movies
‘High Potential’: Nora & Lilla Zuckerman Named Season 3 Showrunners
ABC‘s flagship series High Potential has found a new showrunner — and it’s a duo. Nora and Lilla Zuckerman, who ran the breakout first season of Poker Face, have been named executive producers and showrunners of the hit crime drama starring Kaitlin Olson ahead of its upcoming third season. They are replacing Todd Harthan, who stepped down in March after serving as showrunner for the first two seasons of the 20th Television-produced High Potential to focus on his new new series, Disney+’s Eragon.
The high-profile showrunner assignment falls under Zuckerman sisters’ overall deal with 20th Television. Under the pact, they most recently wrote and executive produced the Buffy reboot pilot, starring Sarah Michelle Gellar, which did not move forward at Hulu.
On High Potential, created and executive produced by Drew Goddard, the Zuckermans are working with the same top executives they worked with on Buffy: New Sunnydale: 20th TV President Karey Burke; Disney Television Group President Craig Erwich, who oversees 20th TV, ABC Entertainment and Hulu Originals; and Simran Sethi, who also works across the network and the streamer as President, Scripted Programming, Hulu Originals and ABC Entertainment.
“We are so grateful to be working with Craig, Karey, Simran and our partners at 20th and ABC on this exciting new chapter of High Potential,” Lilla and Nora Zuckerman said. “The fact we get to collaborate with Drew, Sarah and Andrea at Goddard Textiles and the incomparable Kaitlin Olson is a dream come true. We’re looking forward to climbing into the brilliant, bustling mind of Morgan Gillory and crafting intricate mysteries worthy of her genius.”
The change at the helm puts female showrunners in charge of a series with a female lead, something that is not as common in television than it probably should be.
Created by Goddard based on the French series Haut Potentiel Intellectue (HPI), High Potential stars Olson as Morgan, a single mom who discovers her ability to solve crimes — leading her to partner with a detective played by Daniel Sunjata.
The Season 2 series regulars also included original cast members Javicia Leslie, Deniz Akdeniz, Amirah J, Matthew Lamb and Judy Reyes as well as new addition Steve Howey who joined with a one-year deal.
Season 3 will be executive produced by Goddard and Sarah Esberg of Goddard Textiles, Nora and Lilla Zuckerman and Olson. Andrea Massaro of Goddard Textiles is co-executive producer.
Season to date, High Potential averages over 16 million total multiplatform viewers, ranking as the third most watched broadcast series in that category and #1 among Adults 18-49, based on Nielsen Streaming Content Ratings that measure Live+7 linear and 35-day streaming viewing. The series’ Season 2 premiere rose to 21.48 million total viewers after 35 days on ABC, Hulu, Hulu on Disney+ and digital platforms.
The Zuckerman sisters executive produced Rian Johnson’s Peacock series Poker Face and served as showrunners on its award-winning first season. They have The Spy Coast, based on the Tess Gerritsen novel, in development at Amazon and are currently writing Scream 8 for Project X and Spyglass. The Zuckermans, whose series credits also include Fringe, Haven, Suits, Marvel’s Agents of S.H.I.E.L.D, and Prodigal Son, are repped by UTA and Lichter Grossman.
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Hur Jin-ho’s historical thriller The Assassin(s) topped the Korean box office over the Chuseok holiday weekend pulling in more than 1.5 million admissions since its release on September 23.
Fresh from its world premiere at Toronto International Film Festival, the film has grossed $11.3M (KRW15.3BN) from 1,546,614 admissions over the first five days of release, according to data from the Korean Film Council (KOFIC). The Chuseok holiday officially ran for three days from Thursday, September 24 to Saturday, September 27.
Starring Lee Min-ho (Gangnam 1970), Park Hae-il (Decision To Leave), and Yoo Hai-jin (A Taxi Driver), The Assassin(s) revolves around the attempted assassination of South Korean President Park Chung-hee in 1974 that resulted in the death of the First Lady. A senior inspector (Yoo), veteran journalist (Park) and rookie reporter (Lee) set out to uncover exactly what happened and who was responsible, despite threats against their careers and their lives.
Coming in second over the holiday week (September 21-27) was Tazza: The Song of Beelzebub, a long-awaited sequel to a popular gambling franchise, which also opened on September 23 and took just over $6M from 813,842 admissions.
Christopher Nolan’s The Odyssey took third place in the weekly chart, adding another $5M to it record-breaking tally from 565,696 admissions. Released on August 5, the film has grossed just over $98M from 11.7 million admissions in the Korean market, making it the biggest import of the year so far.
Warner Bros Korea’s The Intern, a remake of the 2015 hit Hollywood comedy, came in fourth with an additional $2.6M for a cumulative total of $5.5M since its September 16 release. The film stars Choi Min-sik and Han So-hee in the roles originally played by Robert De Niro and Anne Hathaway in the original film.
Looking at figures for the entire week, The Intern was followed by US horror hit Obsession with $1.6M for a cume of $6.7M since its September 2 release. But looking solely at the weekend, Lee Chang-dong’s Venice winner Possible Love debuted in fifth position. Also opening on September 23, the Netflix-backed film, which is Korea’s official submission for Best International Feature at the Oscars, grossed around $1M in its first five days.
Historical drama The King’s Warden continues to hold Korea’s box office crown for the year to date, with box office of $120M from 16.9 million admissions; followed by The Odyssey, Spider-Man: Brand New Day ($69M from 9 million admissions), and two titles that debuted at this year’s Cannes film festival: Yeon Sang-ho’s Colony and Na Hong-jin’s Hope.
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Benjamin Satterley, the high-flying champion wrestler known variously to AEW and WWE fans as Pac, Bastard, Adrian Neville and Neville, has died. That, according to an announcement from All Elite Wrestling. He was 40.
Details surrounding his passing are unclear. Pac was featured at AEW’s All Out pay-per-view from Chicago on Saturday night. He challenged Andrade El Idolo for the AEW National Championship, but lost.
The statement from AEW reads in part, “A native of Newcastle upon Tyne, England, Satterley began his wrestling career in 2004 and went on to perform for wrestling organizations all over the world, captivating fans with innovative high-flying moves and incredible in-ring ability. Pac signed with All Elite Wrestling in 2019 and held multiple AEW Championships and competed in some of the most memorable matches in AEW history. Our condolences go out to Satterley’s family, friends and fans.”
In the AEW, Satterley was the outfit’s All-Atlantic Champion and a two-time World Trios Champion.
He won the NXT Championship in the WWE’s developmental adjunct and later became a two-time WWE Cruiserweight Champion.
Satterley was known as “The Man that Gravity Forgot” for his signature finishing move, a spectacular corkscrew shooting star press off the top rope. You can see it in the video below.
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It was like 1998 all over again. Madonna won six Video Music Awards that year for Ray of Light.
Flash forward to tonight, and the pop icon won seven awards, including Artist of the Year, for Confessions II, the sequel to her 2005 album.
Also winning were Sabrina Carpenter for Best Editing and for her collab with the Material Girl on “Bring Your Love.” The duo appeared onstage together to accept.
Taylor Swift won Video of the Year for “The Fate of Ophelia” and Best Director for “Opalite,” as well as a special “Artist Director” honor.
Full Winners List
VIDEO OF THE YEAR (presented in show)
Taylor Swift – “The Fate of Ophelia” – Republic Records
ARTIST OF THE YEAR (presented in show)
Madonna – Warner Records
BEST COLLABORATION (presented in show)
Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records
BEST DANCE, presented by BACARDÍ® Rum (presented in show)
Madonna – “Confessions II – The Film” – Warner Records
BEST NEW ARTIST, presented by The General Insurance® (presented in show)
Sienna Spiro – Capitol Records
BEST POP (presented in show)
LISA – “Dream feat. Kentaro Sakaguchi” – Lloud Co. / RCA Records
SONG OF THE YEAR
BTS – “Swim” – BIGHIT MUSIC
BEST HIP-HOP
Cardi B ft. Kehlani – “Safe” – Atlantic Records
BEST R&B
Bruno Mars – “I Just Might” – Atlantic Records
BEST ALTERNATIVE
Olivia Rodrigo – “the cure” – Geffen Records
BEST LATIN
Bad Bunny – “NUEVAYoL” – Rimas Entertainment
BEST K-POP
BTS – “SWIM” – BIGHIT MUSIC
BEST COUNTRY
Ella Langley – “Choosin’ Texas” – Columbia Records
BEST DIRECTION
Taylor Swift – “Opalite” – Republic Records
BEST ART DIRECTION
PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK / Atlantic Records
BEST CINEMATOGRAPHY
Madonna – “Confessions II – The Film” – Warner Records
BEST EDITING
Sabrina Carpenter – “House Tour” – Island
BEST CHOREOGRAPHY
Madonna – “Confessions II – The Film” – Warner Records
BEST VISUAL EFFECTS
Ariana Grande – “hate that i made you love me” – Republic Records
SOCIAL CATEGORIES:
BEST GROUP
BTS
BEST LONG FORM VIDEO
Madonna – “Confessions II – The Film” – Warner Records
BEST ALBUM
Madonna – Confessions II – Warner Records
SONG OF SUMMER –
Ariana Grande – “hate that i made you love me” – Republic Records
SPECIAL AWARDS:
VIDEO VANGUARD – Nirvana
MTV VMA ARTIST DIRECTOR HONORS – Taylor Swift
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