrison, who’s regarded as one of the great DC writers for their stories like “All-Star Superman” and “JLA.”
The show captures the strangeness of the Doom Patrol well, introducing TV audiences to the team of Jane (Diane Guerrero), Elasti-Woman (April Bowlby), Negative Man (Matt Bomer), Robotman (Brendan Fraser), Cyborg (Joivan Wade), The Chief (Timothy Dalton) and more. The series ran for four seasons, carrying one of comics’ oddest teams through 46 episodes of weirdness.

Another show that moved from DC Universe to HBO Max, “Harley Quinn” brings DC’s now iconic character back to animation in an R-rated series of her own. The show stars Kaley Cuoco as the titular Batman character, stepping out from The Joker’s shadow as she discovers herself outside of their abusive relationship.
The comedy series has been lauded for its use of the expansive DC universe (particularly as it involves lesser-known characters) and humorous portrayals. Fans of the Harley Quinn/Poison Ivy duo have likewise praised the progression of their romantic relationship over the course of the show. Some DC fans may critique the overexposure of the character (especially since Margot Robbie’s introduction in 2016’s “Suicide Squad” helped skyrocket her popularity), but “Harley Quinn” is still a beloved example of how entertaining the highly comic character can be.

Also spawning from the expansive Bruce Timm animated TV universe, “Justice League Unlimited” follows up the “Justice League” cartoon with a bigger roster and deeper cuts from the DC Universe. Conroy returns to voice Batman in both “Justice League” series, joined by founding members Superman (George Newbern), Wonder Woman (Susan Eisenberg), John Stewart’s Green Lantern (Phil LaMarr), Martian Manhunter (Carl Lumbly), Wally West’s Flash (Michael Rosenbaum) and Shayera Hol’s Hawkgirl (Maria Canals-Barrera).
The series, which ran from 2004 to 2006, sees Timm and his crew play with a bigger toybox than ever before, taking the love for DC Comics exhibited in their other shows and demonstrating it on a grander scale. The animated format allows for a broader look at the DC world than any live-action project has managed, folding characters like the New Gods and members of the JSA into a series with Kryptonians and Amazons of Themyscira. To date, it’s one of the strongest representations of comic book storytelling in film and television.

One of the newer entries on this list, “My Adventures with Superman” is a thrilling cartoon adaptation of the Man of Steel that both understands the character’s history and manages to put a new spin on his world. Jack Quaid and Alice Lee are an exceptional pair as Clark Kent and Lois Lane, perfectly capturing the incredible chemistry of one of comic books’ best couples. Ishmel Sahid has a fun and lively take on Jimmy Olsen — a character it’s nice to see return to the spotlight in recent years. As of Season 3, we also have Kiana Madeira’s Supergirl as a permanent and much-appreciated addition to the team after her Season 2 introduction as a follower of Brainiac.
Three seasons in, showrunners Jake Wyatt, Brendan Clougher and Josie Campbell have already made their mark with an exciting animated adaptation of the Last Son of Krypton. The third season (which concludes the same day that “Lanterns” starts) introduces Jessica Cruz ahead of a planned “My Adventures with Green Lantern” spinoff. It also puts a few twists on the classic Triangle Era of Superman comics, tackling such stories as “The Death of Superman” and the introduction of Superboy (in this iteration, Jonathan Kent). The show is a blast from start to finish, and one of the most creative and enjoyable takes on Superman’s mythos ever.

Fans were introduced to John Cena’s Christopher Smith, also known as Peacemaker, in “The Suicide Squad.” “I cherish peace with all my heart,” he says in the film. “I don’t care how many men, women and children I need to kill to get it.” When Gunn announced that the character would be receiving a spin-off (prior to the film’s release), it became an immediate example of “Who asked for this?”
Whoever did, we should be grateful.
In “Peacemaker” Season 1, Gunn plumbs the depths of his broken protagonist, exploring the tragedy and insecurity that inform his twisted mission. This continues in Season 2 as Cena shows even greater depth. Like every Gunn project, the show has a lot of humor and a lot of heart (in some select instances, competing against each other). Also, like every Gunn project, the series boasts a strong ensemble, one consisting of Danielle Brooks, Jennifer Holland, Steve Agee, Freddie Stroma, Robert Patrick and, in Season 1, a particularly exceptional Chukwudi Iwuji (who later played The High Evolutionary in Gunn’s “Guardians of the Galaxy Vol. 3”).
But “Peacemaker” is the most the writer/director has ever gotten to work with a character in an uninterrupted stretch, and it shows. On top of being a fun superhero adventure, “Peacemaker” features some of Gunn’s strongest and most resonant character work to date. Cena has never been better.

Matt Reeves’ Gotham universe expanded in “The Penguin,” a limited series from Lauren LeFranc further exploring Colin Farrell’s titular criminal. If “The Batman” evokes a Fincher thriller in the world of the Dark Knight, “The Penguin” is “The Sopranos” for the Gotham underworld.
Farrell is completely dialed in, delivering a transformative performance as Oz Cobb, otherwise known as The Penguin. The actor makes the villain as hateable and pathetic while also selling himself as a dynamic underdog. It’s a tough line to walk, but Farrell delivers some of his best character work yet. Love him or despise him, Farrell’s Oz is never anything less than wholly engaging. Equally impressive is Cristin Milioti, who plays the spurned Falcone daughter, Sofia. Milioti’s fiery and passionate performance is a highlight of the series and a fantastic addition to this Batman world. “The Penguin” won numerous Emmys in the Limited Series division, including Outstanding Lead Actress In A Limited Or Anthology Series Or Movie for Cristin Milioti. It’s not hard to see why.

The CW DC universe (known as the Arrowverse) was a massive project consisting of several interconnected shows. Though “Superman & Lois” didn’t start until nearly a decade after “Arrow” began the world (and it kept its crossovers to a minimum), it remains arguably the universe’s finest series.
The show revamps the Superman mythos by dropping in on Clark Kent and Lois Lane when their twin sons, Jonathan and Jordan, are teenagers. Though this takes a page from Peter J. Tomasi and Patrick Gleason’s DC Rebirth-era “Superman” comics (in which Superman and his young son Jon Kent were superheroes together), it also changes this formula in key and exciting ways.
From the show’s first moments, “Superman & Lois” demonstrates a perfect understanding of these characters and what makes them lasting. Tyler Hoechlin and Elizabeth Tulloch deliver two exceptional performances as this iconic comic couple. They are some of the best renderings of Clark and Lois to date.

“Watchmen” isn’t the best story in the “Watchmen” universe, nor is it the best television series created by Damon Lindelof. Instead, it has to settle for merely being an exceptional piece of television and comic book storytelling.
The limited series presents an all-new story in the world of “Watchmen,” skipping decades ahead of the events of Alan Moore’s esteemed comic book series. The show features several returning characters (such as Jean Smart as Silk Spectre and Jeremy Irons as Ozymandias) as well as newcomers — primarily, Regina King’s central protagonist Sister Night.
“Watchmen” takes the spirit of Moore’s comic book into a new era, presenting an intelligent superhero story with thematic weight and stellar performances. The original story has had a lot of poor follow-ups, but Lindelof’s HBO series should not be counted among them. It is, quite possibly, the best DC TV series to date.
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More than a decade later, Kristen Stewart is treating fans to another stoner comedy with her role in The Wrong Girls, now in theaters.
While discussing the Dylan Meyer-written/directed film, she acknowledged some similarities between one of the dual roles she plays in the movie and her character in the 2015 action comedy American Ultra, who was also a stoner.
In The Wrong Girls, Frankie (Stewart) and Molly (Alia Shawkat) are codependent stoner best friends who have to come up with a way to pay the rent in 24 hours, all while discovering a mysterious drug that allows them to read minds and communicate telepathically.
Although Stewart plays an unmotivated college dropout as Frankie, the character soon runs into her doppelganger Frances, who works at a government agency developing the psychic drug.
In the Nima Nourizadeh-helmed American Ultra, penned by Max Landis, Stewart played Phoebe, a government agent who fell in love and went into hiding with her asset Mike (Jesse Eisenberg), a test subject in another superhuman drug trial. Could Phoebe be Frances’ undercover persona?

Jesse Eisenberg and Kristen Stewart in ‘American Ultra’ (2015)
“Whoa, yeah, actually that does make sense because didn’t that storyline—she was an official lady working at a government agency,” Stewart told Deadline. “Fuck, dude, actually that’s deep as hell, right?”
Meanwhile, Meyer might already have some ideas for a sequel, noting she does “get the impulse to sort of build out the universe,” and writing the first film over 14 years, based on stories about her and her best friend. “I’ve been asked about a sequel, and there’s room in this material for that to happen. They basically get superpowers at the end of the movie,” she explained.
Noting that she doesn’t “currently” have plans for a sequel, Meyer admitted, “There’s so much left there. But I also think it’s hard to compete with the first one of anything. So far, this is just one that’s a complete story, but I could easily write for them forever. There’s no shortage of material for me in that area.”
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Directors Ally Pankiw and Kate Herron have both shared on social media that they declined offers to direct episodes of HBO’s forthcoming “Harry Potter” TV series over author J.K. Rowling‘s well-publicized anti-trans views.
Pankiw, whose credits include the Seasons 6 and 7 premieres of “Black Mirror,” shared a screenshot on Instagram of a text exchange between her and her agent in which she immediately turned down the opportunity to work on “Potter.”
“I have an instinct on the answer but I feel compelled to ask. ‘Harry Potter’? Hard no?” the agent wrote, to which Pankiw replied, “Absolutely f—king not! lol (But thank you for asking).”
“Of course 🙂 I assumed as much (And agree),” her agent replied. Meanwhile, in the caption of her Instagram post, Pankiw called out those who have signed on to work on the HBO series, writing, “It simply is this easy to say no to funding transphobia! (Also this was for directing, not acting … obviously lol)”
Director Kate Herron, who helmed the entire first season of Marvel’s “Loki” as well as episodes of “The Last of Us” and “Margo’s Got Money Troubles,” wrote in the comments section of Pankiw’s post that she has similarly turned down offers to direct “Potter.”
“❤️❤️❤️ Yeah thank you exactly! Respect and love to you Ally,” Herron wrote. “They’ve asked me twice and I’ve had to explain my answer is never gonna change from a no.”
“Also want to shout out the amazing @herronthatkate who also said ‘no’ … twice! And that’s actually hard!” Pankiw later wrote in a Instagram story post resharing Herron’s comment.
Pankiw and Herron’s comments come just a few days after “Superman” star Nicholas Hoult was cast as Gilderoy Lockhart, a role originally played by Kenneth Branagh, in the second season of HBO’s “Potter” adaptation. (Hoult, notably, was the one of the lead stars of “The Great,” a Hulu original series that Pankiw directed two episodes of.)
Rowling’s outspoken transgender views have proven to be a major talking point for the “Harry Potter” show ever since it was announced. As production has commenced and characters have continued to be cast, those involved in the drama have come under fire online for their willingness to work on a project that Rowling not only created but stands to profit and benefit from.
Certain “Potter” actors, such as Bel Powley, Paapa Essiedu and Nick Frost, have made it clear that they do not share Rowling’s anti-trans views. In an interview with The Telegraph published Monday, Powley said, “I strongly disagree with J.K. Rowling’s views on gender. I think that the trans community deserve safety and dignity and respect and total acceptance.”
“But I love ‘Harry Potter,’” Powley added. “I grew up with the books. I am from that first generation of readers and, again, I love magic and spookiness.”
In an interview on “The Town” podcast last May, HBO Chairman and CEO Casey Bloys said that Rowling is free to have her own opinions and reiterated that the “Harry Potter” TV show will not be secretly “infused” with her views.
“The decision to be in business with J.K. Rowling is not new for us. We’ve been in business for 25 years,” Bloys said. “It’s pretty clear that those are her personal, political views. She’s entitled to them. ‘Harry Potter’ is not secretly being infused with anything. If you want to debate her, you can go on Twitter.”
The series’ first season, titled “Harry Potter and the Philosopher’s Stone,” is slated to premiere Dec. 25 on HBO and HBO Max. The adaptation has already been renewed for a second season.
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Leaked footage of Spider-Man: Beyond the Spider-Verse has made its way online and co-writer Chris Miller is putting them on blast.
A trailer for the third installment of the animated movie starring Miles Morales, which is set to hit theaters on June 18, 2027, was leaked on social media and Miller has already made his thoughts clear on the matter.
“Not a fan of unfinished, not fully rendered footage,” Miller posted on X, the microblogging platform formerly known as Twitter.
Sony Pictures and Marvel have not made a statement regarding the leak but Deadline has reached out for comment.
Earlier this year, Paramount faced a similar situation when a full version of The Legend of Aang: The Last Airbender leaked online by a fan. The fan was seemingly frustrated by Paramount’s decision not to release the film in theaters and opting for a streaming release.
The Legend of Aang: The Last Airbender was originally slated to premiere in theaters on October 10, 2025, but it was later pushed back to January 30, 2026. In December 2025, Deadline reported that the film, greenlit by the previous Paramount Animation administration, would not get a theatrical release after all. Instead, the film would stream on Paramount+ on October 9, 2026.
Following the leak, animator Julia Schoel, who worked on the film, took to X to express her thoughts, saying, “We worked on the aang movie for years with the expectation that’d we’d get to celebrate all of our hard work in theaters, just to see people unceremoniously leak the film and pass our shots around on twitter like candy.”
Paramount investigated the leak and arrested an individual in Singapore who gained illegal access to the film and if found guilty, the suspect could face up to seven years in prison, a fine of up to $50,000 or both.
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