
Director Liza Mandelup attends the ‘Grandmasters’ premiere at Tribeca Festival on June 7, 2026 in New York City.
Manny Carabel/Getty Images for Tribeca Festival
The Block the Merger Coalition has launched a new petition urging the 12 state attorneys general to reject “empty concessions” from Paramount and “hold strong” in their legal fight against its $110 billion merger with Warner Bros. Discovery.
“Financial analysts are now predicting that this deal cannot survive the wait of the trial and that Paramount must settle or risk losing Warner Bros,” the petition states. “We have them on the ropes, but Larry Ellison has proven time and again that he will use his vast wealth and influence to buy allies and control the public discourse. The Ellisons are paying for a powerful campaign to pressure the AGs to sell out our people by organizing a host of often financially conflicted executives and policymakers across the political spectrum.”
The coalition argues that merger concessions “don’t work,” noting that they’re “unenforceable, frequently abandoned and often attempt to pit impacted parties against one another,” citing research from the Writers Guild of America and the American Economic Liberties Project. They further warned that accepting unenforceable conditions from the Ellisons in a backroom rather than fighting in the courtroom is a “losing proposition.”
“Even in the best case scenario, concessions do not protect all workers and consumers. We believe that to make sure no one is left behind, we must #BlockTheMerger. That’s why we’re calling on state AGs to take their case to trial,” the petition continues. “Let’s show them that the power of many is greater than the power of their money. Billionaires have hoarded outsize wealth, but that doesn’t give them the right to control our lives, our media, and break the law. This deal will destroy competition and diversity in the creative sector. The antitrust lawsuit is strong. Let’s have our day in court and let the Judge decide.”
The lawsuit between the dozen state AGs and Paramount is headed to trial in March 2027. Paramount has agreed to delay the closing of the merger until five days after the outcome of the trial, or June 1, 2027, whichever comes earliest.
Starting Oct. 1, Ellison is on the hook to pay WBD shareholders a 25 cent per share ticking fee, which translates to a payout of $650 million per quarter or $7 million per day until the deal is closed. If the deal does not close at all due to regulatory matters, he must also pay WBD a $7 billion break-up fee.
The contractual expiration date on the merger is June 4, 2027.
The latest move by the Block the Merger coalition comes as Iowa Attorney General Brenna Bird and Montana Attorney General Austin Knudsen filed a motion with the Supreme Court urging them to block the “politicized” antitrust lawsuit by California’s Rob Bonta and 11 other states.
The pair allege that the litigation is depriving their states’ economies of the deal’s benefits and and harming “tens of thousands of employees of Paramount and Warner Bros., as well as hundreds of millions who watch their movies, shows, and news through a variety of sources” in the process.
Iowa and Montana also requested that the Supreme Court set a deadline of Sept. 15 for Bonta and the other state AGs to respond and an Oct. 9 conference hearing. A spokesperson for Bonta’s office previously told TheWrap it is reviewing the filing from Bird and Knudsen and that it will “respond as appropriate.”
Meanwhile, a number of parties have called for a settlement between the states and Paramount, including California Gov. Gavin Newsom, Los Angeles Mayor Karen Bass, the Democratic nominee in California’s gubernatorial race Xavier Becerra, the Directors’ Guild of America and IATSE.
In an interview with TheWrap on Monday, Bonta reiterated that the state AGs are “not interested” in behavioral remedies being offered by Paramount, such as Ellison’s pledge for 30 theatrical film releases a year.
In terms of specific examples of what a structural remedy could look like, Bonta said that someone else would have to own a “significant” portion of the 50 basic cable channels that would be included under the combined company, though he stopped short of saying CNN would be one of them.
“We have some thoughts on [specific channels]. I’m not going to share those with you. If we do end up ever having productive settlement negotiations, that is something to be discussed,” he added. “But the idea of what it means to have a structural remedy, for example, in the basic cable channel licensing market means separate ownership of a significant number of those channels.”
The Wall Street Journal has also reported that Bonta is interested in keeping the operation of the two companies’ studios separate. Bonta’s comments came after he canceled a mediation session with Paramount that was scheduled for Monday following the WSJ’s report.
Though Bonta said he remains open to “good faith” discussions to settle the lawsuit as early as this week, he emphasized that the states will only return to the negotiating table if Paramount Skydance agrees to “stop leaking and stop misrepresenting through their leaks” to the press.”
“It’s up to them,” he added. “They’ve got to figure out where the leaks are and shut them down. And once they figure that out, we’ll be happy to talk with them. I don’t know how long it’ll take them to figure it out and to fix it, but when they do, we’re ready.”
TheWrap exclusively reported a Los Angeles County study which found that the merger could result in nearly 4,500 film and TV jobs lost over the next three years when the two companies combine. It could also put over 5,800 indirect or induced jobs from related small businesses at risk, per the study.
Overall, the economic impact of losing these jobs would be $1.26 billion in wages, $2.78 billion in economic value, $4.06 billion in total business output and $547 million in tax revenue, including $78.6 million in local taxes — most of which (63%) comes from property taxes.
However, Ellison has threatened to move Paramount’s operations out of the Golden State if a settlement can’t be reached, a move experts warn could also be “devastating” for the local economy.
The Block the Merger coalition slammed Ellison’s threat, arguing that it proves his “disregard for industry workers” and that “only desperate people make threats like that.” Bonta, who has called the threat “blackmail,” emphasized in his interview with TheWrap that no matter where they decide to go, the lawsuit will continue.
“They can’t escape accountability. There’s no reason, based on our lawsuit, for them to go anywhere else unless it was their plan all along before this lawsuit to always go to another state,” Bonta said. “Maybe they think it’s clever, maybe they think it’s helpful to be engaged in the court of public opinion. But as I’ve said time and time again, and I’ll say it now, this is a very straightforward, black and white, bread and butter, meat and potatoes antitrust case about three markets.”
“If there ever is a decision to leave California, that is completely David Ellison’s decision,” he added. “He owns it. It is laid at his feet. He’ll have to explain the 180-degree turnaround from ‘I’m committed to the future of Hollywood’ to ‘now I’m leaving.’”
>
EXCLUSIVE: Good Deed Entertainment has acquired Grandmasters, a documentary from award-winning filmmaker Liza Mandelup that uncovers drama roiling the world of top-tier chess.
Grandmasters premiered as a documentary series at Tribeca Festival in June but will launch in theaters as a nonfiction feature told in three chapters. Good Deed plans to release the film nationwide on October 11 at AMC locations.
“In Grandmasters, the once esoteric and uninspired world of top-level competitive chess is thrown into turmoil when an eccentric German entrepreneur enlists Grandmaster Magnus Carlsen to launch a new league that aims to revolutionize the game, challenge the sport’s governing body, and ‘make chess cool,’” notes a synopsis. “Expertly helmed by Mandelup (Jawline, Caterpillar), with access and support provided by Chess.com, the documentary chronicles the rivalries, reinventions, and personal battles shaping the modern pursuit of greatness in the game of kings.”
In a statement, Mandelup said, “I’m constantly drawn to people who have built their lives around a single pursuit, so getting to spend time with some of the best chess players in the world was immediately exciting to me. What I didn’t expect was how much drama sat just beneath the surface. I wanted to get beyond the idea of a chess genius and make something funny, intimate, and deeply human about the people behind the game.”

Director Liza Mandelup attends the ‘Grandmasters’ premiere at Tribeca Festival on June 7, 2026 in New York City.
Manny Carabel/Getty Images for Tribeca Festival
Good Deed released Mandelup’s documentary Caterpillar in theaters last November.
“Liza has a gift for bringing audiences inside a story, and the beautifully executed Grandmasters opens up the world of chess in a way audiences haven’t seen before,” commented Erik Donley, head of acquisitions and distribution at Good Deed Entertainment. “We are thrilled to be partnering with Liza once again on another culturally captivating story.”
Chess has proved fertile ground for fictional exploration on screen, to whit the hit Netflix series The Queen’s Gambit (2020); Pawn Sacrifice, starring Tobey Maguire and Liev Schreiber (2014); The Luzhin Defence (2000), and Searching for Bobby Fischer, starring Ben Kingsley, Laurence Fishburne, Joan Allen and more (1993). Mandelup’s film explores the real thing.
“We have been living in the drama of top-level chess for decades, and knew that the outside world had only seen a very small portion of it,” observed Danny Rensch, co-founder and Chief Chess Officer of Chess.com. “The story of these players is so much bigger than the board, and Good Deed understood that immediately. Now we get to share it as widely as it deserves.”
Grandmasters is a Boardwalk Pictures production, starring Magnus Carlsen, Wesley So, Jan Henric Buettner, Hans Niemann, Danny Rensch, Levy Rozman, and Lotis Key. In addition to directing the film, Mandelup executive produced the project alongside Jordan Wynn, Andrew Fried, Lana Barkin, Patrick Altema, and Alex Leibow. The film is produced by Max McGillivray and Christian Vazquez.

Good Deed Entertainment
Good Deed Entertainment is an independent film studio “built around distinctive voices and underserved audiences.” Recent releases include Looking Through Water (Michael Douglas) and Drive Back Home (Alan Cumming), alongside a catalog of acclaimed films such as Lucky Grandma, To Dust, and the Academy Award nominee Loving Vincent.
>
Trust us, you won’t want to miss “Trust Me, I’m a Doctor.”
The upcoming film from Briarcliff Entertainment dropped its trailer on Thursday, introducing Kal Penn as Dr. Sandeep Kapoor opposite Linda Hamilton, David Julian Hirsh and Abbie Cornish as Anna Nicole Smith.
“‘Trust Me, I’m a Doctor’ follows Dr. Sandeep Kapoor after his life is turned upside down when he is implicated in the death of his former patient, model and reality television star Anna Nicole Smith,” per the logline. “Set against the height of the early 2000s tabloid era, the film chronicles Kapoor’s fight to clear his name as paparazzi descend on his office, police raid his home, private journals are leaked and every aspect of his personal life becomes public.”
“With the guidance of respected attorney Ellyn Garofalo, Kapoor must navigate a high-stakes drug conspiracy trial while confronting the intersection of celebrity, justice, politics and personal redemption,” the synopsis continued. “The film explores the intense legal battle and media frenzy that followed one of the most sensational celebrity cases of the early 2000s.”
Written and directed by Thane Economou, the movie comes nine years after the real-life Kapoor released his memoir, “Trust Me, I’m a Doctor: My Life Before, During and After Anna Nicole Smith.”
Smith died in February 2007 at the age of 39 due to combined drug intoxication.
“Trust Me, I’m a Doctor” hits theaters on Oct. 16.
>
Donald Trump reported more than 1,000 purchases and sales of corporate securities in June, including those of Netflix, Warner Bros. Discovery, The Walt Disney Co. and Comcast.
The White House has previously said that the president’s stock and bond portfolio is independently managed.
According to the president’s latest financial report, released by the Office of Government Ethics, he sold between $50,001 and $100,000 of Netflix on June 12, another $500,001 to $1 million on June 18, between $15,001 and $50,000 on June 16, and between $50,001 and $100,000 on June 24. He bought between $1,001 and $15,000 on June 3, and between $1,001 and $15,000 on June 23.
Per the filing, the president also purchased between $50,001 and $100,000 in The Walt Disney Co. on June 18, and between $1,001 and $15,000 on June 3. He purchased between $1,001 and $15,000 in Warner Bros. Discovery on June 16. The form also showed the sale of $1,001 to $15,000 in Comcast securities on June 16, $1,001 to $15,000 on June 23, $1,001 to $15,000 on June 3, and between $100,001 and $250,000 on June 24.
The report also showed the sale of $100,001 to $250,000 shares of Amazon on June 12 and the sale of $100,001 to $250,000 on June 24. It showed the purchase of $15,001 to $50,000 of Amazon on June 15, the purchase of $1,001 to $15,000 on June 23, the purchase of $1,001 to $15,000 on June 3.
The OGE report does not require specific amounts of sales or purchases, but ranges.
A White House official did not immediately respond to a request for comment. But the administration has previously said that “all holdings are maintained in discretionary accounts and invested through computer-based model portfolios that automatically replicate recognized indexes, such as the Schwab 1000.”
The official said that Trump does not have the ability to “direct, influence, or provide input regarding how the portfolio is invested or when investments are bought or sold.”
Some of the companies have regulatory business before the Trump administration. The Justice Department approved Paramount’s proposed merger with Warner Bros. Discovery on June 12. Disney, meanwhile, is challenging the FCC over its order that it submit the licenses of its eight owned stations for early renewal. Disney filed a First Amendment lawsuit against the agency earlier this month.
>
Search For Canadian TV Actor Stewart McLean Now Homicide Investigation
These ’90s fashion trends are making a comeback in 2017
According to Dior Couture, this taboo fashion accessory is back
Model Jocelyn Chew’s Instagram is the best vacation you’ve ever had
Emily Ratajkowski channels back-to-school style
9 Celebrities who have spoken out about being photoshopped
Your comprehensive guide to this fall’s biggest trends
Rurouni Kenshin: Hokkaido Arc Manga Takes 1-Issue Break – News