
Kristofer Hivju has SkyShowtime original ‘Where the Sun Always Shines’
SkyShowtime
Two-time Oscar winning and Cannes lauded filmmaker Asghar Farhadi expressed this morning how he continues to be jolted by the atrocities in his home country of Iran which remains at war with the U.S.
Farhardi was specifically asked about by a journalist about working without limits on his latest production in France; if he had made this film in Iran he would have been sentenced.
The filmmaker didn’t answer the question per se, rather expressed:
“Over the last few months when I was busy with the post-production, two tragic events occurred in Iran. I was in Tehran last week, and the impact of these events are still with me. One of these events was the death of a number of innocent people, children, members of the Civilian population who died in the war. Before this war, we had a death of number of demonstrators who went to the streets to protest. These two events are extremely painful and will not be forgotten.”
“To feel empathy for people who were killed, demonstrators who were shot doesn’t mean you can’t feel empathy for those who died because of the bombing. Any murder is a crime. Under no circumstances can I accept the fact that another human being should lose his or her life be it war, executions, be it massacres of demonstrators,” exclaimed Farhadi
Farhadi‘s fifth feature in Cannes is loosely inspired by director Krzyszof Kieslowski’s 10- hour television series Dekalog, specifically Episode Six about a lovestruck man who is spying on the neighboring woman in an apartment across the street. In Farhadi’s version it’s a novelist, Sylvie (Isabelle Huppert), who is the peeping with her telescope at three people across the Paris avenue. Deadline’s chief film critic called the movie “a keeper, tales well told.”
Farhadi said he wasn’t wowed when he was first pitched the idea of doing another take of the Dekalog, specifically as a series. It was the series original scribe, who Farhadi met with, Krzysztof Piesiewicz, who convinced him to adapt an episode for the big screen. Moments before last night’s world premiere, Farhadi received a text that Piesiewicz had died. “That’s what’s haunted my mind since last night,” said Farhadi this morning.
Farhadi’s previous movie here at Cannes, A Hero, took the Grand Prix in 2021. His 2011 A Separation and 2016 The Salesman, both went on to win the Best Foreign Language (now International) Feature Academy Award. His most recent film, A Hero, took the Grand Prix in Cannes in 2021.
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Turns out TV is also like a box of chocolates.
BritBox has ordered period drama Chocolate Wars (working title) alongside UKTV and Sony Pictures Television. The scripted series is inspired by a book chronicling confectionery empire-building in the 19th-century, during which time British Quaker dynasty the Cadbury family established themselves among Britain’s biggest chocolate makers.
Sony-backed Fable Pictures is producing in association with Freddie Highmore’s Alfresco Pictures, with Chloë Mi Lin Ewart (All Creatures Great and Small, Beyond Paradise) writing. The series will premiere in 2027 on BritBox and on UKTV streamer U and U&Drama in the UK.
Deadline revealed BritBox was nearing a deal for the series back in January, with The Good Doctor star Highmore attached. As we reported at the time, the drama has been in the works for more than eight years, is inspired by the 2010 historical book of the same name by Deborah Cadbury, an Emmy-winning TV producer who belongs to the Cadbury dynasty. Highmore will be an exec producer on the project.
BritBox is billing Chocolate Wars as “a warm-hearted family drama following the visionary Cadbury family, the underdogs of the cocoa world, on their journey towards creating the world-famous Cadbury’s chocolate bar.”
Per the logline: “In 1860s Birmingham, when chocolate as we know it doesn’t yet exist, two very different brothers, Richard and George Cadbury, find themselves in charge of their family’s failing cocoa business. Between them, they have the radical genius and burning ambition to turn Cadbury’s into one of the world’s most beloved confectioners. But first, they must learn to trust and rely on each other. And to stop bickering for long enough to actually invent some chocolate.”
The series will run to six parts, with exec produucers comprising Faye Ward, Highmore, Hannah Price and Claire Londy, with Jess O’Riordan and Jon Farrar executive producing for BritBox and Helen Perry for UKTV.
Directors for the series will be Tom McKay (After the Flood) and Jill Robertson (Ludwig), with Hannah Farrell from Fable the series producer. Chloë Mi Lin Ewart leads the writing team, alongside Eve Hedderwick Turner and Karim Khan.
Casting is underway, with filming in Birmingham, UK, near the home of the Cadbury factory, set to begin this summer. Sony Pictures Television will handle worldwide sales as international distributor and plans to introduce it buyers at the LA Screenings at the Sony Pictures lot in Culver City on Sunday (May 17). Creative UK has provided regional support through the ERDF-funded West Midlands Production Fund.
Jess O’Riordan, Commissioning Executive and executive producer at BritBox said: “Full of warmth and charm, this true story brings the Cadbury family story to life with depth and imagination. We’re excited to partner with UKTV, Sony Pictures Television and Fable Pictures on a period drama we know BritBox audiences will truly savor.”
“I can’t wait to unwrap the story of the Cadbury family and for viewers to be captivated by the delicious tale of the underdogs in the cocoa world,” added Emma Tibbetts, Director of Scripted Programming at BBC Studios-owned UKTV.
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EXCLUSIVE: Paramount’s $110 billion acquisition of Warner Bros. Discovery (WBD) is expected to create complications for its SkyShowtime partnership with Comcast, Deadline can reveal.
Industry sources said Paramount’s proposed ownership of HBO Max will likely put the David Ellison-run company in breach of its joint venture agreement for SkyShowtime, a streaming service available in 22 European markets, boasting more than 9 million subscribers, per insiders.
SkyShowtime and Paramount declined to comment. Comcast did not respond to a request for comment.
Deadline understands that the 50-50 pact between Paramount and Comcast means they do not compete with SkyShowtime in the territories where the streamer is available.
Paramount+ is accessible in seven European markets, but there is no overlap with SkyShowtime. Indeed, Paramount+ withdrew from Sweden, Norway, Denmark, and Finland in 2022 to make way for SkyShowtime. Comcast has not rolled out Peacock internationally, and SkyShowtime is not available in the UK, where the company owns Sky.
Paramount absorbing HBO Max would significantly change this dynamic. HBO Max operates in 21 of SkyShowtime’s 22 markets, including key territories such as Spain and the Nordics. Ellison has signalled that he intends to combine Paramount+ and HBO Max. “That would go against the whole joint venture thing,” said a well-placed person.
Sources close to SkyShowtime said Paramount’s WBD deal had created palpable uncertainty among employees, leading to speculation about how the mega-merger will affect SkyShowtime’s shareholder structure.
Change is anticipated, with sources suggesting that it would make sense for Paramount to take over the SkyShowtime arrangement, or at least become the dominant partner. Comcast co-CEO Mike Cavanagh indicated as recently as March that the company was focused on its U.S. streaming strategy.
“A scenario in which Paramount assumes full control of the [SkyShowtime] platform and integrates it into its operations in EMEA is increasingly viewed as a likely strategic outcome,” said a source familiar with the thinking.
Paramount is currently seeking regulatory approval for the WBD deal and has said that it expects the acquisition to close in the third quarter of this year.

Kristofer Hivju has SkyShowtime original ‘Where the Sun Always Shines’
SkyShowtime
Deadline revealed last year that Paramount and Comcast have invested at least $1 billion into SkyShowtime since its launch, but sources said they do get a return on their investment because the streamer buys their content and generates subscription and ad revenue.
SkyShowtime is stocked with series like Sky Studios’ The Day of the Jackal and Taylor Sheridan’s Yellowstone, which has been a driver of subscriptions. It also hosts originals, such as Swedish drama Where the Sun Always Shines, which recently cast Game of Thrones star Kristofer Hivju. The streamer made an operating loss of €543.7M ($632M) in 2024, which was 3% down on 2023, when its losses stood at €561.9M.
SkyShowtime is based out of Sky’s campus on the outskirts of central London, but brought together its 300 employees for an all-hands offsite meeting in Budapest in January. Those present said CEO Monty Sarhan was in an ebullient mood, high-fiving employees, talking up the company’s performance, and committing to a new set of leadership pledges.
According to a copy of the commitments seen by Deadline, they included the pledge: “Try to maintain a positive and optimistic outlook, even in the face of challenges. Things are never as good – or as bad – as we think they are.”
Sources said this has not been straightforward amid shareholder uncertainty, and that some internal employee mood metrics have been below benchmarks. SkyShowtime’s position is that employee feedback after the Budapest gathering was “overwhelmingly positive.”
A Paramount spokesperson said: “SkyShowtime continues to operate under its established joint venture agreement. We don’t comment on speculation about contractual matters between shareholders.”
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EXCLUSIVE: Paramount’s $110 billion acquisition of Warner Bros. Discovery (WBD) is expected to create complications for its SkyShowtime partnership with Comcast, Deadline can reveal.
Industry sources said Paramount’s proposed ownership of HBO Max will likely put the David Ellison-run company in breach of its joint venture agreement for SkyShowtime, a streaming service available in 22 European markets, boasting more than 9 million subscribers, per insiders.
SkyShowtime and Paramount declined to comment. Comcast did not respond to a request for comment.
Deadline understands that the 50-50 pact between Paramount and Comcast means they do not compete with SkyShowtime in the territories where the streamer is available.
Paramount+ is accessible in seven European markets, but there is no overlap with SkyShowtime. Indeed, Paramount+ withdrew from Sweden, Norway, Denmark, and Finland in 2022 to make way for SkyShowtime. Comcast has not rolled out Peacock internationally, and SkyShowtime is not available in the UK, where the company owns Sky.
Paramount absorbing HBO Max would significantly change this dynamic. HBO Max operates in 21 of SkyShowtime’s 22 markets, including key territories such as Spain and the Nordics. Ellison has signalled that he intends to combine Paramount+ and HBO Max. “That would go against the whole joint venture thing,” said a well-placed person.
Sources close to SkyShowtime said Paramount’s WBD deal had created palpable uncertainty among employees, leading to speculation about how the mega-merger will affect SkyShowtime’s shareholder structure.
Change is anticipated, with sources suggesting that it would make sense for Paramount to take over the SkyShowtime arrangement, or at least become the dominant partner. Comcast co-CEO Mike Cavanagh indicated as recently as March that the company was focused on its U.S. streaming strategy.
“A scenario in which Paramount assumes full control of the [SkyShowtime] platform and integrates it into its operations in EMEA is increasingly viewed as a likely strategic outcome,” said a source familiar with the thinking.
Paramount is currently seeking regulatory approval for the WBD deal and has said that it expects the acquisition to close in the third quarter of this year.

Kristofer Hivju has SkyShowtime original ‘Where the Sun Always Shines’
SkyShowtime
Deadline revealed last year that Paramount and Comcast have invested at least $1 billion into SkyShowtime since its launch, but sources said they do get a return on their investment because the streamer buys their content and generates subscription and ad revenue.
SkyShowtime is stocked with series like Sky Studios’ The Day of the Jackal and Taylor Sheridan’s Yellowstone, which has been a driver of subscriptions. It also hosts originals, such as Swedish drama Where the Sun Always Shines, which recently cast Game of Thrones star Kristofer Hivju. The streamer made an operating loss of €543.7M ($632M) in 2024, which was 3% down on 2023, when its losses stood at €561.9M.
SkyShowtime is based out of Sky’s campus on the outskirts of central London, but brought together its 300 employees for an all-hands offsite meeting in Budapest in January. Those present said CEO Monty Sarhan was in an ebullient mood, high-fiving employees, talking up the company’s performance, and committing to a new set of leadership pledges.
According to a copy of the commitments seen by Deadline, they included the pledge: “Try to maintain a positive and optimistic outlook, even in the face of challenges. Things are never as good – or as bad – as we think they are.”
Sources said this has not been straightforward amid shareholder uncertainty, and that some internal employee mood metrics have been below benchmarks. SkyShowtime’s position is that employee feedback after the Budapest gathering was “overwhelmingly positive.”
A Paramount spokesperson said: “SkyShowtime continues to operate under its established joint venture agreement. We don’t comment on speculation about contractual matters between shareholders.”
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