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Episode 10 – Daemons of the Shadow Realm

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This episode is one big fight scene. Our heroes battle Tenga and Ashinaga—two Daemons that fought Left and Right to a standstill in the past and were eventually defeated by being sealed in a mountain. If you stop and think about it, this raises the question of who freed them in the present (i.e., someone who is almost certainly part of one of the Higashi Village factions as they seem to know about the Lost House) and implies that there may be other counters to Seal and Break out there (as it seems unlikely that Asa would knowingly do so and Left and Right have been waiting on their own mountain). Of course, none of this is explored even slightly as the immediate threat overshadows everything else.

Objectively, the fight has all the parts it needs to be exciting. We have a credible threat with Tenga and Ashinaga. Not only are they on par with Left and Right, but their master is also hidden somewhere while Yuru is right there in the open—an easy target. It’s got twists and turns galore, and our heroes only win because they can outthink their opponents as well as outfight them. There’s just one big problem: how things play out is insanely contrived.

The reason for this is centered around Dera. In this episode, he uses a high-powered sniper rifle to take out Ashinaga. More than that, he has 100% accuracy—he hits every shot he takes. He not only shoots a hole through Tenga’s leg but also shoots out both of Ashinaga’s eyes before decapitating him with a shot through the neck.

This begs the question, if Dera can blow off Tenga and Ashinaga’s heads with a single shot, why didn’t he? Why blind Ashinaga and hobble Tenga first? If blinding Ashinaga was somehow necessary, why not shoot the neck right after? Why switch targets to Tenga? And if switching to Tenga was important, why not shoot her in the neck? Why shoot her in the leg?

If Dera had fought as he should have, given his character, the battle would be over the moment he took that first sniper shot. Ashinaga would have lost his head, and Tenga would have faced a two-on-one beatdown even if Dera hadn’t taken a second decapitating shot moments later. The truth is that there is no readily available in-world explanation for his seemingly illogical choices.

Thus, we have only the obvious real-world explanation to fall back on: if Dera had acted as he logically would have given his skill and experience, the fight would have been less exciting. It would have been a major anticlimax, and we wouldn’t have been able to see Yuru’s quick-thinking fake-out to make Tenga and Ashinaga think that he already had the Seal power.

I’m not going to sugarcoat things: I absolutely hate when writers do this—when they have their characters act uncharacteristically stupid or unskilled solely because the plot demands it. Good writing is having your characters act in-character while still furthering the plot in the most emotionally engaging direction.

And in the case of this episode, it’s not like things can’t be fixed with just a few minor tweaks. All it would take is having Right, Left, Yuru, Dera, or the old lady with the knife blinding Ashinaga and injuring Tenga’s leg in some way other than the sniper rifle. Then, as the combined Tenga-shinaga chases Yuru, have it break the window into the armory—allowing Dera to get the sniper rifle and eventually take the kill shot. Just by having Dera get the rifle later, it’s all fixed. The contrived writing is gone, and we are left with a fun, tense battle. But, unfortunately, that’s not what we got, and I, for one, was left annoyed and disappointed.

Rating:




Daemons of the Shadow Realm is currently streaming on
Crunchyroll.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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Crunchyroll Acquires 7.03% of Japanese Media Company Link-U – News

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Crunchyroll invests 917 million yen in firm working on Crunchyroll Manga service


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Image courtesy of Crunchyroll

Japanese media company Link-U Group announced a new business partnership with Crunchyroll on Monday. The Link-U Group issued an third-party allotment of its shares at 856 yen (about US$5.50) per share, and Crunchyroll will acquire 917 million yen (about US$5.91 million) of those shares of Link-U. After this transaction, Crunchyroll will become the fifth-largest shareholder of Link-U with a 7.03% stake.

Link-U plans to use the investment as part of the “medium-term management plan 2030” strategy that it also announced on Monday. The plan will include expanding the distribution of manga to audiences outside of Japan through developing manga distribution platforms, and localization management.

The Crunchyroll Manga app launched on iOS and Android devices in the United States and Canada in October 2025. The ad-free app is separate from the main Crunchyroll streaming service. Crunchyroll describes the service as being “powered by Link-U Group.”  Partner publishers for the service include AlphaPolis, Compass, Square Enix, Viz Media, Yen Press, Shueisha, J-Novel Club, and ThirdlineNEXT.

Link-U operates such services as digital manga site Comikey, digital manga store Compass, webtoon company Studio Moon6, and VTuber and streaming production company Romanz. In addition to Crunchyroll Manga, Link-U has worked on Shueisha‘s MANGA Plus, Square Enix‘s Manga UP!, and similar manga services from other companies.

Sources: PR Times, Animation Business Journal (Tadashi Sudo)


Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. Yen Press, BookWalker Global, and J-Novel Club are subsidiaries of KWE.


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Hi Score Girl’s Rensuke Oshikiri, Etrange Overlord’s Roman Kitayama Present Noroi Ayashi Horror RPG – News

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Hong Kong-based publisher Game Source Entertainment announced on Wednesday Noroi Ayashi: The ∞th Oddity, a new horror role-playing game from developer Clover Lab., inc. The game will launch for Nintendo Switch, Switch 2, and PC via Steam in the second quarter of 2027. The game is a collaboration by manga artist Rensuke Oshikiri (Hi Score Girl, Sayuri, Geniearth) and Sōhei Niikawa (real name of Etrange Overlord novel series author Roman Kitayama).


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Image via PR Times

Game Source Entertainment describes the game:

The Seven Mysteries and the Cursed Doll Aya

In order to uncover the truth behind the mysterious death of her close friend, the protagonist ‘Seira’, together with the members of the school newspaper society, ‘Tae’ and ‘Hime’, ventures into ‘U School’ late at night, a place shrouded in silence and darkness.

Set against the backdrop of U School, in addition to the ‘Seven Mysteries’ passed down through the ages, a unique and eerie urban legend is earnestly circulated amongst the students: ‘If you perform a certain ritual, the [Cursed Doll, Aya] will appear and curse the object of your hatred to death’.

To verify this urban legend, Seira and her friends performed the forbidden ritual. However, this was not the gateway to the truth, but merely the beginning of a cycle of inescapable nightmares and despair…

The game will be available in Traditional Chinense, Simplified Chinese, Japanese, and English subtitles. (Game Source Entertainment also describes the single-player game’s genre as “time loop horror RTA stealth action-adventure.”

Oshikiri launched the Hi Score Girl manga in Square Enix‘s Monthly Big Gangan magazine in 2010, and ended it in September 2018. Square Enix Manga & Books published the manga in English. The manga inspired a television anime that premiered in Japan in July 2018. Netflix began streaming the show outside of Japan in December 2018.

Oshikiri launched the sci-fi adventure manga Geniearth in Akita Shoten‘s Weekly Shōnen Champion magazine in September 2021. The series ended in July 2022. Titan Manga licensed the manga and released the first volume in English on April 14.

GemdropsEtrange Overlord, a game based on Kitayama’s novel series of the same name, launched for Nintendo Switch, PlayStation 5, PlayStation 4, and PC via Steam on March 26 in the West, and for PlayStation 5 and PlayStation 4 in Japan on the same date.

Kitayama debuted the Etrange Overlord: Hansei Shinai Akuyaku Reijо̄, Jigoku ni Ochite Kareinaru Happy Life Musо̄ web novel on Shōsetsuka ni Narō and Kakuyomu in February 2023.

Sources: Game Source Entertainment’s YouTube channel via Hachima Kikō, PR Times

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Mazenchu Food Characters Get TV Anime on October 7 – News

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Graphic design company TORCH announced on Wednesday that its Mazenchu character brand will receive a anime that will begin airing as the first original anime within Kansai TV‘s morning news and lifestyle program Yoidon!  on October 7.

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Image via Comic Natalie

Mazenchu is set in a school where all kinds of food can live out their youth and form friendships, rivalries, and bittersweet romances.

The cast includes:

Ebi created the Mazenchu characters. Yūsuke Takase (CG on Berserk: The Golden Age Arc I – The Egg of the King, Halo Legends, Detroit Metal City) is directing the anime at Studio Nanahoshi. The studio dugout is producing the sound, and Aiin is producing the music. BONJIN is the offline editor. Liberty Animation Studio produced the opening animation. Sayo Kawase is the executive producer, and TORCH is planning and producing the project. 

Sources: Mazenchu anime’s websiteComic Natalie

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