The Brits are coming… to the Croisette! The British Film Institute (BFI) continued an annual tradition on Thursday, unveiling its 2026 crop of “Great 8” movies, eight features from the “most exciting first-time and early career filmmakers” that it will showcase to international distributors and festival programmers in the run-up to and during the Marché du Film market taking place during the 79th edition of the Cannes Film Festival. This year, the program features only debut films.
 
Now in its ninth year, the Great 8 showcase will screen unseen footage from all of the titles, introduced by their filmmakers, online exclusively to buyers and festival programmers from midday Friday.   

Among the movies being presented is the feature directing debut of Boiling Point actor Ray Panthaki, starring Clarence Maclin in his first leading role, as well as films starring the likes of Christina Hendricks, Joe Locke and Hiam Abbas.
 
“Our annual Great 8 showcase, which has previously championed both first and second time filmmakers, focuses entirely on debuts for its ninth edition,” said Briony Hanson, the British Council’s director of Film. “With formats and genres ranging from thrillers to experimental films on show, and films from Wales, Northern Ireland, Scotland and England in the lineup, the selection represents the breadth of new voices and new work happening in the U.K. It also symbolizes the importance of collaboration to the U.K. industry, with a number of non U.K.-born directors and co-productions in the mix.” 
 
Added Agnieszka Moody, the BFI’s head of international relations: “It’s incredibly encouraging to see another fantastic lineup of strong U.K. debuts for this year’s Great 8 – showcasing the range of unique and original filmmaking voices coming into our industry.”
 
Great 8 films and filmmakers who have gone on to find international acclaim and commercial success after last year’s selection include Imran Perretta’s Ish and Ashley Walters’ Animol, the organizers highlighted.
 
Previous Great 8 films also include Charlotte Wells’s Aftersun, Rungano Nyoni’s I Am Not A Witch, Georgia Oakley’s Blue Jean, and Charlotte Regan’s Scrapper.  

Below is a closer look at the 2026 crop of Great8 titles.

Ancestors  
Ireland, U.K. 
Drama 
Director/writer: David Turpin 
Producers: Miranda Ballesteros, David Collins, Eamon Hughes 
Cast: Éanna Hardwicke, Jessica Reynolds, Jack Wolfe, Rupert Everett, Christina Hendricks 
Production: Screen Ireland, Yellow Moon, Northern Ireland Screen, Samson Films, Lunatica 
Sales: Mister Smith 
 
Synopsis: “A love story, a noir mystery and a metaphysical fable, Ancestors follows Beau (Hardwicke) as he searches 1980s London for his missing friend, Tiny (Wolfe). Dream, reality, memory and history entwine, forcing Beau to come face-to-face with truths beyond life and death.”
 
Black Church Bay  
U.K. 
Mystery Drama 
Director/writer: Rhys Marc Jones 
Producers: Tristan Goligher, Alex Polunin 
Cast: Tom Cullen, Joe Locke, Marli Siu, Rakie Ayola, Dylan Michael (Miles) 
Production: BBC Film, Ffilm Cymru Wales, Ossian International, The Bureau  
Sales: The Bureau 
 
Synopsis: “Black Church Bay is a mystery-drama about a conflicted young teacher (Cullen) dealing with the consequences of a high school student (Locke) disappearing. It follows the immediate aftermath of the event, exploring the lengths a person might go to hide their true self – to save their skin at the expense of their soul.”  

Daughter of Eden
U.K./Ireland  
Psychological Thriller 
Director/writer: Fateme Ahmadi 
Producers: Jack Tarling, Pietro Greppi 
Cast: Yasmin Al-Khudhairi, Hiam Abbass, Amir El-Masry, Lindsay Duncan 
Production: BFI, BBC Film, Fís Éireann/ Screen Ireland, Civic Studios, Three Point Capital, Lunapark Pictures, Shudder Films, Newgrange Pictures  
Sales: Lucky Number 
 
Synopsis: “London, 2006. In the months leading up to Saddam Hussein’s execution, Nessa, a British Iraqi nurse, encounters an older woman, Maryam, at the hospital and suspects that she is the government informant responsible for her parents’ execution in Iraq years earlier. Nessa infiltrates Maryam’s life as her nurse, aiming to find the truth. To her surprise, Maryam begins to develop a closer bond with her – but Nessa cannot let go of the obsession. Nessa’s search for truth turns into something darker when she finally feels certain that she has the right person; consumed by rage, she begins to punish Maryam, while neglecting her own health, family and career. As the lines between truth and projection blur, Nessa is forced to confront the consequences of what her pain has set in motion.”
 
Florid   
U.K. 
Drama 
Director/writer: Billy Lumby 
Producers: Rupert Lloyd, Joy Gharoro-Akpojotor 
Cast: Jonathan Jules, Saskia Chana, Unknown T 
Production: BBC Film, Film i Väst, Academy Films, Head Gear, An Atar Studios, Joi Productions Filmgate (SE), Metrol Technology, Trigger Films, Red Union Films 
Sales: Atar Studios 
 
Synopsis: “Set in the world of London’s supported accommodation and psychiatric wards, Florid tells the story of Jamal, a young man who hears voices. Struggling to balance his medication with his musical and romantic desires, Jamal’s equilibrium is rocked when Kyla moves in next door. Told from an authentic first-person experience, Florid has been made with the community it is based in. It is an emotive and immersive story that seeks to bring the audience into an unseen world.”
 
In Starland
U.K. 
Drama 
Director: Ray Panthaki 
Writers: Ray Panthaki, Jason Kavan 
Producers: Daniel Khalili, Ray Panthaki, Daisy Allsop, Victor Paul Wajnberg  
Cast: Clarence Maclin, Bella Maclean, Miss Benny, Marcus Scribner, Ben Dickey  
Production: Le Bateau Lavoir, Archface Films, Killer Films    
Sales: Le Bateau Lavoir 
 
Synopsis: “In small-town America, Ernie, a 50-year-old loner with a mysterious past, lives a quiet, solitary life. After a chance encounter with a group of influencers in their twenties who are passing through town, Ernie invites them into his home – a decision that unsettles the fragile world he’s spent years trying to exist within. They move fast, live online, turning everything into something to be seen. Finally finding a place he can fit in, Ernie is drawn into a digital world of hedonism, self-exploration and belonging – but the connection he’s been searching for begins to come at a cost. As the line between private life and performance starts to blur, and the town grows more watchful, a carefully held secret begins to surface… A coming-of-middle-age story about what we inherit, the patterns we carry, and the choices they leave us with.”
   
Masc   
U.K. 
Drama 
Director: Bertil Nilsson  
Writers: Bertil Nilsson, Joshua Griffin 
Producers: Bertil Nilsson, EP Joanne Michael  
Cast: Joshua Griffin, Tega Alexander, Ed White, Reece King 
Production: Duktiga 
Sales: Duktiga 
 
Synopsis: “Robin is a young man caught between multiple identities – autistic, biracial, queer – and different ideas of masculinity. This leads us on an intimate, and at times funny, journey of self-discovery and missteps told in five chapters over the course of a critical year in Robin’s life. He tries on different roles, failing from job to job while transforming his appearance and mannerisms to fit in. But will revealing what he’s most desperate to hide finally open the door to belonging?”
   
Our Share of Sand 
U.K. 
Drama 
Director/writer: Shalini Adnani 
Producers: Sara Bonakdar, Alan McAlex, Balthazar de Ganay, Giorgos Karnavas, Michael Graf 
Cast: Ellora Torchia, Mohammed Zeeshan Ayyub, Maya Mehta, Jyoti Dogra, Krish More, Ravi Ranjan 
Production: BFI, Film4, Fifth Mirror Pictures, Heretic, Suitable Pictures 
Sales: Global Constellation  
 
Synopsis: “After years apart, 12-year-old Maya returns to India with her mother to reunite with her father – a sandmining business man. Immersed in a world where labour, legacy and extraction collide, she forms a fragile bond with Kiran, a young worker. When a tragic accident leaves him permanently injured, a police investigation turns Maya into a key witness, with her father relying on her account to absolve him. Torn between loyalty and a growing unease she cannot name, Maya begins searching for the truth herself. As her mother quietly unravels within a stifling marriage, Maya uncovers a pattern of silence, exploitation and repeated harm-forcing her to confront her father’s deception and the family’s inherited complicity she must choose to break.”
 
Salvation
U.K. 
Psychological Thriller 
Director/writer: Tom Nicoll 
Producers: Dom Riley, Tom Nicoll, Scott Trotter 
Cast: Liam Harkins, Stephen McMillan, Kathleen McDermott, Conor McCarron 
Production: Creative Scotland, Lane Films  
Sales: Lane Films 
 
Synopsis: “A tenacious aspiring guru must go to extreme measures to pay off the debts he’s accrued from trying, and failing, to set up an online life-coaching business in a post-industrial Scottish town. Exploring the world of male influencer culture and how it might be affecting the young men who come into its orbit, Salvation blends mounting tension, dark comedy and a forensic focus on its protagonist to explore the very modern story of a delusional life coach spiralling out of control.”    
 
 
 

Sony Pictures Television‘s president has made an impassioned plea to the new leaders of the BBC and Channel 4 to form an alliance that would reshape the UK’s television industry.

Wayne Garvie, the outspoken British executive who oversees a content empire that includes The Crown and Industry, argued that Channel 4 should become the “de facto commercial arm” of the BBC to help the two organizations compete with the likes of YouTube and TikTok.

He appealed to Matt Brittin, the incoming director general of the BBC, and new Channel 4 CEO Priya Dogra to seize the moment of fresh leadership and confront the “crisis” of fragmented viewing and cratering ad sales that could make British broadcasters a “weak field of has-beens.”

“They come with none of the public service baggage that’s held other people back. They need to come together and work out a shared solution to the problems,” Garvie told the Creative Cities Convention in Liverpool. “There is a world in which they can come together and retain a different, independent Channel 4, with Channel 4, the de facto commercial arm of the BBC, running the [commercial] channels and BBC Studios. That way we can realign our public service broadcasting and protect it for the future.”

He continued: “I genuinely think that there is a crisis here, and we can spend a lot of time thinking about it, but you need to get on and do it, because the world is changing so quickly, and the normal speed of change within British broadcasting is so slow that the game could be over.”

Garvie stressed that it would be important to keep a “separate identity” for Channel 4, but said change was unavoidable. “You’ve got two leaders who have got to think differently, and they’ve got to act quickly,” the Sony chief added.

Garvie’s vision could be dead on arrival, however. Speaking from the same Creative Cities stage on Wednesday, Channel 4 boss Dogra poured cold water on the idea of a merger with the BBC. She said it would result in Channel 4 being absorbed by the BBC, leading to the loss of its editorial voice. “That would be a loss to society, [and] a real loss for the creative economy,” she said. Dogra did say she was open to collaboration, though she was not clear on what this would entail.

The mooted merger has been a source of industry speculation for years. The British government has fanned the flames of this conversation, tasking the UK’s Competition & Markets Authority and regulator Ofcom to review how consolidation could change the industry.

During his “wake-up” address at Creative Cities, Garvie also reflected on the growing creator economy and its impact on traditional television. “The cottage industry that is digital content creation is transforming the industrial process of television, and if you do not understand that and try to adapt to it and interact with it, you are … living with delusion,” he said.

He referenced Sony’s partnership with TommyInnit on digital series 100 Questions with Tom Simons. A Minecraft enthusiast, Simons has 50M followers and 3 billion views, with Garvie noting that 100 Questions has generated 33M views in less than a month.

Saturday Night Live UK has been renewed for a second season.

The first ends in nine days’ time but Sky and Universal Television Alternative Studio (UTAS) have liked what they’ve seen enough to give an early greenlight for a second run, which will air an extended 12 episodes from fall 2026. The show lands on Peacock the day after it airs on Sky One in the UK.

The first season has featured hosts including Aimee Lou Wood, Nicola Coughlan and Tina Fey. Hannah Waddingham will shepherd this coming Saturday’s ep and Ncuti Gatwa will take charge of the final one.

SNL creator Lorne Michaels, who produces the UK version, said: “I’m incredibly proud of our team and the show. It keeps getting better every week. I’m grateful to [Sky boss] Dana Strong and Sky for believing in and supporting SNL UK. I’m excited for the season ahead.”

The UK comedy community was skeptical about SNL UK but the vast majority would concur it has gone down well.

While overnight ratings haven’t been anything to write home about, the show has been received well with critics, has attracted a high caliber of guest host and has performed extremely well on social media. A Deadline analysis recently found that it had stormed past 86 million views across its official online accounts on YouTube, Instagram Reels, X/Twitter, and TikTok. Jimmy Fallon was even in town late last month taking that week’s host Coughlan on a wild studio tour.

SNL UK has also been praised for its platforming of younger talent, many of whom came up through social media. Particular breakouts include George Fouracres, Al Nash and Jack Shep.

Speaking to Deadline before the eight-episode first season kicked off, lead producer James Longman said he wanted to leave a legacy.

The move is a big one for Sky given that SNL UK is by a distance its most expensive unscripted show of all time, with each episode costing into the millions of pounds. If SNL UK runs for years, it will have a major impact on the annual Sky budget. The pay-TV giant has also been greenlighting more original drama of late and recently struck a scripted deal with Canal+.

SNL UK is produced by UTAS UK and Broadway Video for Sky and Now. Michaels is executive producing; for Broadway Video, Erin David serves as producer; for UTAS UK, Managing Director Helen Kruger Bratt oversees production. SNL UK was commissioned by Phil Edgar Jones, Executive Director of Unscripted Originals at Sky, for Cecile Frot Coutaz, Chief Advertising and Content Officer, Sky, CEO Sky Studios.

Edgar Jones said: “It’s fair to say people doubted SNL would work in the UK, but thanks to Lorne Michaels, his longtime Saturday Night Live producing team and UTAS UK, alongside our brilliant cast and writers, SNL UK is Sky’s most talked about show of the year. It’s now firmly part of the cultural conversation and we’re thrilled the show will be returning in the Autumn, bringing laughter and mischief to our audiences, live from London on a Saturday night.”