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StudioCanal Classics Label Launch Features Largest Library Outside US

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Canal Plus’ StudioCanal on Thursday unveiled the global launch of catalogue label StudioCanal Classics to further bolster “its ambitious editorial strategy across the StudioCanal catalogue, which is one of the most prestigious film libraries in the world.”

It boasts more than 18,000 titles, making it “the largest library outside the U.S., spanning 100 years of film history,” StudioCanal highlighted. “Over the past seven years, StudioCanal has invested close to 25 million euros ($29 million) into the 4K restoration of nearly 1,000 classic feature films. StudioCanal’s restoration strategy gives both longtime cinephiles and the Letterboxd generation the opportunity to experience classics as they were meant to be seen – on the big screen.”

StudioCanal also noted that its territory footprint spans the U.K., France, Germany, Italy, Benelux, Poland, Australia and New Zealand, with the company also distributing via partners in Scandinavia and South Africa.  

“StudioCanal continues to unlock the full value of its world-class catalogue through a dynamic and diversified exploitation strategy,” the studio explained. “An ambitious slate of prestige restorations brings iconic films to new audiences and is regularly showcased at leading international festivals, including Cannes Classics and Il Cinema Ritrovato. Supported by a dedicated international library sales team, every title benefits from tailored distribution and commercial opportunities across all media and markets.”

Among the theatrical releases from StudioCanal Classics has been Michael Mann’s Manhunter to mark the 40th anniversary with the release of a 4k restoration, Michael Mann’s Manhunter: The Final Cut. Developed in partnership with StudioCanal, the new restoration opened in U.S. cinemas on July 24. Following its debut at The Academy Museum of Motion Pictures in the U.S. last month. The restoration opens in U.K. cinemas on Sept. 25 September.

Similarly, to mark the 35th anniversary of James Cameron’s landmark sci-fi action classic, Terminator 2: Judgment Day will return to the big screen in 2D, 3D, 4DX and D-BOX, opening in theaters worldwide beginning on Thursday, Aug. 27.

Other StudioCanal Classics titles include the likes of Apocalypse Now, Basic Instinct, Paddington, Rambo, The Graduate and The Third Man.

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Samuel Monroe Jr. Dead: ‘Menace II Society’ Actor Was 52

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Samuel Monroe Jr., who made his acting debut in 1993’s Menace II Society and went on to appear in Tales from the Hood, The Players Club and various TV roles, died Wednesday, August 26, months after first battling a severe case of meningitis and MRSA pneumonia. He was 52.

His mother Joyce Patton, announced his death in a Facebook post today. “I want to thank all of my Facebook family and friends new and old for praying for Samuel Monroe, Jr., my son,” she wrote. “But today God called him home. Please honor my final request to pray for the family, especially his 3 children.”

Earlier yesterday Patton posted a message stating that Monroe was “having a procedure please pray now. Not looking good, please pray.” His hospitalization is believed to have been related to the meningitis, and reports indicate he was on life support at the time.

Born in Los Angeles on November 28, 1973, Monroe first gained notice in 1993 with his appearance in The Hughes Brothers’ Menace II Society. Around that time he also appeared in the Patti LaBelle sitcom Out All Night.

Next came Tales from the Hood in 1995, Don’t Be a Menace to South Central While Drinking Your Juice in the Hood (1996), two episodes of NYPD Blue, the ’96 film Set It Off with Jada Pinkett Smith, Queen Latifah and Vivica A. Fox, and in 1998 Ice Cube’s The Players Club.

Subsequent credits include episodes of Southland and Black Jesus, as well as films She Ball, Blood Sacrifice and, in 2023, Packz. His IMdB page lists an upcoming comedy film, Extra’d Out, as being in pre-production.

He is survived by his mother and three sons; additional information on survivors was not immediately available.

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‘Toy Story 5’ Lands Disney+ Streaming Date

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Toy Story 5 will begin streaming on Disney+ on September 23. 

The Disney/Pixar feature opened on June 19 to a whopping $160 million, the best opening any movie has seen this year, the second-best opening ever for an animated film stateside behind Pixar’s own Incredibles 2 ($182.6M), and the third-best June has had following Universal’s 2015 Jurassic World ($208.8M) and Incredibles 2. The film has since passed the billion-dollar mark. It is the third Toy Story movie to cross $1 billion after 2010’s Toy Story 3.

Toy Story 5 is directed by Andrew Stanton and co-directed by Kenna Harris. Producers on the project are Lindsey Collins and Jessica Choi. The film was written by Stanton and Harris, from a story by Stanton. 

The official synopsis reads: The toys are back in Disney and Pixar’s “Toy Story 5,” and this time it’s Toy meets Tech. Woody, Buzz Lightyear, Jessie, and the rest of the gang’s jobs are challenged when they come face-to-face with Lilypad, a brand-new tablet device that arrives with her own disruptive ideas about what is best for their kid, Bonnie. Will playtime ever be the same?

Elsewhere, Disney also today announced a new accompanying music video for Taylor Swift’s original song I Knew It, I Knew You from the Toy Story 5 soundtrack. The song is now available to watch on Disney+, Spotify and Apple Music. The single is performed by Taylor Swift and written and produced by Swift and Jack Antonoff.

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Plaintiff Reacts To Kennedy Center Warning Of Potential Demolition

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A federal judge is holding a hearing on Thursday on another challenge to the Kennedy Center‘s plans to add Donald Trump‘s name to the complex.

On Wednesday evening, attorneys for Rep. Joyce Beatty (D-OH) reacted to the most recent filing by the center, in which they suggested that the complex may have to be torn down if Trump’s name was not restored.

Beatty’s attorney wrote, “In plain English, Defendants have not-so-subtly said: ‘What a nice Kennedy Center you have here. What a shame should something happen to it.’ This is a breathtaking assault on the rule of law. It is delusional. And it must stop.”

The board of the Kennedy Center voted earlier this month to add “Renovated and Restored by President Donald J. Trump” to the front facade below the inscription, “The John F. Kennedy Memorial Center for the Performing Arts.” Once a $100 million threshold is met for an endowment, another inscription would be placed below that one to read, “Endowed by the Trump Kennedy Center Fund.”

The board also voted to rename “the physical site and grounds upon which the center sits” as the “President Donald J. Trump Plaza.”

Beatty claims that the addition of Trump’s name in those locations violates a judge’s order prohibiting a previous effort by the board to add POTUS’s to the name of the center.

From December until June, the center was rebranded as the “Trump Kennedy Center.” On the front facade, the words, “The Donald J. Trump and” were placed above “The John F. Kennedy Memorial Center for the Performing Arts.” But a judge ruled that only Congress could approve such changes, not the Trump-controlled board. The POTUS designation was removed in June, and part of the front facade is now covered by a tarp.

In a filing earlier this week, center attorneys wrote that “undisputed evidence demonstrates, that without the prominent recognition of The Trump Administration, and President Trump’s efforts, the donors will not contribute, and the Center will continue to be in a financial and structural death spiral.”

They added that Trump has “marshalled a new donor base to finance an endowment for the Center. These efforts promise to raise hundreds of millions of dollars to fund desperately needed structural improvements, thereby making the Center physically and financially secure for generations to come and, perhaps most importantly, to make the Center structurally safe from collapse or calamity.”

They added, “Without those efforts, the Center will deteriorate further into an unsafe, decrepit structure that will be required to be taken down, with a determination to follow on what to build on the site, such as a large outdoor amphitheater overlooking the Potomac River that has been proposed, by some, for many years. Such a replacement will fail to adequately honor President John F. Kennedy, but would be simpler and more economical to build, operate, and maintain.”

Beatty’s legal team also wrote that the center was “actively misleading” the judge and the public in claiming that “‘undisputed evidence demonstrates’ that ‘the Center will continue to be in a financial and structural death spiral’ unless President Trump’s name is added to the building, and that ‘President Trump’s efforts promise to stem the Center’s tremendous financial losses.’” They pointed to a report in The Washington Post that, after the board’s vote to add Trump’s name to the center, ticket sales and donations collapsed.

“This doublespeak is unconscionable,” Beatty’s legal team wrote. “Moreover, to the extent Defendants cannot fundraise, the solution is to ask Congress to appropriate needed funds and hire professional management with expertise in the performing arts to supplement appropriations as needed—not to violate the law on the ridiculous conceit that putting ‘Trump’ all over the place will open a spigot of contributions.”

A Kennedy Center spokesperson did not immediately return a request for comment. But in a statement earlier this week, the spokesperson said, “Center leadership remains committed to demonstrating, by all legal means, the soundness of the Board’s decision to recognize Chairman President Donald Trump’s unprecedented support for restoring and revitalizing America’s Cultural Center.”

Beatty, an ex officio member of the Kennedy Center board, also denied that she gave her approval to the proposal to rename the grounds of the center for Trump. In its filing earlier this week, the center’s attorneys wrote that at the board meeting earlier this month, Beatty “explicitly stated that she had ‘no objection’ to one component of it—re-naming the Center’s grounds after President Trump to honor the work he is doing to save the Kennedy Center.”

In a declaration to the court, Beatty wrote that at the board meeting, she “tried to explain that I was not categorically opposed to recognizing Trump in some very limited way, for example, inside the building or with a modest bench or plaza.”

She wrote, “My stated willingness, in that moment, to consider a more limited alternative was a good-faith effort to steer the Board away from actions I strongly suspected to be unlawful. And as I made clear at the time, any willingness on my part was conditioned on the lawfulness of the final action.”

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