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‘Kino no Tabi’ Creator Duo Begins New Light Novel

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Publishing company Kadokawa announced on Friday that author Keiichi Sigsawa and illustrator Kouhaku Kuroboshi, the duo behind the Kino no Tabi: The Beautiful World (Kino’s Journey: The Beautiful World) light novel, will launch a new light novel titled Drifted: John Smith no Edo Hyouryuu Kitan. Mobile online game developer coly is credited for the original concept. The first volume will be published under the Dengeki Bunko imprint on November 10.

Sigsawa began penning Kino no Tabi: The Beautiful World in the Dengeki hp magazine with illustrations by Kuroboshi in March 2000. Kadokawa published the first volume under the Dengeki Bunko label in July that year. The 24th volume went on sale in September 2025.

Tokyopop originally licensed the light novel in English and released the first volume in October 2006. However, due to issues with the licensor, the publisher was unable to release further volumes and its license for the series subsequently expired.

The first television anime adaptation directed by Ryuutarou Nakamura (Serial Experiments Lain) at A.C.G.T. aired in Spring 2003. A prequel and sequel movie were released in February 2005 and April 2007, with the latter being produced by Shaft.

ADV Films originally licensed the first television anime in North America and released it in four DVDs throughout 2004 with English subtitles and dub. Sentai Filmworks relicensed the anime and streamed it on HIDIVE with an English dub and sub.

A second television anime adaptation, directed by Tomohisa Taguchi (Bleach: Sennen Kessen-hen) at Lerche, aired in Fall 2017. Crunchyroll simulcasted the series with subtitles in multiple languages and an English dub.

Kino no Tabi: The Beautiful World ranked in the Best Light Novel category of the Kono Light Novel ga Sugoi! guidebook three times, placing 2nd in 2006, 5th in 2007, and 6th in 2008.

Synopsis

John Smith, a former American soldier who washed ashore in late Edo-period Japan, is granted samurai status and the name Sumisu Jion by Shogun Tokugawa Ienari. His main duty is to investigate and recover modern firearms that have mysteriously appeared due to temporal distorsions, in a world also inhabited by superhuman ninja, sorcerers, and spirits. Smith undertakes these dangerous missions in the hope of one day returning to his homeland to reunite with his wife and children.

Source: PR Times

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Idol Group i☆Ris to End Activities in 2027

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Voice actress idol unit i☆Ris announced on Sunday on their official website that they will end their activities at the end of 2027, coinciding with the group’s 15th anniversary and marking the conclusion of their 15-year journey.

In a statement, the staff apologized for the sudden announcement and thanked the fans and everyone involved with the group. They said the five members and staff have been talking it over since last year after the group’s 10th anniversary in 2022.”We will run to the end in true i☆Ris style,” the statement read, with gratitude to fans “in our hearts.”

The unit consists of Saki Yamakita (green; leader), Yuu Serizawa (blue), Himika Akaneya (purple), Yuki Wakai (red), and Miyu Kubota (orange). Each of them posted a message to fans.

Yamakita, the group’s leader, said she originally planned to continue for ten years and was glad to pass that point with all five members. She said the group has yet to achieve a sold-out solo show at Yokohama Arena and wants to reach it in the remaining year.

Wakai said the decision was not prompted by any one person and was made after thorough discussion among the members. She said she began to think about an end to her idol career after the 10th anniversary and chose the 15-year mark to finish while the group is at its peak.

Serizawa told fans who were upset by the news that she was sorry to see them sad and asked them to spend the final year making memories they can look back on for the rest of their lives. Akaneya, who said she usually gets bored of things quickly, called this the longest she has stuck with anything. Kubota said she was a little glad if fans felt sad, because it showed how much the group meant to them. Several members closed with the same line, asking fans to “dream a little longer, just a little more” with them.

The group’s 14th anniversary live is scheduled for November 3 at the Yokohama Arena. Kubota asked fans to come with their sadness if they must, but to bring plenty of excitement too. The statement did not announce details of further events before the end of 2027.

i☆Ris formed in July 2012, under the DIVE II Entertainment label by Avex and 81 Produce through the Anison Vocal Audition. The group debuted in November 2012, with the single Color. In addition to their music careers, all five members are also voice actresses, best known for performing songs for the PriPara anime franchise. The idol group also won the Best Vocal Performance Award at the 10th Seiyuu Awards in March 2016.

Over the years, i☆Ris performed theme songs for several anime, including Kenja no Mago (Wise Man’s Grandchild), Sousei no Onmyouji (Twin Star Exorcists), Tejina-senpai (Magical Sempai), Mahou Shoujo Site (Magical Girl Site), and Kakegurui Twin, with the recent being Honoo no Toukyuujo: Dodge Danko (Flaming Dodgeball Girl Danko). The group also received an anime movie adaptation, i☆Ris the Movie: Full Energy!!, which premiered in Japan in May 2024 to celebrate their 10th anniversary.

Official site: http://iris.dive2ent.com/
Official X: @iris_official_

Source: Oricon News, Famitsu

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Kino’s Journey Light Novel Duo Launch New Supernatural Novel Series – News

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Kadokawa‘s Dengeki Bunko imprint announced on Friday that Kino’s Journey light novel duo writer Keiichi Sigsawa and illustrator Kouhaku Kuroboshi will launch a new light novel series titled Drifted ~John Smith no Edo Hyōryū Kitan~ (Drifted ~Strange Tale of John Smith’s Drifting in Edo~). The first volume of the new series will ship on November 10. 

The story centers on a man who wanders aimlessly, and the truths he witnesses, as he joins forces with ninjas, supernatural yōkai entities, and preternatural-powered beings to carry out his “jobs.”

Sigsawa began serializing Kino’s Journey in ASCII Media Works‘ Dengeki HP magazine in 2000, and Kadokawa shipped the 24th volume in September 2025. The novel series inspired a 13-episode anime in 2003, followed by movies in 2005 and 2007. A remake television anime premiered in 2017. Sigsawa also published a spinoff series of the novels titled Gakuen Kino about Kino as a high school girl from 2006 to 2021. A manga adaptation of Gakuen Kino launched in Dengeki G’s Festival! Comic magazine in 2010. The manga ended with its third compiled book volume in June 2012.

Iruka Shiomiya launched the first manga adaptation of the light novel series in Kodansha‘s Shonen Magazine Edge in March 2017.

Yen Press recently announced on Friday that it has licensed the original novel series. Tokyopop published the beginning of the novel series in North America. ADV Films released the television anime adaptation. Sentai Filmworks rereleased the anime on DVD in June 2017.

Sigsawa and artist Hayato Asaki recently launched the Kemono-tachi no Peregrinatio (Peregrinatio Bestiarum or The Beasts’ Wandering) manga on Shogakukan‘s Weekly CoroCoro Comic online magazine on July 17. This is the first original manga written by Sigsawa.

Source: Dengeki Bunko‘s X/Twitter account


Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. One or more of the companies mentioned in this article are part of the Kadokawa Group of Companies.


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Pokémon Horizons: Season 3 – Rising Hope Part 4 Anime Series Review – Review

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It’s wild how far Pokémon: Horizons has come. This final batch of episodes feels like the climax of this time skip and the entire Pokémon: Horizons series. While some things are glossed over or could’ve received more focus, I genuinely believe this might be one of the strongest climaxes that the franchise has ever had. The growth of all the characters, the setup for where they could eventually go next, and the emotions that inform everybody’s actions feel exceptionally strong here. During the final episode in particular, I even found myself getting a little emotional, which shocked me despite my overall positive view of the series.

What makes this final batch of episodes so strong is that almost everybody gets a moment to shine or a moment of introspection. The series finally starts paying off the idea of legacy and forging a happy future with Pokémon from the main cast. Obviously this includes Liko, Roy, Amethio, and Dot, but even members of the Explorers start having their motivations tested. This is the first time the series goes into why some of them chose to follow a beautifully evil man like Spinel. Some feel they don’t have a choice or are forcing themselves to be villains, which mirrors the show’s heroes, who always try to optimistically believe in the bonds they forged with their Pokémon. It’s very shounen and not breaking any new ground, but it’s executed very well in both overt and surprisingly subtle ways.

This season continues to push Mega Evolution as one of the main gimmicks, but now it focuses more on how it directly parallels the inclusion of Laquium. Mega Evolution is a phenomenon built on a strong bond between the trainer and their Pokémon, while Laquium continuously erodes that bond. As the heroes grow stronger through training and evolutions, the way the game shows the Explorers slowly falling apart because their relationship deteriorates is handled extremely well. This, of course, culminates in Spinel being an absolutely fantastic villain for how far gone he’s played up to be. In a lot of ways, he represents what I wish Gibeon represented last season, but I think that’s kind of the point. Spinel reflects what characters like Gibeon and Amethio could have been if they hadn’t found people who made them believe in those bonds or friendship. Matthew Mercer also does a fantastic job of giving this character a lot of presence despite his limited screen time. I do think the message could’ve hit a lot harder if I’d been allowed to see more of Spinel, which is ironically a complaint I had about Gibeon before the time skip, but in the end, his story comes together a lot stronger than Gibeon’s.

A lot of this bond testing and planning culminates in a climax that feels like it carries a lot of weight, emotionally, thematically, and literally. It also helps that this batch of episodes might have the most consistently best-looking episodes of the entire season. The way certain moves and how Mega Evolution itself is showcased genuinely looks phenomenal, with a variety of distinct Pokémon getting their chance to shine by the end of this season. It truly does feel like everything has come full circle, as everyone’s love of Pokémon fully defines who they are. In fact, some characters are handled so well I wish I got more time with the rest of the cast.

Some characters like Ult still arguably don’t have their stories fully showcased, despite solid setup in previous episodes, and other characters just feel like they’re there to move the plot along. The plot feels tightest here, and that looming sense of urgency makes it hard to have any significant downtime, but I guess that’s more commentary on the arc as a whole than just this batch of episodes. Besides, there is technically more Pokémon: Horizons after this climax, so a lot of that development could still happen later on. The staff clearly wanted to keep the focus on that finale, and it’s probably better off for it, even if I still feel like I wanted more.

One drawback of the finale, from a production standpoint, is the music. It’s not that the musical compositions themselves are bad, with a variety of newly implemented themes and bombastic orchestrations. Rather, it’s the timing and implementation of the music that sometimes took me out of the moment. Some scenes have music that’s so aggressively loud and in my face during what feels like they are supposed to be quiet moments. I’ve complained about this for Pokémon as a whole in the past, where it almost feels like the series is afraid of letting the characters just talk, but this is the first time I feel like Horizons has been the most egregious with that business practice in particular. It’s just a shame that this is happening during one of the most emotional parts of the series.

Season three of Pokémon: Horizons had a lot to juggle: new cast members, time skips, and specific gimmicks from relevant games. Still, the series had a clear story it wanted to tell. I have a lot of respect for Pokémon: Horizons, even if it could’ve gotten to this point a bit more seamlessly. I’ve grown to love this cast and their journey. I found myself cheering during this final confrontation, and I still smile at all the references to the rest of the franchise scattered throughout. This was a well-done finale to a multi-year story arc. I don’t know what the future holds for Pokémon: Horizons, but at the very least, I’ve been very satisfied with the risks and passion this series pushed.

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