Anime
Here U Are’s First Two Episodes Are All About Being Out and Proud – All the News and Reviews from New York Comic Con 2026

© Here U Are Animation Project
Everyone is carrying baggage that informs their attitude or behavior. That theme seems to be at the heart of Here U Are, a boys’ love romance about university students who are processing a lot of external events. The series feels pretty typical, focusing on two young men with very different appearances, outlooks, and personality types, finding a sense of solidarity with each other. Huan Li is a tall, seemingly emotionless and borderline rude musician who is still processing the death of his mother, which happened just a month prior to him starting classes. He’s very emotionally withdrawn, and while he seems to have a good heart, he is definitely not good at expressing that, which led to some comedic moments that got a good laugh from the audience at New York Comic Con, where the first two episodes were previewed.
Yang Yu, in contrast, is a lot more sociable and able to read the room, given that he has a position at the university where he needs to work with or introduce a lot of students. However, he might ironically have less patience for people than even Huan Li does. I think I liked his characterization a bit more since it was clear he was projecting a lot of niceness to hide a lot of rough edges beneath the surface. What shocked me about this show is that it seems that his identity as being explicitly gay and how people treat him is at the forefront of the show. My favorite scene in the premiere was when a jerk tries to make a big deal about him being gay, but Yang Yu just comes out about it and flips it around back on the bully. Then, when he gets confronted again, Yang Yu gets frustrated and physically retaliates, saying that maybe he was too nice. The second episode ends with a little bit of a dark confrontation that might allude to a lot of the inner workings of gay culture. The last scene literally takes place at a gay bar, and Yang Yu seems to always be on the lookout for people who are trying to cause trouble for the gay community.
Despite watching and consuming a lot of boys’ love stories, very rarely do I find myself coming across a show that has the culture or explicitness of being gay brought to the forefront of the story. As a non-binary person myself, I actually found a lot of this premise very relatable, with a lot of setup for heavy subject matter to get confronted in the future. The idea of how we treat ourselves and how we treat other people inadvertently ends up shaping who we are is interesting. I like how the show is setting up that Yang Yu and Huan Li can feel a little bit vulnerable around each other and that might be the catalyst for why they get together. It’s a little basic, but the execution is incredibly solid, with a good sense of comedy and strong character dynamics that feel surprisingly real. The show wasn’t originally on my radar, but after getting a little taste, it is definitely going to be something that I am adamantly looking forward to when it comes out soon.
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Anime
Manga Creator Masako Watanabe Dies at 97 – News

The X/Twitter account for manga creator Masako Watanabe announced on Tuesday that Watanabe died on October 3 at 12:38 a.m. JST. She was 97.
Watanabe was born in Tokyo on May 16, 1929. She debuted in 1952 with the story “Suama-chan.” She launched the Himegoto manga in 2020 at the age of 91.
Watanabe specialized in shojo and josei during her long career. She won the 16th Shogakukan Manga Award in 1971 for her series Glass no Shiro (Glass Castle). Her 1985 manga Hitori Matsuri inspired a live-action television drama. In 2002, Watanabe earned the Minister of Education, Culture, Sports, Science and Technology Award at the 31st Japan Cartoonists Association Awards. In 2006, she became the first female manga creator to receive the Order of the Rising Sun decoration. Watanabe was the director of the Japan Cartoonists Association.
Her other works include Dai-San no Onna, Hakuba no Shōjo, Mimi to Nana, and Saint Rosalind.
Sources: Masako Watanabe‘s X/Twitter account, Comic Natalie
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Anime
Hands-on With Yu-Gi-Oh! Tag Force GX Special – All the News and Reviews from New York Comic Con 2026

© 2020 Studio Dice/SHUEISHA, TV TOKYO, KONAMI ©2027 Konami Digital Entertainment
I’ve been a fan of Yu-Gi-Oh! for as long as I can remember. Of the various eras and gameplay changes that the franchise has gone through, I’m the most nostalgic for the original Duel Monsters and Yu-Gi-Oh! GX era. So I was very happy to hear that there was going to be a revamped release of Yu-Gi-Oh! Tag Force GX with added scenes, updated animation, and English voice acting. That game is set to come out in early 2027, but there was a special preview of the game being showcased at the Yu-Gi-Oh! booth at New York Comic Con, and I was lucky enough to give this game a try.
One of the main things I love about this game so far is just how expressive it is. When I booted up the game, I was able to pick my tag team partner and explore the overworld with them on Academy Island. The characters are represented by little chibi versions, but the character portraits are very well drawn, and the CG models that are showcased during the duels themselves have a lot of personality. The game’s speed and overall flow are very fast and kinetic, which feels like a stark difference compared to how the original Tag Force games that I grew up on used to be. I was able to squeeze in about three duels during my time, two solo duels and one tag team duel before I was timed out. While the overall format of both the deck building and the duels themselves reminds me a little bit of modern-day Master Duel, that tells me that both new and old fans are gonna be able to slip into this game rather seamlessly.
What I found most interesting about playing Tag Force was that, while it seemed like the card roster had been updated to involve a few modern cards, a majority of what was featured were cards from that era. In fact, the overall gameplay structure reverted back to how duels were during the era, which means there were no extra monster zones for Link Monsters or Pendulum cards. This is Yu-Gi-Oh! as it was played during the mid 2000s, right down to a lot of ruling changes reverting back to how things were during that time. For example, you get to draw even if you go first, which is something that you’re not allowed to do when playing the game in modern-day. What’s more, two field spells can’t exist on the field at the same time. While some people might not like the fact that this definitely doesn’t play like a modern Yu-Gi-Oh! game, I actually welcome this throwback because a part of me is nostalgic for this slower era of Yu-Gi-Oh!. The duels felt relatively balanced, and turns didn’t take an eternity to do. Even if there was a minor setback from a trap card or a strategy falling apart, it wouldn’t immediately mean that I lost the duel. While this might affect the game, acting as a good gateway to people checking out modern Yu-Gi-Oh!, I think it does a good job of easing people in.
There are a few things that I am curious about, though. It seems that the developers were able to get back most of the voice cast from the dub of the show, and in fact, some of the voice actors were actually present at the booth meeting up with people. I’m very much looking forward to this because, from what I’ve seen in trailers, this game might feature material that technically was never dubbed over in America, which means this could be the first time that I get to hear how certain characters sound in English. However, some voice actors were not able to reprise their roles, and while I can understand some recasts due to the fact that a lot of actors who worked on this show just don’t really work in the industry anymore, others were a bit questionable. Sean Schimmel, for example, does not reprise his role as Crawler in this game, despite still being active in the dubbing industry. I have no idea why the recast is there, and well, I have a lot of respect for his replacement, Billy Bob Thompson; I would be lying if you said he did a seamless voice match to the rather iconic performance that Sean did for the character. I’ll have to listen to more of it when the game officially comes out, but despite a few questionable elements, I more than enjoyed my time with this game, and I cannot wait as a die-hard Yu-Gi-Oh! fan to get my hands on it when it comes out.
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Anime
The Fable Season 2 TV Anime Reveals More Cast, January 9 Premiere – News
The official website for the television anime adaptation of Katsuhisa Minami‘s The Fable manga announced on Wednesday six cast members and the January 9 premiere for the anime’s second season. The website also unveiled a visual:

© 南勝久・講談社/アニメ「ザ・ファブル」製作委員会

© 南勝久・講談社/アニメ「ザ・ファブル」製作委員会
The newly announced cast includes (pictured above from left to right):
The anime will premiere on NTV on January 9 at 12:55 a.m. JST (effectively, January 10).

© 南勝久・講談社/アニメ「ザ・ファブル」製作委員会
The returning cast includes :
Ryōsuke Takahashi (Armored Trooper Votoms, Phoenix, Ozma) is returning to direct the anime at Tezuka Productions. Sci-fi writer Yūya Takashima is again handling the series composition, and writing the scripts with Mayumi Morita (Black Jack TV, Vampire Knight). Returning character designers include Kyūma Ōshita and Saki Hasegawa. Yasuyuki Urakami (Detective Conan) is returning as the sound director. Yo Tsuji (Ron Kamonohashi’s Forbidden Deductions) is the new music composer.
The anime premiered in April 2024 and aired for two continuous cours (quarters of a year). Disney+ is streaming the series worldwide, and Hulu is streaming the series in the United States. The anime also has an English dub.
Kodansha USA Publishing is releasing the original manga in English, and it describes the series:
When you’re the infamous “genius killer” hitman The Fable, many things come easy. Being a normal person, however, isn’t one of them. In fact, being told that he can’t kill anyone for a while may just be the hardest job he’s ever taken…
Minami launched the original manga in Kodansha‘s Weekly Young Magazine in November 2014, and ended the series in November 2019. The manga has 22 compiled book volumes. The series won Best General Manga at the 41st annual Kodansha awards in 2017.
The original manga inspired two live-action films, which opened in Japan in June 2019 and June 2021, respectively.
Minami launched the The Fable: The Second Contact manga as a sequel to the first manga in July 2021. The sequel manga ended its serialization in July 2023. The manga serves as the “second part” to the overall manga franchise. Kodansha released the manga’s ninth and final volume in November 2023. The manga’s third part The Fable: The third secret launched in March 2025. Kodansha‘s K MANGA service is releasing the manga as a simulpub.
The manga is inspiring the The Fable: Manga Build Roguelike roguelike deckbuilder game from Kodansha Game Creators’ Lab and developer Mono Entertainment.
Sources: The Fable anime’s website, Comic Natalie
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