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‘Outer Banks’ Season 5 Soundtrack: Tame Impala To The Cars

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EXCLUSIVE: Outer Banks has come to an end after five seasons on Netflix, but a prequel set in the same world is in the works.

A memorable needle drop early on in Season 1 of the series, which arrived in 2020, was Alt-J’s “Left Hand Free,” which became an anthem for the Pogues and reminiscent of John B’s (Chase Stokes) van Twinkie.

The show also made waves with placements such as Celeste’s “Strange,” Dr. Dog’s “Where’d All the Time Go” and The xx’s “Intro” charting Billboard’s Top TV Songs chart in 2021 after they featured in the show’s second season.

Season 5’s playlist includes songs from Mazzy Star, Ray Charles, Fcukers, The Nude Party, SYML, The Cars, Stevie Wonder, Dr. Dog, Jr. Thomas & The Volcanos, Tame Impala and more.

Episode 501: “The Crossing”

  • “Half Heart” by New Candys
  • “Napas” by Mercan Dede
  • “The Ratchet Cowboys of Bareback Ridge” by Warbaby
  • “La Esperanza” by Oscar Martos
  • “Mehana” by Daliborovo Granje
  • “Zvijezda vodilja (Guiding Star)” by Branko Galoic
  • “Za krlakom cimer” by Dunja Knebl & Kololira
  • “Kolo Poskocica – Lindo” by Lado
  • “Hainin” by Daliborovo Granje

Episode 502: “The Crown”

  • “Dark Will ft. Jacob Lusk” by Bonobo 

Episode 503: “The Square Grouper” 

  • “Rippling Waters” by Speedy West
  • “Do You” by Ghostwoman
  • “Where Are You” by Jane Street
  • “Ooo Baby Baby” by La Lom
  • “It’s About Being Free Really” by The Brian Jonestown Massacre
  • “Love Remedy” by Jr. Thomas & The Volcanos
  • “Blue Light” by Mazzy Star
  • “I Will Not Follow” by Gringo Star
  • “Lazy Bones” by WITCH
  • “Melody’s Actual Echo Chamber” by The Brian Jonestown Massacre
  • “Rugged Walk” by The Rugged Nuggets
  • “N’Bani” by Dizzy Gillespie
  • “Louie” by Arcy Drive
  • “If I Got It (Your Love Brought It)” by Aaron Frazer
  • “Mr. Sun” by Marshbanks
  • “Slay” by Miss Red
  • “Bobby Bobylon (extended version)” by Freddie McGregor
  • “Get It In The End” by Benny Trokan
  • “Game Over” by Antelope
  • “Antenna Up” by Dan Ubick
  • “Worth His Weight In Gold” by Steel Pulse
  • “Our Time In The Sun” by Jeremie Albino
  • “Dixie Queen” by The Thing
  • “Welcome You Back Home” by Jackie Opel & Doreen Schaffer
  • “Black Creek” by Brent Cobb

Episode 504: “Inside Job” 

  • “gold to me.” by tøm hughes
  • “Wading Out” by Favourite People
  • “BLOODHOUND ROCK” by JD McPherson
  • “A Real Mother For Ya” by Johnny Guitar Watson
  • “El Millonario” by Gitkin
  • “Burning Fire” by Jr. Thomas & The Volcanos
  • “Running In and Out” by Dwayne Ellis
  • “Geneva Strangemod” by Glyders
  • “Ernie” by Fat Freddy’s Drop
  • “On The Road” by Rattlesnake Milk
  • “Not Any Longer” by Lijadu Sisters
  • “Who’s Got The Bacon” by Howie B.

Episode 505: “The Scytale”

  • “Down On The Street” by The Stooges
  • “Someday Baby feat. Lyrics Born” by R.L. Burnside
  • “Bam Bam” by Sister Nancy
  • “More Than Memories” by Jr. Thomas & The Volcanos
  • “Records” by The Nude Party
  • “Make It Out” by The Stews
  • “Hey” by Mapache

Episode 506: “The Big Easy”

  • “Sinking In The Sand” by Hanni El Khatib
  • “Terra Ignota” by Allah-Las
  • “Salem Town” by Greg Humphreys
  • “Dreamhorse” by Workhorse
  • “Sing a Simple Song (Sly & The Family Stone cover)” by The Meters
  • “Love Me Tonight (No Sax Solo)” by Sandra-Mae Lux
  • “Drown In My Own Tears” by Ray Charles
  • “Shaken and Taken” by Jake La Botz

Episode 507: “Bal des Sauvages” 

  • “Moody Wind (Instrumental)” by Anthony Lazaro
  • “hospital beach” by Cottonwood Firing Squad
  • “Downtown” by The Runarounds
  • “Magic Mountain” by Hollow Ship
  • “Tres Pasajeros” by Chicha Libre
  • “Fact 67” by The Brian Jonestown Massacre
  • “Borderline” by Tame Impala
  • “Flashback” by Cat’s Eyes feat. Xue Sujuan
  • “Dyin’ To Be Dancin’ (Radio Edit)” by Empress
  • “End Of Summer” by Tame Impala
  • “The Web (inst)” by The Ironsides
  • “Deadly Valentine (Soulwax Remix)” by Charlotte Gainsbourg
  • “Going Back To Where I Belong” by Sugar Pie DeSanto
  • “WILLING” by JJUUJJUU
  • “Kong” by Glass Beams
  • “A Girl Like You” by Edwyn Collins
  • “Faith’s Hymn” by Beautiful Chorus

Episode 508: “The Runway Part 2”

  • “Symmetry” by SYML
  • “Shoebox” by Lilah Pate (*Daughter of Creator Jonas Pate & star in The Runarounds)
  • “Song For You” by Party Of The Sun
  • “Walk That Walk” by Nude Party
  • “UMPA” by Fcukers
  • “Speak My Mind” by The Gnars

Episode 509: “Arise, Arise” 

  • “Hot Ghee” by Night Beats
  • “Left Alone Blues” by Dude Standphill

Episode 510: “The Storm and What Came After” 

  • “Remember To Breathe” by Sturgill Simpson
  • “Death Song” by Hey, Nothing
  • “Come On Home” by Lijadu Sisters
  • “Good Times Roll” by The Cars
  • “I’ll Give it To You” by The Tonettes
  • “We All Belong” by Dr Dog
  • “For Once In My Life” by Stevie Wonder
  • “Weather Report (Simon & Garfunkel cover)” by The Tennors
  • “A Lingering Love” by Fruit Bats
  • “Invisible Ink” by King Tuff

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The Life And Adventures Of Santa Claus Movie From Monarch Media In Works

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EXCLUSIVE: Monarch Media has enlisted Kali Bailey to adapt the screenplay for The Life and Adventures of Santa Claus, a live-action feature adaptation of the children’s book by L. Frank Baum.

First published in 1902, Baum’s book follows Santa Claus from an abandoned baby in a magical forest near Oz, to his beloved role of spreading peace, love and lots of toys at Christmastime. Recognized as one of the greatest fantasy writers of the 20th century, Baum is best known for his 14-book series, The Wonderful Wizard of Oz, which of course inspired the 1939 film classic The Wizard of Oz.

Monarch principals Steve Barnett, Alan Powell and Vicky Patel will produce the new movie.

This isn’t Bailey’s first time working with the Monarch Media team, having co-written the company’s coming-of-age film A Week Away, which spawned the Angel Network series of the same name. She went on to co-direct multiple episodes of the spinoff series and also wrote and directed the Angel Network sci-fi film The Lightning Code.

Speaking to the origins of the Life and Adventures movie, Monarch’s Barnett said: “I’ve been obsessed with the origins of Santa Claus for a long time, so discovering that the incredible L. Frank Baum had explored that backstory was really exciting. Santa is one of the few fictional, global icons, and this story taps into that shared mythology. Kali has created a sweeping, four-quadrant adventure that feels timeless yet fresh—a big, emotional ride that will connect with everyone around the world, across cultures and generations.”

Monarch’s credits include producing the Richard Linklater film Hit Man, starring Glen Powell, and the animated feature Tangles, starring Julia Louis-Dreyfus, Bryan Cranston, Seth Rogen and others, which premiered to critical acclaim at this year’s Cannes Film Festival. Their comedy Babies, directed by Lauren Miller Rogen, and starring Seth Rogen, Anna Kendrick, David Strathairn, Sharon Stone, Ed Helms and Issa Rae, is slated to premiere at the upcoming Toronto Film Festival and will be released theatrically this fall.

Monarch is also producing an untitled Nick Jonas holiday rom-com for Netflix, to be directed by Ari Sandal, and is currently prepping a remake of coming-of-age film A Walk to Remember.

Bailey is repped by First Story Entertainment and attorney Joshua Lastine of Lastine Entertainment Law.

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‘Miami Vice ’85’ Movie Casts Camila Morrone

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EXCLUSIVE: Universal and Joseph Kosinski’s Miami Vice ’85 movie is adding even more star power to its growing ensemble as Camila Morrone is set to co-star opposite Michael B. Jordan and Austin Butler.

Kosinski will direct the latest feature adaptation of the classic ’80s crime series, which has a script by Dan Gilroy. Alden Ehrenreich and Whitney Peak recently joined the cast.

Miami Vice ’85 explores the glamour and corruption of mid-1980s Miami in an all-new version of Miami Vice, inspired by the pilot episode of the landmark Universal Television series that influenced culture and set the style of everything from fashion to filmmaking. The movie will l be filmed for Imax and is set for release on May 19, 2028. Production will begin this year.

The film is produced by Dylan Clark/Dylan Clark Productions and Kosinski. Gilroy’s script is based on characters created by Anthony Yerkovich from the series he executive produced with Michael Mann; Eric Warren Singer wrote an earlier draft of the screenplay. EVP Production Development Sara Scott and Creative Executive of Production Development Christina Hoffrogge will oversee the project for the studio.

Morrone has already a big year after earning strong reviews for her role in the Netflix series Something Very Bad is Going to Happen. Following the series’ premiere in the spring, Morrone met on several high-profile projects, with Miami Vice ’85 looking like a strong contender. Sources say the final chem tests with Butler happened over the weekend, and the offer came shortly after.

Morrone was also recently seen in the second season of The Night Manager opposite Tom Hiddleston. Next up, she is one the leads in Netflix’s series adaptation of The Age of Innocence, and later this year she has Patricia Arquette’s film Gonzo Girl opposite Willem Dafoe.

Morrone, who received an Emmy nomination for Prime Video’s Daisy Jones & The Six, is repped by WME, Brillstein and lawyers Steve Warren & Huy Nguyen.

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Yahya Abdul-Mateen II Says “Optics Are Obvious” Of ‘Wonder Man’ Cancellation & ‘Blade’ Reboot Delays: “It Should Be A Priority To Change That Narrative”

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Yahya Abdul-Mateen II shares his take on the online discourse over Disney and Marvel’s decision to cancel Wonder Man after one season, and the continued postponement of the Blade reboot.

In a new interview, the actor is asked about the conjecture that fans are making about the Disney+ series and the Marvel superhero film, both led by Black men.

“I think the optics are obvious. If I’m a big business, if I’m Disney, if I’m Marvel, I don’t want to be attached to these optics,” Abdul-Mateen told Vanity Fair. “So it should be a priority to change that narrative and to do what it takes to responsibly change that narrative with quality stories, with quality resources.”

He continued, “I felt that our show did have quality story, did have quality resources, did have quality actors and people, and did produce quality results that the viewers responded to positively, that the voters responded to positively. So our show does deserve some study and some real, hard information about why a show like this did not continue forward, because it had all of the ingredients that one would want in a show.”

Despite Marvel renewing Wonder Man for a second season, it recently announced that the studio had walked back on that renewal and the series would not move forward past Season 1.

Abdul-Mateen also recently earned an Emmy nomination for his work on the Disney+ series.

Similarly, the Blade reboot, which had Mahershala Ali attached to star, has been stuck in development for years, and Marvel’s Kevin Feige recently stated he felt “like a gigantic loser and failure” for not being able to get it done.

Ali subsequently called out Marvel and said that if the studio “wanted to do it, we would’ve done it,” adding, “I have to move on, and I have moved on.”

Marvel first confirmed the Blade reboot with Ali back in 2019, but the project has since been met with multiple delays, including directors Bassam Tariq and Yann Demange’s exits from the film and the 2023 WGA strike.

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