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Disney TV Acquisitions Exec Chuck Saftler to Exit After 32 Years

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Disney TV acquisitions executive Chuck Saftler is exiting the company after more than 32 years.

Saftler, whose last day in the office will be Oct. 16, said in a memo to staff that he is stepping down from his role as he considers a “new professional chapter.” Most recently, he served as head of acquisitions for ABC, Disney Kids and Family, FX and National Geographic.

“Chuck’s enduring commitment and countless contributions over the past three decades have had a profound impact on the company,” FX Chairman John Landgraf and Disney Entertainment Television Chair Debra OConnell said in a joint statement. “Chuck was a part of FX from the very beginning and played a defining role in shaping and strengthening the network at every stage. His intelligence, humility, and remarkably good judgment have made him a trusted voice, and his influence will be felt for years to come.” 

Sean Cocchia EVP, Global Entertainment Networks, Research and Business Operations, Disney Entertainment Television, will assume leadership of network acquisitions, integrating the team into his broader programming strategy and business operations portfolio following a transition period.

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Karen Bass Urges Paramount’s David Ellison, California AG Rob Bonta to ‘Find Common Ground,’ Reach Settlement on WB Merger Lawsuit

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Los Angeles Mayor Karen Bass is urging David Ellison and California Attorney General Rob Bonta to “find common ground” and settle a lawsuit seeking to block the pending $110 billion Paramount-Warner Bros. Discovery merger.

“While there are varying perspectives on the proposed transaction, today we are united around one clear message: It is time for all parties to come to the table,” Bass said during a news conference on Thursday. “The continued uncertainty is not good for workers, not good for productions and not good for the future of this industry. Too many productions in L.A. are now at a standstill, which means Angelenos are out of a job and they’re not getting paid.”

“As mayor, I cannot stand by while the job security of thousands of hardworking union members is being put at risk. That is why we are calling on Paramount, Attorney General Rob Bonta, and all relevant parties to come together, engage directly and in good faith, and work urgently to find common ground and keep our vital industry in Los Angeles at a time when film and television production is already facing significant challenges,” Bass continued. “We cannot afford prolonged uncertainty that delays investment, puts production on hold, and creates greater instability for thousands of workers and family. Any resolution must put workers and the long-term health of our entertainment industry at the center, it must include meaningful and enforceable commitments to keep Paramount and Warner Brothers Discovery in L.A. as well as maintaining jobs, productions, and investments in L.A. and California.”

Bass’ call for a settlement comes after TheWrap was first to report a new study by L.A County’s Department of Economic Opportunity and CVL Economics, which found that the merger could result the loss of nearly 4,500 TV and film jobs over the next three years.

It could also risk 2,661 indirect jobs at small businesses that support production — such as prop houses, printers, transportation companies and other vendors — and 3,204 induced jobs that exist because film and TV workers spend money in the local economy — including restaurants, retailers and service providers.

Overall, the economic impact of losing these jobs would be $1.26 billion in wages, $2.78 billion in economic value, $4.06 billion in total business output and $547 million in tax revenue, including $78.6 million in local taxes — most of which (63%) comes from property taxes, per the study.

Meanwhile, Paramount CEO David Ellison has threatened to begin the process to move the company’s operations out of the Golden State starting Oct. 1 if Bonta does not come to the table on a settlement. Bonta has called the threat “blackmail” and maintains that he is open to a settlement, but that Paramount needs to offer structural remedies, such as divestments, rather than behavioral remedies.

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‘Lanterns’ Premieres Among HBO Max’s Top Titles

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Lanterns is shining brightly on upon its series debut.

The DC Studios series raked in 9.3 million globally cross-platform viewers and 6.6 million in the U.S. in its first three days of availability on HBO and HBO Max, per Warner Bros. Discovery. With regard to streaming, it now ranks among the top five series premieres on HBO Max.

The company confirms that the Lanterns premiere outperformed those of several tentpole series including IT: Welcome to Derry, The Penguin and True Detective: Night Country. Those went on to average 27.1, 19.8, and 17.5 million global viewers, respectively, making a good case for the trajectory of Lanterns.

The premiere episode of Lanterns has showed some longevity, as well, remaining as the No. 1 title on HBO Max’s daily Top 10 list since Sunday.

Lanterns is from co-creators Chris Mundy, Damon Lindelof and Tom King. New episodes air Sunday nights at 6 p.m. PT/9 p.m. ET on HBO and are available at the same time on HBO Max.

The series follows new recruit John Stewart (Aaron Pierre) and Lantern legend Hal Jordan (Kyle Chandler), two intergalactic cops drawn into a dark, earth-based mystery with cosmic ties as they investigate a murder in the American heartland.
 

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‘Lanterns’ Lands Among Top 5 HBO Max Series Premieres With 9.3 Million Viewers

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DC Studios’ “Lanterns” debuted among the top five series premieres on HBO Max.

The series, which stars Aaron Pierre and Kyle Chandler, scored 9.3 million global viewers within its first three days of availability across HBO and HBO Max. Of those viewers, 6.6 million viewers were within the U.S.

The viewership marks DC Studios’ top series premiere on HBO Max, and outperformed some of the debuts of “It: Welcome to Derry,” “The Penguin” and “True Detective: Night Country.”

“It: Welcome to Derry” went on to average 27.1 million viewers while “The Penguin” and “True Detective: Night Country” went on to average 19.8 million and 17.5 million global viewers, respectively. 

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