movies
Fire & Ice Media Picks Up Filipino Billiards Drama ‘Bilyarista’
EXCLUSIVE: Fire & Ice Media has acquired international sales rights across all territories to Bilyarista, directed by Italian-American filmmaker Phil Giordano and starring Loisa Andalio and Venice Best Actor winner John Arcilla.
Andalio plays Aya, a young woman from Manila’s margins who sets her sights on becoming a world billiards champion – only to be pulled into a dangerous gambling circuit by her hustler uncle, played by John Arcilla.
Arcilla became the first Filipino and Southeast Asian actor to win the Volpi Cup for Best Actor at Venice Film Festival for his role in Erik Matti’s On The Job: The Missing 8 (2021), an award that strengthened his international profile.
Fire & Ice Media said it is positioning Bilyarista as a commercially legible sports drama with strong crossover potential, describing it as “a female underdog story set in the Philippines’ storied billiards culture, a world that has produced some of the sport’s most celebrated global champions, with the emotional architecture of a survival thriller”.
The company, which develops and represents Filipino and Asian content for international buyers, is targeting distributors and platform programmers looking for Asian titles with distinctive local identity and accessible genre appeal.
“Bilyarista has the combination buyers are looking for – a star on the rise, a world-class supporting actor, and a setting that is completely specific but immediately understood,” said Liza Diño, CEO of Fire & Ice Media.
“The Philippines has a real billiards legacy on the international stage. This film lives inside that world and uses it to tell a story about talent, exploitation, and what it costs to be discovered by the wrong people. That travels.”
Rising actress Andalio previously starred in Mikhail Red’s esports drama Friendly Fire, which premiered at Hawai’i International Film Festival. Bilyarista marks a significant escalation for the actress, moving from a digital sports setting to a physically and psychologically demanding lead role built around a real athletic discipline.
For Giordano, the film deepens a creative partnership with Arcilla that began with short film Supot, which won a Hollywood Foreign Press Association Award, premiered at the Busan International Film Festival, and went on to screen at multiple Oscar-qualifying festivals.
A graduate of NYU’s Tisch School of the Arts and recipient of the Wasserman Award, Giordano developed Bilyarista through extended research into the Philippines’ professional billiards world. “Itoy represents every system that keeps extraordinary talent from reaching the top. That’s a story with no border,” Giordano said
Fire & Ice Media’s Cannes slate also includes Nigel Santos’ romantic drama Open Endings, about four queer women who are exes turned best friends, and recent catalogue titles Crosspoint and The Hearing.
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movies
Peter Lenkov Launches Website For Out-of-Work Hollywood Pros
Former Hawaii Five-O showrunner Peter Lenkov is rolling out a new website this week that seeks to match out-of-work pros in Hollywood with employers who are in need of skilled craftspeople.
Dubbed Between Gigs, the website is currently onboarding set carpenters, makeup artists, hairstylists, costumers and other below-the-line workers to create a database for “clients who need their expertise for projects, tasks, and services.”
“Our professionals come from entertainment,” the site says. “Our clients are anyone who could use their expertise.”
The website is billed with the line, “extraordinary talent. Every day solutions.”
“We’re just in the early stages,” Lenkov tells Deadline of the website that went live Sept. 28. “I just put it up on Facebook and Instagram. We haven’t really gone wide with it at all. I was sort of testing the market as we’re building out the site to see if there’s proof of concept. We got a ton of people signing up right away. So it seems like it’s a necessity.”
Lenkov said the idea came after watching how the industry contraction impacted so many people.
“A great editor had called me and said, ‘do you know anything? The show that I was working on is moving out of the state,’” says Lenkov. “And I thought, my God, this is world-class talent that’s available, and this person may not get a job for three, four, five months. How do you sustain yourself during that time? I called my sister, who’s a corporate headhunter, and said, ‘do you think there’s a marketplace where we could have these people?’”
Lenkov admits there is nothing particularly unique about below-the-line workers accepting short-term gigs outside of the industry. “It’s been going on forever. I remember on productions I did over the years where a producer would hire somebody on the weekend to come fix something at their house and would pay them extra. It’s a tradition that’s gone on, using people in their free time, but it’s never been organized on a real bonafide platform. These people are really skilled at what they do.”
Lenkov has been working on indie movies and serving on non-profit boards since parting ways with CBS TV Studios in 2020 following an investigation into the work environment he fostered on MacGyver. Lenkov was based at the studio for more than a decade and was its go-to writer-producer for procedural reboots, having successfully brought back Hawaii Five-0, MacGyver and Magnum P.I.
“It really was an implosion of my life and it was terrible, just terrible,” remembers Lenkov. “As soon as that happened, I had a lot of people reach out to me who I never had the time to help with their own projects. So I started doing a lot of that. We made a lot of smaller movies, some big ones. I joined two boards, one is World Housing, the other one’s the National Hispanic Media Coalition. I got to do things that were outside my wheelhouse. I feel like in hindsight, it was life-changing in a very positive way.”
The website is not a way for Lenkov to make extra cash. “It’s not a business. It’s a mission,” he says. “I’m trying to do something that’s tombstone worthy, that adds some value.”
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movies
‘Miami Vice ’85’ Taps Walton Goggins In Villain Role
EXCLUSIVE: No stranger to showing off his bad side, Walton Goggins looks to have found a new villainous role to sink his teeth into as sources tell Deadline he set to join Michael B. Jordan and Austin Butler in Universal’s Miami Vice ’85. Kosinski is directing the pic which also stars Whitney Peak, Alden Ehrenreich, Camila Morrone, John Leguizamo and Danny Ramirez.
Miami Vice ’85, with a screenplay by Dan Gilroy, explores the glamour and corruption of mid-1980s Miami in an all-new version of Miami Vice, inspired by the pilot episode of the landmark 1984-90 NBC series. The movie will be filmed for Imax and is set for release on May 19, 2028. Production will begin this year.
While unconfirmed sources tell Deadline Goggins woould play one of the henchman to Leguizamo’s Cartel king.
Kosinski has already assembled knock out cast but sources tell Deadline the director was high on Goggins early to play this role but scheduling for his hit show Fallout had to be worked out first. Once that was settled last week a deal was done for the Emmy nominee to join the cast.
The film is produced by Dylan Clark/Dylan Clark Productions and Kosinski. Gilroy’s script is based on characters created by Anthony Yerkovich from the series he executive produced with Michael Mann; Eric Warren Singer wrote an earlier draft of the screenplay. EVP Production Development Sara Scott and Creative Executive of Production Development Christina Hoffrogge oversee the project for the studio.
Goggins is currently in production on Season Three of the hugely successful series Fallout produced by Kilter Films for Amazon. He recently wrapped Mister directed by Wade Eastwood and produced by Thunder Road Film for Amazon International. Coming to theaters on November 25 is the new magical coming-of-age animated Hexed for Walt Disney Animation Studio.
Goggins is repped by Darris Hatch Management and Production and CAA.
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movies
Anonymous Content Plans Feature Adaptation Of James Baldwin Biography
Anonymous Content’s new CEO Darren Walker said the management and production company is developing a feature film on iconic writer James Baldwin that it will produce with the Obamas’ Higher Ground.
It’s commissioned Man Booker Prize winner Marlon James and his partner, James Baldwin scholar Nicholas Boggs, to write a script based on Boggs’ best-selling biography Baldwin: A Love Story, Walker said at the Bloomberg Screentime conference in LA, appearing with Laurene Powell Jobs, founder and president of Emerson Collective, Anonymous Content’s majority owner.
Walker was tapped as chief executive early this year. He was formerly the president of the Ford Foundation, leading its $17 billion endowment.
“Our balance sheet will be increased. Will have an envelope to do [more] … We can, because what happens when you have a long-term investor? You can be courageous if you have conviction and you have an investor who is aligned with that,” he said. The idea is to move away from the “fee-for-hire” production model. “Now Emerson has made it possible for us to become a financier in the market, so we’ll be able to co-finance, finance, take the lead in financing a film. So it won’t be like it has been, where our production team gets a great script and they say we’ve got to go out and find someone to finance this.”
Jobs, also a major investor in The Atlantic, said Anonymous Content founder Steve Golin had “a beautiful vision” but that people grieved and “entropy set in a bit” after he passed away seven years ago, followed by tough times in the industry with Covid, then Hollywood strikes. But the company is attached to several dozen festival films this season, Emmy wins, and, under television head David Levine, co-produced Zoe Kazan’s upcoming Netflix series East Of Eden as Walker said the independent builds up to “version 3.0”
Jobs, along with former HBO chief Richard Plepler, are joining a reconstituted board under chairman Michael Klein, Walker said. Steve Shikya was named COO in August following the hires of Liza Burnett Fefferman as chief communications and marketing officer and Michael Sinclair as chief legal officer.
Asked about the unconventional choice of Walker to run the company, Jobs said: “People were asking that at the beginning, and within a few months, everyone was saying what a brilliant stroke of genius it was, because he’s electrified Anonymous Content and also created quite buzz across the industry.”
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