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2nd That Time I Got Reincarnated as a Slime Film’s Trailer Previews Action – News

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Crunchyroll unveiled a new trailer for That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea (Gekijō-ban Tensei Shitara Slime Datta Ken: Sōkai no Namida-hen), the second anime film in the That Time I Got Reincarnated as a Slime (Tensei Shitara Slime Datta Ken) franchise, on Wednesday. The trailer previews the action scenes in the film. The trailer is available in both English dub and Japanese audio with English subtitles, and can be changed in the video’s settings.


That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea
Image courtesy of Crunchyroll

Crunchyroll has acquired the worldwide theatrical rights to the film, and will open the film in the United States, Canada, the U.K., and Ireland on May 1.

The English dub, which features returning members, stars:

The film opened in Japan on February 27. The film ranked at #3 in its opening weekend, and sold 225,000 tickets to earn 301,175,600 yen (about US$1.91 million) in its first three days.

The film’s original plot is set after the celebration of the foundation of the Tempest Federation, with Elmesia, the ruler of the elf nation of Sarion, inviting Rimuru and other senior Tempest officials to vacation at a resort island in Sarion. Rimuru and the others enjoy their short vacation, but with the appearance of a mysterious girl named Yura as well as a looming darkness, it seems Rimuru must confront a new threat.

8-Bit produced the film’s animation.

TRUE performs the theme song “Utopia.” Cast member Saori Ōnishi (Yura) sings the insert song “Sōkoku” (Blue Moment) and the six-member unit ARCANA PROJECT sings another insert song “Renainō” (Talent for Romance). STEREO DIVE FOUNDATION and ASH DA HERO member ASH collaborate on the insert song “Harmonics.”

The That Time I Got Reincarnated as a Slime television anime’s fourth season premiered on April 3. It will air for a total run of five cours (quarters of a year), with the first two cours airing continuously. 8-Bit is returning once again to animate the fourth season, and Miho Okasaki returns to voice protagonist Rimuru Tempest.

The first television anime of Taiki Kawakami‘s manga, itself an adaptation of Fuse and Mitz Vah‘s light novel series, premiered in October 2018. Crunchyroll streamed the anime, and FUNimation Entertainment streamed an English dub.

The second television anime season premiered its first cours (quarter of a year) in January 2021. The television anime of Shiba’s spinoff manga The Slime Diaries: That Time I Got Reincarnated as a Slime (Tensura Nikki Tensei Shitara Slime Datta Ken) then premiered on Tokyo MX in April 2021. After The Slime Diaries ended, the second cours of the second season began in July 2021 — for nine straight months of television anime from the franchise in 2021.

The anime’s third season premiered in April 2024. The anime’s 48.5 episode aired a week earlier than the season’s premiere that March. The show aired for two continuous cours for a half-year run. The season ended with its 24th episode (the overall 72nd episode of the anime) in September 2024. Crunchyroll streamed the series as it aired and is also streaming an English dub.

The That Time I Got Reincarnated as a Slime: Scarlet Bond film opened in Japan in November 2022.

The three-episode That Time I Got Reincarnated as a Slime: Visions of Coleus anime debuted in Japan in November 2023 with all three episodes. Crunchyroll is streaming the anime with subtitles and an English dub.

Source: Press release

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My Crush’s Crush Manga Gets TV Anime – News

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Writer Sekina Aoi and artist Ryō Tsuzura‘s My Crush’s Crush (Boku no Suki na Hito ga Suki na Hito) manga is getting a television anime adaptation. Tsuzura shared an illustration to commemorate the announcement:

My Crush's Crush commemorative illustration
Image via Comic Natalie
my-crush-s-crush
Image courtesy of Yen Press

Yen Press licensed the manga, and it describes the story:

When Sora Akizuki confesses his feelings to Miya Fuwa, he gets rejected outright. As it turns out, she likes Asahi Suzukaze, the president of the mysterious “Clinical Trials Club.” When he joins the club to learn more about Asahi, he discovers that she also has a crush on someone else! Could this chain of crushes get any more complicated…?

Aoi (Gamers! light novel series) and Tsuzura debuted the manga in Hakusensha‘s Young Animal Zero magazine in November 2022. The seventh compiled book volume shipped in Japan on Friday.

Aoi and Sabotenn launched the Gamers! novel series in 2014. Tsubasa Takahashi launched a manga adaptation in Kadokawa‘s Monthly Shōnen Ace magazine in October 2016. The series inspired a television anime adaptation that premiered in July 2017. Crunchyroll streamed the anime as it aired in Japan. Funimation streamed an English dub and released the series on home video.

Aoi’s previous Seitokai no Ichizon light novel series inspired The Student Council’s Discretion television anime series in 2009, and the Student Council’s Discretion Lv. 2 television anime series in 2012. Sentai Filmworks released the first anime on home video in March 2015, and released the second anime in May 2015.

Source: Comic Natalie


Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. Yen Press, BookWalker Global, and J-Novel Club are subsidiaries of KWE.


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KPEX: Korean Pop Culture Expo to Launch in New York City in 2027 – News

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kpex-bluebackground.png
Image courtesy of LeftField Media

LeftField Media announced on Thursday the launch of KPEX: Korean Pop Culture Expo, a new three-day convention celebrating Korean entertainment and culture in New York City.

KPEX will take place from May 29-31, 2027, at the Javits Center and will feature programming spanning K-Pop, K-Dramas, K-Comics, K-Games, K-Food, and K-Beauty. The event will include panels, screenings, workshops, autograph sessions, shopping, and nightly concerts featuring artists from South Korea.

The event is being led by Greg Topalian, co-creator of New York Comic-Con; Robert Khoo, co-creator of PAX; and Peter Tatara, founder of Anime NYC. LeftField Media, which operates Anime NYC and several other major U.S. fan conventions, is producing the event.

KPEX will launch with partners including the Korea Creative Content Agency (KOCCA) and Ize Press, with additional participants and special guests to be announced. The convention will also feature a business-to-business component connecting Korean content companies and creators with industry professionals in the U.S.

Tickets will go on sale September 18 at 12:00 p.m. EDT.

Those interested can check more detailed information on the event’s official website.

LeftField Media’s Anime NYC event was held from August 20-23, and the company stated the event hosted 172,000 people. Next year’s Anime NYC will be held from August 26-29.

Source: Press release


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Blue Box Volumes 5-8 Manga Review – Review

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Blue Box‘s balancing act of sports series, slice of life drama, and romantic comedy is leaning towards the slice of life drama throughout this arc. As Hina starts progressively becoming more open and forward with her feelings towards Taiki, that puts this adorable teenager in a very interesting position. Love triangles are always really difficult to write, and there’s a reason why many people, myself included, don’t particularly like them. They come off as a very cheap narrative device for the sake of elongating a series or generating unnecessary drama when the appeal should be in how it communicates the fluctuating emotions that come with developing feelings for other individuals. Someone can waver or reassess their feelings for multiple individuals at the same time. The problem is that a lot of series do a very bad job of fully assessing that balancing act, often making it very obvious that the person who is supposed to feel conflicted about these feelings really only has one choice to go with.

That is what’s tricky about these volumes, as they primarily go into the throes of the love triangle between Taiki, Hina, and Chinatsu. While they are still prepping for nationals with other conversations being had about Taiki developing skills as a badminton player, most of the conversations center strongly on who Taiki is going to choose as a partner. The writing is very careful and smart about communicating Taiki’s state of mind during this complicated time by highlighting that he is still a teenager who genuinely wants to build strong relationships while being unsure about how to feel about affection targeted towards him. Unlike Chinatsu, who has been very passive about everything except basketball, it’s implied that this is the first time Taiki has ever had someone directly pining for him, which causes his feelings to swirl around a bit. I particularly like the visual metaphor that is often used with his feelings being represented by a coffee cup that is having different things mixed inside of it.

There is a precedent for him to have an affection for Hina. The two were childhood friends; they arguably have way better chemistry than Taiki does with Chinatsu, whose relationship is still developing. In a different story, I could see Taiki and Hina getting together, and Taiki seems to acknowledge the fact that if it wasn’t for his strong attachment to Chinatsu, even he could see a reality where that would happen. He admits that she is very attractive, he enjoyed spending time with her, and the two do look out for each other. I do love the conversations and chemistry between all the characters, which is undoubtedly one of the strongest elements of this entire series because they all feel like teenagers who think they know what’s best for everyone. They are immature in a very believable way, which is why the drama never really feels forced and is accompanied by this sense of levity. However, while there are so many nice moments here, none of that changes the fact that it feels like any real sense of momentum has come to a halt.

These volumes stop just shy of the cast going on an extended training trip where it’s implied that major development and confrontations will happen there. Therefore, these volumes feel very much like they are all about setup and transition rather than getting to anything genuinely juicy or enriching. The love triangle angle is the main focus of these volumes. While Taiki slowly wrestles with these new affections, the fact that he keeps ending any thought process about Hina with either a conversation with Chinatsu or him reaffirming his feelings for Chinatsu makes the story feel a little bit like it’s wasting my time. Taiki makes it clear that his feelings will not waver multiple times, and the problem is that I believe him.

I could be proven wrong in later volumes, but unless there is a major change that could recontextualize everything that is being done in these volumes, I’m not really given a lot of reason to believe that Taiki and Hina will not develop a relationship that surpasses the one that Taiki is trying to pursue with Chinatsu. There can be an appeal in that, like slowly waiting for a train wreck to happen, but I also really like these characters and don’t want to see any of them hurt each other. I also don’t know how this relationship dynamic between the three of them really alters the status quo outside of maybe furthering Chinatsu’s feelings? Chinatsu is definitely the least developed character in the main cast, which is frustrating considering she is the target of Taiki’s affection and the dual protagonist. While I appreciate the fact that the story is finally getting into her, contextualizing how she actually feels about Taiki and how some of that might be tied to her unconventional way of going about things compared to the rest of the extended cast, it still feels like the story takes too long to get to the point.

None of this is helped by the fact that the side characters, who do all have really strong, genuine moments of comedy and insight, have just as many moments of dragging out this love triangle with their meddling. Whether it’s Ayame trying to help Hina snag Taiki, or upperclassmen trying to work their way in on dating Chinatsu only to be met with her complete lack of interest, I do feel like a lot of what was covered in these four volumes could’ve been cut in half. While that does mean that I could potentially miss out on some gorgeous scenery shots like at the fireworks festival or some really strong dynamic paneling that creates intimate parallel moments between characters, I think that would be worth the loss if it meant that the story could get to the point faster.

I appreciate a slow burn and understand that certain developments need time to feel fully fleshed out or satisfying. That’s why I’m a big fan of the rather slow opening that this series has in its first few volumes. However, this love triangle doesn’t mesh well with everything else. The love triangle is taking too long; it doesn’t feel like it is adding anything significant to the development of the characters outside of just having them reaffirm feelings that I could’ve already inferred, and ultimately, I worry that none of it is going to amount to anything in the end. There is still time for the series to surprise me, but unfortunately, this feels like a low point in the series that I hope gets rectified soon.

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