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Could Spencer Pratt Actually Win L.A.’s Mayoral Race?

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Could Spencer Pratt be Los Angeles’ next mayor? The ex-reality TV villain and first-time Republican politician stunned political experts and plenty of observers when he barreled through the first mayoral debate on Wednesday night and wiped the floor with his opponents. 

“The reality is no matter how many beds you give these people, they are on super meth. They are on fentanyl,” Pratt thundered in an attack on his opponent Nithya Raman’s ineffectiveness on the homeless problem. “The DEA statistics says 90% of this is a drug addiction problem. Councilman Raman’s plan for treatment first? I will go below the Harbor Freeway tomorrow with her and we can find some of these people she’s going to offer treatment for. She’s going to get stabbed in the neck.”

“I actually thought that [Pratt] had a strong performance,” Mike Bonin, executive director of the Pat Brown Institute for Public Affairs, told TheWrap. “I’m sure the debate organizers were worried, going in, about how the reality TV star bad boy would behave. Would he keep interrupting? But he came across as serious and passionate and funny at times.”

Kamy Akhavan, managing director of USC’s Center for the Political Future, said that between incumbent Mayor Karen Bass and Councilmember Raman, Pratt was a candidate who was “really not taken seriously” before Wednesday.

“The expectations of him were the lowest, so he had the most to gain and the least to lose,” he told TheWrap.

An open NBC4 online survey, which did not require respondents to watch the debate, found the Republican candidate crushing his opponents with more than 80% support, far ahead of Bass and Raman.

Pratt’s appearance underscored how outsider personalities with built-in online audiences are testing whether internet attention can disrupt traditional politics. He seemed to make a strong impression for both broadcast viewers and social media scrollers, and experts told TheWrap that, while social engagement alone won’t win a mayoral race, “The Hills” star effectively tapped into voter frustrations around L.A. leadership, public safety and Hollywood’s ongoing production slowdown.

“I think a lot of people watching were surprised he could string sentences together, so they’re mistaking competence-at-talking for competence-at-governing,” said screenwriter Stephanie K. Smith. “He’s a good performer. And has been for 20 years. That’s the job he’s qualified for.”

The reality star was quick to call out his competitors for their “failures” in their respective roles in government on the debate stage – calling Bass “an incredible liar” and Raman a “terrible” and “random councilmember.” But Akhavan said that Pratt’s political outsider status — and appeal to the very online segment of people following the race — may not prove as beneficial at the polls as it did on the debate stage.

Mayor Karen Bass, Spencer Pratt and Councilmember Nithya Raman (Credit: Getty Images)
Mayor Karen Bass, Spencer Pratt and Councilmember Nithya Raman (Getty Images)

The political expert said Angelenos have historically low turnout. If L.A. were to exceed 20% of its electorate, even for turnout in a mayoral election, it would be considered a good outcome, Akhavan said. As such, going viral on social media may not matter as much to the average Joe.

“Most people are not really paying attention yet,” he said. “So his outsider status at this point doesn’t really help or hurt him, but if he makes it into the top two, it may be a bigger factor in the November election.” 

Bonin theorized that the reality star can get away with his assertiveness and borderline rude comments to the other candidates in a way that his female competitors can not. He said that a crucial factor to consider in people’s perceptions is inherent sexism.

“People don’t judge aggressive behavior from a male candidate the same way they do from a female candidate,” Bonin said. “He can do things in the mayor’s race that, say, Katie Porter in the governor’s race would get criticized for.”

“It’s unfortunate, but I think sexism plays a big role in making it easier for a male candidate to be considered legitimate, especially when he’s up against two women,” he said. And in this case, two women of color. 

The social factor

An AI-generated advertisement in support of Pratt circulated online just one day before the NBC4 mayoral debate depicting a Los Angeles resembling Gotham City and ruled by holier-than-thou aristocrats in 16th-century wigs. The video showed Gov. Gavin Newsom eating cake, former Vice President Kamala Harris chugging a bottle of liquor and Mayor Karen Bass wearing Joker-inspired makeup.

One conservative lawmaker called it “maybe the best political ad of the year.”

It’s an example of how Pratt has been able to effectively harness the frustrations of Angelenos — particularly online.

Still, experts told TheWrap that virality does not always translate to votes in the ballot box, especially in a primary election. Many Los Angeles County residents cannot vote in the mayoral elections – residents in incorporated cities like Santa Monica, West Hollywood, Burbank, Glendale and Pasadena, to name a few, have their own respective mayors. 

AI-generated ad supporting Spencer Pratt depicts Gov. Gavin Newsom, Mayor Karen Bass and former Vice President Kamala Harris (Credit: Charles Curran/X)
An AI-generated ad supporting Spencer Pratt depicts Gov. Gavin Newsom, Mayor Karen Bass and former Vice President Kamala Harris. (Charles Curran/X)

“Social media won’t turn out a vote, but social media can have a big impact,” Bonin said. 

Bonin added that Get Out the Vote efforts like door-to-door campaigning, endorsements and in-person fundraising are often more effective than viral videos. More views do not equate more votes. 

“As far as voting behavior, I don’t believe that social media reaction accurately reflects the realities of a political campaign in the second largest city in America,” Steve Caplan, a political advertising expert who teaches at USC, told TheWrap.   

“The attention economy is meaningful, and it means that you’ll get more news coverage and maybe raise some money,” Caplan said. “But on the election side, given the demographics of L.A., it’s an overwhelmingly Democratic area … You have areas that may be supporting him on social media that don’t even have the ability to vote. I think the jury’s out whether it’s enough to make a meaningful difference.”

The expectations of him were the lowest, so he had the most to gain and the least to lose.” – Kamy Akhavan, USC’s Center for the Political Future managing director

Akhavan said that Pratt has proven as a digital-native that he is “skilled at connecting with audiences” as a candidate who is authentic and accessible. But the politics professor emphasized that appealing to voters on an emotional level may be more important than rattling off statistics during a debate. 

“That ultimately is what they’re going to remember, not what percentage he’s going to shrink the Department of Water and Power,” he said. ‘They’re going to remember that he’s the guy that we didn’t take seriously and maybe we should.”

Hollywood’s take

Pratt wrote a Substack post outlining his plans to bring production back to the state, but some professionals do not think that his policies provide enough clarity. 

NBC4 made Hollywood’s film production exodus a crucial point in the mayoral debate, citing viewers who submitted questions on this issue. Several entertainment industry workers told TheWrap they wanted more than just a guaranteed partnership with Sacramento. 

Co-founder of Stay in LA Pamala Buzick Kim criticized Pratt for his lack of practical policy in his approach to bringing film production back to the state. While she supported his shared frustration with the industry, she thought just rhetoric was not enough. 

“’Save Hollywood, Everything is S–t’ isn’t a plan,” she told TheWrap. “He didn’t say what he’d actually do about it. The industry has heard enough rage bait headlines. What we need is someone who can operate the mayor’s office to make filming here functional again.”

Of the three leading candidates, Kim said that Councilmember Raman’s plan is the only one that “has some teeth.”

“Bass touts a discounted permit program that’s unusable and lists it as an accomplishment, but has no forward policy on her campaign page. Pratt has no policy either,” she said. “Try finding a real plan for production on either site. We’ll wait.”

Screenwriter Smith also criticized Pratt for his lack of substance on the debate stage, telling TheWrap she was “unimpressed and unsurprised” by his performance. 

“He came in loud, leaned on personal grievance and called the incumbent a liar within minutes — OK, it’s a debate,” she said. “But underneath the volume, there was almost no platform.”

Smith said that in a normal year the reality star would not have a shot at the mayoral seat, but with Mayor Bass still clawing support back after the catastrophic fires in early 2025, Pratt may have a chance. 

“Bass is wounded, Raman had a rough night and Pratt is a known commodity with a national audience and a media engine that runs 24/7,” she said. “That’s not nothing. My suspicion is he pulls Bass into a November runoff.”

Trump comparison

For some observers, Pratt’s debate performance also invited comparisons to President Donald Trump during his political rise — another celebrity outsider who leaned on media attention, provocation and voter frustration in building political momentum.

USC’s Akhavan said Pratt’s ability to command attention online mirrors the modern political reality that candidates increasingly need to “earn” media coverage if they lack the money to dominate traditional advertising.

“How do you earn media attention? You say provocative things,” Akhavan said. “And he’s very good at that. He’s able to make humorous statements that will go viral.”

Bonin said the similarities between Pratt and Trump are less ideological than stylistic. He pointed to Pratt’s use of social media, candid communication style and willingness to channel voter anger directly.

“The greatest similarity is the anger, the insults and the name-calling,” Bonin said. “I’m not sure that what appeals to people is the name-calling so much as it is that he’s giving voice to frustration because people are pissed.”

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Why ‘Damn Yankees’ Is Partnering With Major League Baseball

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On Sunday, Neil Patrick Harris, Julianne Hough, and the cast and creative team behind “Damn Yankees” sat in the press room of Yankee Stadium answering questions from a group of theater journalists who looked as natural in the setting as Ethel Merman and Patti LuPone would in the dugout during the playoffs. “It’s a little surreal for all of us to be here,” Rick Miramontez, the publicity wizard behind the event, confessed shortly before the press conference kicked off.

An intense rainstorm spoiled some of the fanfare around the announcement of a revival (one of the stars, Austin Scott, was supposed to throw out the first pitch), but the day’s larger point was clear. It’s never been harder to launch a Broadway musical, and the Great White Way could use all the help it can get. Enter the Bronx Bombers and Major League Baseball, which, in a first, will partner on the show along with its Emmy Award-winning production label MLB Studios.

“It’s an exciting opportunity to get asses in seats,” Harris said. “It’s really the opportunity to give people who don’t normally go see theater a reason to go. If this will allow arenas full of people…to know that seeing Broadway is something that is accessible to them and ideally awesome, then that would be a great thing.”

Aaron Scott, Julianne Hough, Neil Patrick Harris. Photo by Emilio Madrid.

For the past year and change, a lot has been written about the challenges facing musicals. Such shows typically carry production budgets of $15 million to $20 million, which means that in order to recoup their investments, they have to play to full houses. Harris and Hough are stars who bring passionate fan bases from their stints on “How I Met Your Mother” and “Dancing With the Stars,” but the economics are daunting.

Acclaimed revivals like “Cats: The Jellicle Ball” wrapped up their runs early after ticket sales began to soften, while new musicals like “The Queen of Versailles” and “Beaches” bombed. More recently, “Two Strangers Carry a Cake Across New York” announced it would close shop in November despite rave reviews. Yes, some of the biggest hits on Broadway remain long-running musicals like “Hamilton” and “The Lion King,” but no new juggernauts have emerged to challenge them since COVID upended the business.

Partnering on a musical may be new for baseball, but the business has integrated its talent with promising results. “Buena Vista Social Club” recently sold out shows after tapping former New York Mets player José “Candelita” Iglesias to appear as the narrator for a limited run, and the production will enlist former Yankee Bernie Williams and his guitar to join the show’s band next month.

MLB’s involvement in “Damn Yankees” wasn’t immediately clear, but baseball will help promote the show to its fans. As for the musical, it’s getting a facelift. The setting will move from the 1950s to 2000, as the Orioles try to take on the Yankees, who were enjoying a period of dominance that saw them win four straight World Series. The creative team behind “Damn Yankees” made it clear that they were committed to being true to the sport. Miramontez said that a technical adviser had been hired, and Scott said he’s been studying game footage as he prepares to play Joe Boyd, a thwarted fan who sells his soul to carry the “Birds” to glory.

“I am kind of coming into this world, learning the baseball world, the culture, and the language of the sport,” Scott said, adding, “I’ve already been watching a lot of highlight reels and a lot of footage, especially of Aaron Judge.”

On Sunday, Harris, Hough, and Scott met Judge and the rest of the team in person after braving the downpour to shoot promotional images on the field. Harris explained why they had made the trek to the Bronx by recounting the entire plot of “Damn Yankees” to members of the clubhouse.

“I just didn’t know if they knew the context of meeting us, like why we were here,” a sheepish Harris admitted.

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Hugh Laurie Joins ‘The Trial Of Louise Woodward’ At HBO (EXCLUSIVE)

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EXCLUSIVE: Hugh Laurie is the latest addition to The Trial of Louise Woodward, HBO‘s true-crime limited series from creator Matthew Barry. He joins a cast that has Catriona Chandler in the title role, which also includes Joanne Froggatt, Meghann Fahy, Sagar Radia, and Chloë Sevigny.

This marks Laurie’s third outing with HBO after Veep and Avenue 5 – both comedies from Armando Iannucci.

The Trial of Louise Woodward tells the shocking true story of how, in 1997, an 18-year-old British au pair (Chandler) was accused of shaking to death a baby left in her care by her American host family, setting off an international media firestorm as the trial unfolds in full view of both the British and American public.

Laurie plays Judge Hiller B. Zobel, the Massachusetts Superior Court judge who presided over the murder trial. As previously announced, Froggatt plays Louise’s mother, Susan, with Fahy and Radia as Deborah and Sunil Eappen — parents of the victim, Matthew Eappen. Sevigny plays Louise’s defense attorney, Elaine Whitfield Sharp.

Barry wrote the series, serves as showrunner and is exec producing alongside Susanne Bier, who directs all episodes, as well as Frank Spotnitz, Emily Feller, Tobi de Graaff, and Antoine Douaihy. Big Light Productions and Anton TV are the production companies.

An Emmy nominee and three-time Golden Globe winner perhaps best known for starring in Fox’s medical drama House, Laurie will next be seen starring opposite Amy Poehler in the new Peacock comedy Dig from Parks and Recreation‘s Mike Schur. Adapted from Kate Myers’ bestselling novel Excavations, the series premieres November 23. He’s also the EP & star of Apple TV’s The Wanted Man, a thriller from Hijack and Lupin creator George Kay that premieres January 6.

After earning a Golden Globe and his seventh Emmy nom for his work in the John Le Carré series The Night Manager, he’s set to return to Le Carré’s world opposite Matthew Macfadyen and Charlie Hunnam in the forthcoming limited series Legacy of Spies from BBC and MGM+. He is represented by WME, Hamilton Hodell and Johnson Shapiro Slewett & Kole.

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‘La Bola Negra’ Trailer: Los Javis’ Queer Spanish Epic Drops in Fall

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It’s full speed ahead for Javier Calvo and Javier Ambrossi’s lavish, lush, and queer historical drama “La Bola Negra” this fall movie season. It’s now a surefire Oscar heavyweight and even frontrunner, especially after winning the Oscar-precursory TIFF People’s Choice Award first prize.

Known as Los Javis, the filmmakers (who are also exes) shared the Best Director prize at the 2026 Cannes Film Festival with Pawel Pawlikowski for “Fatherland.” It’s easy to see why, as their unabashedly grand movie traverses multiple 20th- and 21st-century timelines with impeccable craft to resurrect an unfinished text by Spanish poet Federico García Lorca. The film will also mark Netflix’s longest theatrical window to date once “La Bola Negra” launches in select theaters on October 16. Watch the full official trailer below.

“La Bola Negra” is inspired by an unfinished play of the same name by Lorca, the gay writer who rose to fame in the 1920s as a member of the Spanish literary movement Generation of ’27. Lorca was murdered in 1936 during the Spanish Civil War by followers of Francisco Franco, and his body remains undiscovered to this day.

The film weaves together three interconnected stories of the lives of gay men across a century of Spanish history. One storyline set in 1932 is based on Lorca’s original play, about a young man named Carlos (Milo Quife) who applies for membership to his father’s casino but faces accusations of homosexuality. A 1937 storyline draws on material from the play “La piedra oscura” by Alberto Conejero, who co-wrote the screenplay with Los Javis, and follows a musician-turned-Nationalist soldier, Sebastián (Guitarricadelafuente), who develops a relationship with prisoner-of-war Rafael Rodríguez Rapún (Miguel Bernardeau), Lorca’s real-life lover. The final storyline in 2017 follows Alberto (Carlos González), a history grad student researching queer music of the 1920s whose long-lost maternal grandfather unexpectedly dies.

The cast of “La Bola Negra” also includes Pedro Almodóvar muse Lola Dueñas, a scene-stealing Penélope Cruz, plus Glenn Close (speaking Spanish!), Julio Torres, and Yenesi. The film also has a score by Raül Refree, along with the original song “La Nieve,” written and performed by Guitarricadelafuente.

Here’s the trailer for “La Bola Negra.”

“La Bola Negra” opens in select Los Angeles and New York theaters starting October 16, with more markets to follow. It will then debut on the Netflix streaming platform December 2.

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