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Maury Povich Helped the New York Times Prep His Obit – and Got ‘Very Pissed Off’ About One of Journalism’s Core Rules

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Maury Povich is alive and well, but at 87, the former tabloid talk-show host is comfortable enough with his mortality that he spent months helping a New York Times writer craft his prepared obituary. But something about the process got under his skin.

“I get a call from the New York Times about four or five years ago, and this guy who I find out later on is a terrific writer is calling me because they want to write my obit,” Povich said Friday on the “Founder’s Story” podcast with host Daniel Robbins. “And I went, ‘Oh, wow. This is interesting.’ So, I’ve spent the last couple of years talking to the New York Times about my obituary, which is written.”

So far so good for Povich, who then had one simple request. It was denied.

“The only thing I’ve got very pissed off about was I finally asked the writer, ‘How about can I see it? Can I see my obit? I would love to see my obit,’” Povich continued. “He said, ‘We can’t show you that. Are you kidding me? This is the New York Times. We don’t show people what we write.’ I said, ‘Does that mean I’m going to have to read about it after I die?’”

For decades, media outlets have routinely pre-written obituaries for notable people and even accidentally published them, just ask Abe Vigoda – but Povich wouldn’t mind that one bit. He’s still miffed the Times won’t let him have a peek.

“You know what I said to myself?” he recounted. “‘Well, then if that’s the case, let’s have the funeral right now so that everybody can stand up and say all these things about me and I can listen.’”

“Times obituaries are written by Times journalists. Our writers research and report the full lives of the subjects of obituaries, but they are only finalized and published after the subjects are deceased,” a Times spokesperson told (and hat-tip to) Entertainment Weekly

“Maury,” ran for more than 30 seasons in syndication before Povich finally retired from daytime TV, and now hosts the “On Par With Maury Povich” podcast.

“There is no doubt that our shows in the ’90s and early 2000s spawned all the ‘Housewives’ shows, all the Kardashians, any kind of reality show now on cable was all sparked by our shows,” Povich said.

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Paramount, State AGs Brush Off WB Merger Settlement Concerns

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Diablo Cody Movie Always, Roxanne In Works With True North (EXCLUSIVE)

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EXCLUSIVE: Diablo Cody has lined up familiar faces as partners for her next film project, Always, Roxanne: The film will be produced by Nathan Kahane via his True North banner, as well as Mason Novick, Deadline has learned.

Cody’s script follows Roxanne, an obsessive high school senior who goes to her ex-boyfriend’s college campus to win him back, only to wage war on his new girlfriend and accidentally find the first person who truly understands her.

The film, which does not yet have a director, extends a longstanding creative partnership between Cody and Novick, who have now worked together on over 10 projects: Novick was Oscar-nominated for producing Cody’s Best Picture nominee Juno and is currently working with her on a sequel to her cult classic Jennifer’s Body.

Kahane worked with Cody & Novick on the films Juno and Young Adult during his time at Mandate Pictures. He told us, “I couldn’t imagine a better time to reunite with my former collaborators Diabo Cody and Mason Novick than a moment when younger audiences are rediscovering the joy of the theatrical experience.”

Best known for breakout with Juno, the coming-of-age romance that brought her the Academy Award for Best Original Screenplay, Cody’s filmography also includes titles like Tully, Ricki and the Flash, Lisa Frankenstein and more, in addition to those previously mentioned. She is represented by WME and MXN Entertainment.

While at his previous companies Mandate and Good Universe, Kahane shepherded the Neighbors and Harold and Kumar comedy franchises, as well as films sfuch as This Is the End, Don’t Breathe, Good Boys and Stranger Than Fiction. Prior to launching True North, he was President of the Motion Picture Group at Lionsgate.

Other credits for Novick include (500) Days of Summer and the recent Forbidden Fruits.

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Pro Dancers Celebrate Return of Best Dance Category at 2026 MTV VMAs

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Pro Dancers Celebrate Return of Best Dance Category at 2026 MTV VMAs







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