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Plaintiff Reacts To Kennedy Center Warning Of Potential Demolition

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A federal judge is holding a hearing on Thursday on another challenge to the Kennedy Center‘s plans to add Donald Trump‘s name to the complex.

On Wednesday evening, attorneys for Rep. Joyce Beatty (D-OH) reacted to the most recent filing by the center, in which they suggested that the complex may have to be torn down if Trump’s name was not restored.

Beatty’s attorney wrote, “In plain English, Defendants have not-so-subtly said: ‘What a nice Kennedy Center you have here. What a shame should something happen to it.’ This is a breathtaking assault on the rule of law. It is delusional. And it must stop.”

The board of the Kennedy Center voted earlier this month to add “Renovated and Restored by President Donald J. Trump” to the front facade below the inscription, “The John F. Kennedy Memorial Center for the Performing Arts.” Once a $100 million threshold is met for an endowment, another inscription would be placed below that one to read, “Endowed by the Trump Kennedy Center Fund.”

The board also voted to rename “the physical site and grounds upon which the center sits” as the “President Donald J. Trump Plaza.”

Beatty claims that the addition of Trump’s name in those locations violates a judge’s order prohibiting a previous effort by the board to add POTUS’s to the name of the center.

From December until June, the center was rebranded as the “Trump Kennedy Center.” On the front facade, the words, “The Donald J. Trump and” were placed above “The John F. Kennedy Memorial Center for the Performing Arts.” But a judge ruled that only Congress could approve such changes, not the Trump-controlled board. The POTUS designation was removed in June, and part of the front facade is now covered by a tarp.

In a filing earlier this week, center attorneys wrote that “undisputed evidence demonstrates, that without the prominent recognition of The Trump Administration, and President Trump’s efforts, the donors will not contribute, and the Center will continue to be in a financial and structural death spiral.”

They added that Trump has “marshalled a new donor base to finance an endowment for the Center. These efforts promise to raise hundreds of millions of dollars to fund desperately needed structural improvements, thereby making the Center physically and financially secure for generations to come and, perhaps most importantly, to make the Center structurally safe from collapse or calamity.”

They added, “Without those efforts, the Center will deteriorate further into an unsafe, decrepit structure that will be required to be taken down, with a determination to follow on what to build on the site, such as a large outdoor amphitheater overlooking the Potomac River that has been proposed, by some, for many years. Such a replacement will fail to adequately honor President John F. Kennedy, but would be simpler and more economical to build, operate, and maintain.”

Beatty’s legal team also wrote that the center was “actively misleading” the judge and the public in claiming that “‘undisputed evidence demonstrates’ that ‘the Center will continue to be in a financial and structural death spiral’ unless President Trump’s name is added to the building, and that ‘President Trump’s efforts promise to stem the Center’s tremendous financial losses.’” They pointed to a report in The Washington Post that, after the board’s vote to add Trump’s name to the center, ticket sales and donations collapsed.

“This doublespeak is unconscionable,” Beatty’s legal team wrote. “Moreover, to the extent Defendants cannot fundraise, the solution is to ask Congress to appropriate needed funds and hire professional management with expertise in the performing arts to supplement appropriations as needed—not to violate the law on the ridiculous conceit that putting ‘Trump’ all over the place will open a spigot of contributions.”

A Kennedy Center spokesperson did not immediately return a request for comment. But in a statement earlier this week, the spokesperson said, “Center leadership remains committed to demonstrating, by all legal means, the soundness of the Board’s decision to recognize Chairman President Donald Trump’s unprecedented support for restoring and revitalizing America’s Cultural Center.”

Beatty, an ex officio member of the Kennedy Center board, also denied that she gave her approval to the proposal to rename the grounds of the center for Trump. In its filing earlier this week, the center’s attorneys wrote that at the board meeting earlier this month, Beatty “explicitly stated that she had ‘no objection’ to one component of it—re-naming the Center’s grounds after President Trump to honor the work he is doing to save the Kennedy Center.”

In a declaration to the court, Beatty wrote that at the board meeting, she “tried to explain that I was not categorically opposed to recognizing Trump in some very limited way, for example, inside the building or with a modest bench or plaza.”

She wrote, “My stated willingness, in that moment, to consider a more limited alternative was a good-faith effort to steer the Board away from actions I strongly suspected to be unlawful. And as I made clear at the time, any willingness on my part was conditioned on the lawfulness of the final action.”

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Samuel Monroe Jr. Dead: ‘Menace II Society‘ Star Was 52

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Samuel Monroe Jr., a veteran Hollywood character actor and star of Menace II Society, has died. He was 52.

“I want to thank all of my facebook family and friends new and old for praying for Samuel Monroe Jr., my son. But today God called him home. Please honor my final request to pray for the family, especially his 3 children,” Joyce Patton, Monroe’s mother, said in a Facebook post early on Thursday morning.

Tayonna Stewart, daughter of Shawna Stewart, Monroe’s partner, in a Go Fund Me page that asked for donations to help offset steep medical care costs mentioned the actor had been battling severe meningitis and had been on life support for months as he received round-the-clock care.

That led to mounting health complications for Monroe Jr., including serious pneumonia due to a lung infection. “The emotional and financial strain on his family has been immense, over the last nine months with Samuel being in multiple hospitals and two rehabilitation centers,” the fundraising page stated.

In the days before his death, Patton filed for court-directed conservatorship to allow her to make final decisions around his life, according to TMZ. Professor Rel Dowdell, director of film studies at Hampton University, paid tribute to the veteran actor for standout roles in Black cinema classics.

“Samuel Monroe Jr. was an unusually gifted character actor who truly mastered the authenticity and depth of urban characters in hit films like Menace II Society, Set It Off, Tales from the Hood and many others. There was never a modicum of doubt that whatever character he played on the screen was going to be indelible,” Dowdell said.

Born on Nov. 28, 1973 in Los Angeles, Monroe Jr.’s first acting role was in Patti LaBelle’s series Out All Night, and he had additional TV roles in The Lion’s Den and The Steve Harvey Show. His breakout film role came with New Line’s 1993 crime drama Menace II Society where he played Ilena’s cousin. The film was shot around the time of the 1992 Los Angeles riots.

As a stalwart in Black movies, Monroe Jr. also played Lorenz in Set It Off, appearing opposite Jada Pinkett Smith, Queen Latifah and Vivica A. Fox, Bulldog in Tales From the Hood and Sam in the buddy comedy Don’t Be a Menace to South Central While Drinking Your Juice in the Hood.

He had other TV credits, often in supporting roles, including NYPD Blue, Murder One, Smart Guy and Southland.

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Jon Batiste To Narrate/E.P. ‘American Amazon’ Doc For Super Big Screen

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EXCLUSIVE: Grammy-winning musician and actor Jon Batiste is inviting audiences on a spectacular journey through natural wonders of a part of the country he knows very well, “the vast network of wetlands spanning Alabama, Florida, Georgia, Louisiana, and the Carolinas.”

MacGillivray Freeman Films announced Thursday that New Orleans-area native Batiste will narrate and serve as executive producer on American Amazon, a documentary set to premiere November 13 in select IMAX and giant screen theaters and museums. It will debut as a two-part miniseries on PBS’ Nature in early 2027.

Batiste not only narrates but appears on screen in American Amazon, which hails from Grizzly Creek Films and The WNET Group’s Nature. We have your exclusive look at the trailer below, which features stunning photography of the wetlands that deserve to be known, as the film suggests, as the American Amazon.

A release notes that terrain qualifies as “one of North America’s least explored and biologically rich regions… Batiste brings a powerful emotional resonance to this immersive journey, elevating the film’s celebration of nature, culture, and human connection to the ecosystem.”

Batiste, an 8-time Grammy winner, commented, “I love introducing people to the swamp. Growing up in Louisiana, I’ve always felt a deep connection to the landscapes, culture, and spirit of my home. I think the South is sacred soil. American Amazon reveals the wild side that many people have never seen. It’s a world of extraordinary beauty, mystery, and life – hiding right in our own backyard. We’re celebrating the power of nature, creativity, and human connection – and this is just the beginning!”

Eric Bendick of Grizzly Creek Films wrote, directed, and co-produced the documentary. “Jon Batiste brings the American Amazon to life,” the filmmaker observed. “His creativity, passion, and energy invite us to fall in love with this wild and mysterious place that is truly the world’s best kept secret. His voice is a perfect match for all the drama and soul-stirring beauty of this landscape, allowing audiences to connect with the untamed spirit of the wild South.”

Co-producer Thomas Winston of Grizzly Creek Films noted, “Jon’s ability to move between joy, wonder, and reflection makes him an ideal narrator for this story. He brings a unique perspective that amplifies the film’s message of appreciation and stewardship. American Amazon marks an exciting new chapter in our ongoing collaboration with Jon—and there’s more to come.”

The documentary, shot over the course of four years, reveals an ancient and mysterious landscape defined by towering two-thousand-year-old cypress trees, labyrinthine flooded forests, a network of wild rivers, and an astonishing array of wildlife, according to the release. “From the mass migration of swallow-tailed kites—the world’s only social raptor—to the elusive behaviors of American black bears in the swamp, the film uncovers a world teeming with life, discovery, and enduring surprises.”

American Amazon shines a light on one of the most ecologically important and least understood regions in North America,” said Fred Kaufman, executive producer of Nature. “Jon brings a rare authenticity to this story. His voice captures not only the wonder of the natural world, but also the deep cultural connection between the people, places, and wildlife that make the American South so extraordinary.”

MacGillivray Freeman Films is recognized as the world’s leading independent producer and distributor of giant screen films. Its many productions include Superhuman Body (2024), Ireland (2022), Out Where the West Begins (2021), America’s Musical Journey (2018), National Parks Adventure (2016), and Journey to the South Pacific (2013).

“Having worked with Jon previously on our giant screen film America’s Musical Journey, I’ve seen firsthand the incredible artistry and range he brings to every project,” said Shaun MacGillivray, president of MacGillivray Freeman Films. “He is an extraordinary talent, and his ability to connect with audiences through music and storytelling makes him the perfect voice for American Amazon.”

Watch the trailer for American Amazon here:

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Prime Video Sets Access Doc Series On Peter Crouch & Abby Clancy

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Cameras are going behind the scenes on the lives of Peter Crouch and Abby Clancy.

Prime Video has greenlit access doc series The Crouches, which will follow former footballer-turned- broadcaster Crouch and his wife, model and content creator Clancy, over a year.

The show, which is the second docu-series Prime Video has unveiled today at the Edinburgh TV Festival, will follow the couple as they prepare to move to a new home in need of renovation to accommodate the 6″7 Crouch. It also sees Crouch set off for the World Cup, leaving Clancy with their children and a building site, with Clancy looking to redress the power balance of their relationship as she turns 40.

Workerbee, which is part of Banijay UK, with Rick Murray, Ben Hirsch, Ben Mitchell and Demi Doyle the exec producers. Charlotte Taylor is the series producer and Simon Draper the series director.

This marks the second time Crouch, who played for clubs such as QPR and Liverpool before his career in broadcasting, has worked with Prime Video after That Peter Crouch Film in 2023.

“I absolutely loved making That Peter Crouch Film, so much so that this time I’ve somehow managed to drag Abbey and the whole family into it,” he said. “It’s a bit scary as it’s warts and all, but I’m sure you enjoy laughing with us – probably at us.

“There will be a lot of chaos and probably a few moments we’ll regret letting the cameras see, some ups and some downs, but it will be us. Our life should be lovely, calm and simple… it is not. Watch out Kardashians we are coming for you.”

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