movies
MBC Studios Sets November 19 Release For ‘Traveller’s Hell’
MBC Studios has announced a November 19 theatrical release date for long-awaited psychological thriller Traveller’s Hell.
The Riyadh-based studio said the release would begin in Saudi cinemas, with rollouts to additional Arab cities to be announced in the coming weeks.
Traveller’s Hell is adapted from the best-selling novel of the same name by acclaimed best-selling Saudi author Osamah Almuslim, who wrote the screenplay.
The studio said the release marked a significant milestone in a strategic partnership first announced two years ago with Almuslim, aimed at adapting several of his popular literary works into film and television projects.
Award-winning Saudi filmmaker Hana Alomair directed the feature, with filming taking place on location across Saudi Arabia.
The ensemble cast features Adwa Bader, Basil Alsole, Mohammed Ali, Shojaat Nashat, and Aziz Gharbawi.
The feature opens on an isolated road late at night as a young woman, driving alone, comes across a stranded male driver whose car has broken down on a mountain road notorious for disappearances and murders.
Choosing empathy over a creeping sense of foreboding, she offers him a ride to the nearest station. That single choice unleashes a harrowing chain of strange and terrifying events in the dead of night, turning a simple gesture of kindness into a real-life nightmare.
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movies
Gillian Anderson Explains Confrontation With “Distracting” Superfans
Gillian Anderson has explained why she asked a group of superfans not to sit in the front row of her West End stage show, Who’s Afraid of Virginia Woolf?.
Anderson is performing at Soho Place Theatre and was filmed confronting audience members following a performance. In the video, posted just after midnight on Sunday morning in the UK, Anderson tells fans: “You guys cannot sit in the front row.”
She continued: “I don’t care; you cannot sit in the front row. It’s so distracting.” The fans can be heard responding and apologizing. “You can’t come 20 times and sit in the front row, it’ll drive me mad,” Anderson adds, according to the video, originally posted on TikTok.
After the footage went viral (it has amassed more than 4 million views on TikTok alone), Anderson posted on X/Twitter, explaining the interaction she had following the show, which co-stars Billy Crudup.
“The video doing the rounds is me talking with women I go back over 20 years with – so please don’t say anything negative to or about them,” she said. “We’re thrilled to be doing this show but for people in the front row, please be aware that in such an intimate venue we can all see you and sometimes, it can be a tad distracting!”
The 58-year-old Sex Education star added: “That’s all. All good. On with the show and love to everyone and thank you to all of those coming.”
It’s unclear whether her fans will respect her request. The TikTok user who posted the video of Anderson suggested that the women had booked to attend eight performances.
Anderson’s confrontation is part of a growing trend of actors voicing their concerns to theatergoers. Last month, Cate Blanchett, from the London stage of National Theatre’s Lyttelton Theatre after the curtain call of Electra/Persona, asked fans to put away their cellphones.
Blanchett said: “There are few places on this planet where we can simply be together and be present. I understand you like filming the curtain call – and it is kind of flattering in a way – but for anyone who is filming the show, please don’t, because it spoils it for the next group of people who come in and are present with us. So thank you very much.”
In April, Wicked star Cynthia Erivo halted her performance of Dracula at the Noël Coward Theatre after spotting an audience member recording the show. A month later, Rosamund Pike was critical of an audience member for texting during her Inter Alia show at the National Theatre.
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movies
A+E Global Media Hires Banijay Distribution Veteran Chris Stewart
EXCLUSIVE: A+E Global Media has hired international TV distribution veteran Chris Stewart.
The former Banijay executive joins as VP, Content Sales, and will lead on sales in the UK, Ireland and Germany. He will be based in the UK.
His hire comes a week after Deadline revealed Stewart was among those that had exited Banijay Rights in a shakeup that followed Banijay Entertainment merging with All3Media. At Banijay, he was SVP, UK and Ireland.
“Chris brings a rare breadth of experience across sales, acquisitions, programming and content financing, along with a deep understanding of what buyers need in an increasingly complex marketplace,” said Patrick Vien, Group Managing Director, International at A+E.
“His commercial instincts, strong industry relationships and ability to identify opportunities across platforms will be tremendous assets as we continue to expand the reach of A+E Global Media’s content across these key markets.”
Earlier in his career, Stewart was Commercial Director, Scripted at Banijay Rights and was also Head of Drama at BBC Studios predecessor BBC Worldwide. He began his career at 2Entertain, the BBC Worldwide joint venture with high-street store Woolworths.
A+E is heading to MIPCOM Cannes this month having earlier in the year commissioned shows such as History’s Strange Fortunes with Kevin’s Bacon, Extraordinary Origins with Ted Danson and Buried in Barstow 2: Blood for Blood.
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movies
‘Lanterns’ Team Recaps Season One Finale
SPOILER ALERT: This story contains details from Season 1 episode 8 of Lanterns on HBO.
“Are You Afraid?”
In Sunday nights season one finale of Lanterns, John Stewart (Aaron Pierre) finally foudn the answer and his destiny as he spoke the words audiences have been awaiting all season to hear. Not only did Stewart accept his role as Earth’s protector by the end of the episode but also why Hal Jordan (Kyle Chandler) was killed and for what reason.
The finale starts off with a flashback to Sheriff Kerry Kane (Kelly MacDonald) picking up Jordan from prison following a ten year sentence after admitting to fault for the deadly attack on Rushfield. This is also the start of their relationship with Jordan weary about how the town will accept his return.
His instincts are correct as his house is firebombed with Jordan left for dead only to be saved by Kane’s son Noah (Shea Pritchard), who is not only able to regenerate Jordan’s burned skin but reveals his secret that he like his grandmother is a Man Hunter.
Flash forward to present day, where Stewart and Jordan’s hologram have captured Sinestro (Ulrich Thomsen) on a desolate planet and found out he has forged Noah a very powerful lantern that could be very deadly in the wrong hands.
Back on earth with the new Lantern in hand, Stewart is captured by Noah but ultimately released prior to Noah’s big football with the boy admitting he had killed the real Jordan after he had found out his plans for the new lantern. While watching the game, Stewart confronts Kerry about Jordan with her ultimately admitting she killed him after panicking when Jordan asks her to move away with Noah to protect from the Guardians.
Kerry asks to watch the end of the game before turning herself in and Stewart suggests that isn’t what Jordan would want before going on their separate ways. In the final moments, Stewart tells Guy Gardner he’s taking on the task of Guardian of earth and accepts role by speaking the oath that while rooted in the original has a new twist to it for this show before he sets flight.
Series creators and stars talked about the finale and the future of the show recently during a press conference.
When it came to Jordan’s Hologram, Chandler had an interesting outlook when it came to playing the real version of Jordan and the artificial one and felt that there was a paternal feeling to how he handled the material.
“I looked at the Hologram, as more of a younger Hal watching himself or the version of himself and the subconscious of how at the time he was put in that world,” Chandler said. “It’s almost like a father watching a son grow up in a way. He’s viewing himself, making these decisions and yet he gets to also converse with himself at the same time. So it is kind of rather complicated and I took the dialogue and did what I could with it to make it more complicated. So no one understood what I was doing and I thought maybe that might work out.”
The running theme of not just the episode but the season is the idea of fear and how characters handled and writer and co-creator Chris Mundy pointed how as a writing team they embraced that idea when writing this episode.
“If you’re gonna do this story, you’re gonna talk about fear and is it a good thing? Like Sinestro says it in the finale, fear is just emotional intelligence,” show co-creator Chris Mundy says. “Show me a species without fear, and I’ll show you something on the extinction list. We wanted this to be a really human story, we wanted to talk about these people with, that are very real, flawed or complicated who get to do these heroic things, and what would it actually mean? And so it was really important to us that to embrace that and treat that question really super seriously.”
The final moments between Stewart and Jordan clearly signaled this could be the last time the two may share a scene together going forward and Aaron Pierre talked about how after filming for so long the scene came together seamlessly when it came to how the characters felt about each other.
“We had filmed a lot by that point,” Pierre said. “Kyle and I on the day we’re thinking of all the months that we filmed prior to that, It’s all going into the moment. It’s all very loaded and it feels earned and it feels deserved. And hopefully the audience is open and receptive to that and allows it to resonate with different.”
Fans of the original comics are sure to notice a change in the famous Lantern slogan and Mundy said the idea of changing or “remixing it” had to do with the writers journey throughout the season and how it made sense to head in this direction by the end of it.
“I know Justin, one of the writers, was like, well, we’re not rewriting it, We’re remixing it.,” said Mundy. “I think the idea was, we sort of were taking a look back at what we’d done with the season and so John’s path was not the normal path. The ring didn’t choose him. He was interviewed. He was kind of raised for it. He was having to choose this thing. Then he decided not to do it, and then decided he needed to do it on his own terms. And so, it felt, we wanted to be true to the original, and respectful of the original, like his version is rooted in the OG version of it. We also wanted to tweak it to talk about the themes that we talked about, and fear, and make it, make it be a choice that he was choosing this thing, and not something he was like, Oh, I’m doing it because my parents wanted me to do it, or I’m doing it because of these things.”
As for everyone’s favorite pet plant Earl, not only is there signs we’ll see more of him next season, it seems when it comes toughness, he’s much more resilient then the man that feeds him.
“I think Earl is pretty Earl is pretty resilient,” co-creator and writer Damon Lindeloff said. “The botanical creatures of the galaxy can grow their own skin, I would imagine.”
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