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‘Ghosts’ Showrunners Talk Season 5 Finale Cliffhanger

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SPOILER ALERT! This post contains details from the Season 5 finale of Ghosts on CBS.

Woodstone Mansion’s fate is up in the air in the two-part Season 5 finale of CBS’ Ghosts.

Sam (Rose McIver) and Jay (Utkarsh Ambudkar) have to come up with a quick solution after they find out that the mayor sold his controlling stake in their bed and breakfast to a giant corporation that used to sell water but is now transitioning into AI, obviously, and they’ve decided the property surrounding Woodstone is a perfect place for a data center. No one in town is pleased, least of all the ghosts who would be doomed to an eternity of bright lights and noisy machines if that evil water conglomerate were to get its way.

The couple consults their town historian Joe, played by James Austin Johnson, about getting a historical landmark designation for Woodstone to prevent the planned demolition. But, that proves much harder than they anticipated when Joe asks for concrete evidence that something noteworthy actually happened in that mansion, which he says is pretty “run of the mill” for the area. Fortunately, a lot of really interesting people have died there. Unfortunately, none of them are interesting enough for Joe.

That is, except Nancy. Yes, the basement ghost. Turns out, before she arrived at Woodstone and contracted cholera, she was actually a princess. All Sam and Jay need to do is find proof. Jay, Pete (Richie Moriarty) and ghost babysitter Kyle (Ben Feldman) depart for London to locate said proof, while Sam stays behind to finish ideating on a movie franchise she’s about to sell. A lot going on here! Luckily, with a little help from everyone’s favorite mummy ghost Amunhotep (Farhang Ghajar), they’re able to find proof that Nancy was once royalty and that she died right there at Woodstone to save the day.

Just when everything is looking up, things start to get dicey again as Pete vanishes from the backseat of the car just moments before arriving back on Woodstone property.

In the interview below, showrunners Joe Port and Joe Wiseman weigh in on that cliffhanger, Nancy’s backstory, and more from the two-part Ghosts finale.

DEADLINE: I really enjoyed these last two episodes, and I feel like your answer is going to be, ‘well, look around,’ but I want to hear your inspirations for why Sam and Jay should go against this giant conglomerate that wants to build a data center in the Season 5 finale.

JOE WISEMAN: Well, you know, data centers are kind of having a moment. So, it actually turned out to be a very fortuitous villain for our heroes to bump up against. We’ve all dealt with faceless corporations, and they can be so difficult to deal with.

JOE PORT: I think also it’s become a big problem in rural communities where people move for peace and quiet. So that’s coming now to kind of bite Sam and Jay in the butt in this episode.

DEADLINE: Yeah, I recently saw a video about how loud they are. It had no idea. 

WISEMAN: Yeah, it’s also not great for our ghosts who won’t be able to get away from it. They’re facing this reality of noise and constant lights.

PORT: As bad as data centers are for humans, they’re worse for ghosts. 

DEADLINE: I also thought it was hilarious that Nancy is a long lost princess. How long has that been in your back pocket?

PORT: We’ve been just inspired by the phrase ‘Fancy Nancy’ for a few seasons now and wanted to do a back story kind of based on that, and just the idea of Nancy being a princess struck us all as very funny. It converged well with the need in this story, so we thought it was a good time to delve into that.

DEADLINE: I love just kind of getting away from Woodstone again for a minute and getting some of the characters out of New York. How is it for you to kind of get to write more of those little stories into the show and just get them in these other settings that we’ve never seen them in before?

WISEMAN: Oh no, it’s very fun. With Pete, it makes more sense. They’re easy to do, because we can have one of our ghosts go along for the ride, but yeah, no, but it’s always fun. It’s always fun to go to different sets and different locations and to meet some ghosts. I was happy that we were able to bring Amenhotep back, the mummy-bound ghost from our Halloween special. He was a crowd favorite, and it’s always fun to see people again.

DEADLINE: Speaking of Pete, should we be afraid about his fate? That was a pretty big cliffhanger to leave the season on.

PORT: We’ve teased Pete disappearing a couple times now, and it’s gonna be very interesting to figure out where he went and where he is and what he’s like now. It’s sort of an existential question that we’ve been wrestling with about what would happen if he disappeared. So we’re going to answer that question when we come back.

DEADLINE: What was exciting to you about leaving the season on such a big cliffhanger with one of your lead characters’ fates just so up in the air?

WISEMAN: As Joe mentioned, it’s something we’ve teased a couple of times, where we’ve had these close calls with Pete, and in this the stakes are real. One of our main characters just disappeared, and who knows, will he be back? Where has he been? It just seems to bring up a lot of enticing questions.

DEADLINE: Season 6 won’t premiere until the mid-season, but you’ll get those Halloween and Christmas specials. What are you looking forward to about that structure and getting to do these one-off episodes first?

WISEMAN: Well, I’m excited. They aren’t going to be free standing. We are going to deal with the Pete cliffhanger. They will sort of be part of the season, so I look at it as we’re just premiering a couple weeks later than usual, and…we’re getting an hour-long Halloween special for the first time. The Halloween episodes are always a fan favorite. They’re the writers’ favorite. They’re really fun to do. So we’re getting an hour, and then we’re doing another Christmas hour-long special, which we’ve done a few times now, and those always turn out great. So we’re just starting out next season with a bang, and I think they’re going to be promoted heavily, and we’ll get a lot of eyeballs and a lot of excitement for when we then do start airing ‘regular episodes’.

PORT: I thought it was a really clever solution to them having three comedies right now, and to have us come out of the gate on Ghosts with these two holiday specials, it’s really something kind of fun to write toward. It gives us a clear target. It’s sort of a very British solution, because they’re always doing movies after the season and Christmas specials after their seasons. This is obviously before our season, but it’s kind of a cool, clever way to dive into the season for us.

DEADLINE: Well, and you mentioned three comedies, two of them are yours. What are you looking forward to about Eternally Yours finally seeing the light of day?

PORT: Yeah, it’s so crazy for us, because we wrote this so long ago. It was 11 years ago, and it’s the reason they called us to develop Ghosts, because we had written this pilot, the supernatural comedy about vampires…and now it’s come full circle, and Eternally Yours is going to be on. I mean, the cast is incredible, Trent O’Donnell did a fantastic job directing. He did the Ghosts pilot as well. We have the room up and running, and the stories seem to be really flowing, and it’s going to be a very grounded show, despite having vampires. It’s really about relationships and marriage.

DEADLINE: Three network comedies is a good problem to have, I think, for CBS. Do you guys feel like comedy’s been resonating more with viewers recently?

WISEMAN: Yeah, it’s always hard to tell. We’re kind of just having our blinders on making the show and everything, but yeah, I think, you know, comedies are always in fashion. People need to laugh. There’s a lot in the world that people want to escape from, and like Joe was alluding to, Eternally Yours is going to have a similar DNA to Ghosts, where it’s going to be fun but grounded. We sort of have a sort of a positive worldview. We like to sort of end on or have emotional moments that have a positive worldview, and we’re not going to shy away from that.

PORT: But not positive when it comes to data centers.

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Anne Hathaway Nearly Quit ‘Mother Mary’ After Seeing Her Performance

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Although Anne Hathaway is not stranger to a musical role, she had trouble finding her inner pop star for A24’s Mother Mary.

The Oscar winner admitted that she told her husband she wanted to quit after seeing footage of herself singing and dancing to original songs by Jack Antonoff, Charli XCX and FKA twigs in the David Lowery-written/directed A24 film.

“This is really bad,” she recalled thinking to Elle after seeing footage of herself. “I don’t know that I can ask people to come to see this.”

Hathaway ultimately decided to stick it out. “I came to the conclusion that there would be no shame if I was fired, but there would be if I quit,” she said.

The actress ended up taking months of dance lessons for the movie, in addition to working on her vocals for a year during postproduction and returning to the studio with Antonoff to re-record most of her part. “He whipped his head at me goes, ‘You have been working,’” said Hathaway.

L-R: Michaela Coel and Anne Hathaway in 'Mother Mary'

Michaela Coel and Anne Hathaway in ‘Mother Mary’

A24

In Mother Mary, which premiered last month in theaters, Hathaway plays the titular pop star, who confronts old wounds when she reunites with her estranged best friend and former costume designer Sam (Michaela Coel) before staging her comeback performance.

Hathaway previously won her first Oscar in 2013 for Best Supporting Actress after playing Fantine in the movie musical adaptation of Les Misérables.

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Imax Exploring Sale, Has Held Preliminary Talks with Potential Suitors

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Imax has held early stage talks with potential suitors of the large-screen exhibitor, Deadline has learned, confirming an initial report today in the Wall Street Journal.

The news of a possible deal comes after Imax beat Wall Street expectations on both top- and bottom-line metrics in the March quarter and with the company in the midst of a hot streak with the success of Project Hail Mary and Avatar: Fire and Ash and more. It reaffirmed it expects to deliver a record $1.4 billion in global box office revenue from its locations globally in 2026.

The process is in a very early stage and may not result ina sale. Shares of Imax jumped more than 10% in late trading to about $38 on the WSJ report. While the stock is off its 52-week high of $44, it’s made considerable gains, up from $24 last summer and the mid-teens the year before. Investors have become much more bullish on the company as premium large formats take a disproportionate share of box office.

Project Hail Mary has made almost $670 million at the worldwide box office since its mid-March release. Imax said the Amazon MGM Studios sci-fi drama starring Ryan Gosling more than doubled the exhibitor’s internal projections.

Upcoming Imax-friendly pics include Christopher Nolan’s The Odyssey in July and Netflix and David Fincher’s The Adventures of Cliff Booth which we learned this week will bow in Imax theaters on November 25 for two weeks before hitting the streamer. That date was made available after Netflix moved Greta Gerwig’s Narnia: The Magician’s Nephew, to February 2027, in the largest big-screen play yet for the streamer.

Warner Bros in April was reporting that 70MM Imax shows were already selling out for the Denis Villeneuve-directed Dune: Part Three in both North America and London ahead of its December 18 bow.

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Stephen Colbert’s Final ‘Late Show’ Guests Include Paul McCartney

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Stephen Colbert has taped his final episode of The Late Show and was joined by a star-studded lineup of guests.

Paul McCartney was one of the star attractions for the finale, marking his latest return to the Ed Sullivan Theater, the site of The Beatles’ historic live performance in 1964.

McCartney has been back since with a six-song set in 2009 for The Late Show with David Letterman above the Ed Sullivan Theater’s marquee. He also appeared on Colbert’s The Late Show in 2019 to promote his children’s book Hey Granddude!.

The musician has had a busy week in New York given that he performed at the season finale of Saturday Night Live last weekend.

Jon Batiste, the former Late Show bandleader, is understood to have also performed.

Deadline understands that there were a number of A-list cameos during the show, which is expected to run 17 minutes longer than its usual hour. These included Paul Rudd, who has appeared on the show over a dozen times, and Ryan Reynolds, who is thought to have played tambourine during the show.

Expect plenty more star-studded appearances as Colbert closes out the franchise, which began airing on CBS in 1993.

Unlike normal episodes of the late-night talker, security was tight outside the studio, which was under heavy secrecy. The stage door had a large black security tower against it with heavy curtains that security guards were drawing around each car as stars exited.

The presence of the oversized security tent, which shrouded the identities of anyone coming and going, frustrated onlookers, who sporadically booed. One fan shouted, “Whoever you are, we love you!” as the crowd reflexively broke into the signature “Ste-phen! Ste-phen!” chant raised by the studio audience during the show’s run.

The studio audience just left the theater in the last few moments with one audience member telling Deadline that they were “moved” by the farewell.

Colbert has had quite the lineup for his last week of shows; Bruce Springsteen performed Streets of Minneapolis last night, where guests included Billy Crystal, Weird Al Yankovic, Josh Brolin, Martha Stewart, Jeff Daniels, Aubrey Plaza, James Taylor, Robert De Niro and John Dickerson.

Earlier in the week, Steven Spielberg turned up, as did Colbert’s old friend Jon Stewart and former Late Show host David Letterman.

The finale airs on CBS at 11:35pm.

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